Georg Philipp Telemann: Trios and Quartets for Recorder, Violin & Basso Continuo

Georg Philipp Telemann: Quintetti d'archi e Partite per due liuti

The Georg Philipp Telemann Collection - The Baroque Coterie

GEORG PHILIPP TELEMANN - GERMAN BAROQUE

Georg Philipp Telemann

Ich seh euch faßt mit bttern thränen nach

05. Telemann "Ach Gott, wie beugt" TWV 1:1564 1. Aria "Ach Gott…"

Concerto à 4 in A Minor, TWV 43:a3: II. Allegro

Concerto à 4 in A Minor, TWV 43:a3: III. Adagio

Concerto à 4 in A Minor, TWV 43:a3: I. Adagio

Concerto à 4 in A Minor, TWV 43:a3: IV. Vivace

Trio Sonata in A Minor, TWV 42:a4: I. Largo

I. Adagio

II. Allegro

I. Overture

III. Grave

IV. Allegro

Georg Philipp Telemann (1681-1767) - Concerto for Recorder, Viola da Gamba, Strings & Continuo, TWV52:a1

[Grave]
Allegro
Dolce
Allegro

@NewCommaBaroque - Matthew C. Cataldi, Baroque violin, @PhillipWSerna, viola da gamba & Emily J. Katayama, historical keyboards with Guest Artists Cynthia Black, Baroque violin, Marylin M. Fung, violone, Peter Lekx, Baroque viola & @LauraOsterlund, recorder

from the program Telemann's Travels: The Eclecticism, Diversity, and Virtuosity of Telemann 

Recorded April 19th, 2013 at Saint Alban Episcopal Church, Cleveland Heights, OH

To find out more about about the New Comma Baroque, please visit http://www.newcommabaroque.org.

Georg Philipp Telemann (1681-1767) - Concerto for Recorder, Viola da Gamba, Strings & Continuo

with Jed Wentz (traverse), Igor Ruhadze (violin), Cassandra L. Luckhardt (viola da gamba) and Job ter Haar (violoncello) 

G. P. Telemann, 6e Quatuor in E minor, Modéré

The Georg Philipp Telemann Collection

Partita No. 1 in B Flat Major  TWV 41-B1  I. Con Affetto

Partita No. 1 in B Flat Major, TWV 41-B1, I. Con Affetto

Sonata in A Minor  TWV 41-A3  IV. Vivace

Sonata in A Minor, TWV 41-A3, IV. Vivace

Sonata in A Minor  TWV 41-A3  III. Andante

Sonata in A Minor, TWV 41-A3, III. Andante

Sonata in A Minor  TWV 41-A3  II. Spirituoso

Sonata in A Minor, TWV 41-A3, II. Spirituoso

Sonata in A Minor  TWV 41-A3  I. Siciliana

Sonata in A Minor, TWV 41-A3, I. Siciliana

Live recording // Festival de Deauville // 1er mai 2014

TRAUERODE BWV 198
Oeuvres de J.S Bach et G.P Telemann

avec
Victoire Bunel, soprano
Rodrigo Ferreira, contre-ténor
Manuel Nunez Camelino, ténor
Virgile Ancely, basse
Julien Chauvin, soliste et chef invité
Maîtrise de Caen, dir. Olivier Opdebeeck
L'Escadron Volant de la Reine
Ensemble Desmarest, dir. Ronan Khalil 

Wassermusik - Georg Philipp Telemann - Gavotte

Buy/Acheter

Telemann "Fantaisie pour violon en ré majeur" Thibault Noally

Pas de bourrée

Ouverture-Suite in G Major, TWV 55:G4 "Les Nations anciens et modernes": III. Les Allemands anciens

Ouverture-Suite in G Major, TWV 55:G4 "Les Nations anciens et modernes": IV. Les Allemands modernes

Georg Philipp Telemann
Ouverture pour orchestre en Ré majeur
Concerto pour flûte
Concerto pour flûte & violon
Les Ambassadeurs
Alexis Kossenko, conductor

More info: http://www.outhere-music.com/en/albums/ouverture-concerti-pour-darmstadt-alpha-200

Telemann: Concerto pour flûte traversière en Ré majeur TWV 51:D2 —  Les Ambassadeurs & A. Kossenko

Heinrich Ignaz Franz von Biber (1644-1704)
Sonata nr.13 “Pentecoste” 
Georg Philipp Telemann (1681-1767)
Tre Cantate per la Pentecoste: 
“Zischet nur, stechet”, TWV 1:1732
“Schmuckt das frohe Fest”, TWV 1:1256
"Ergeuss dich zur Salbung", TWV 1:447


Heinrich Ignaz Franz von Biber; Georg Philipp Telemann: Musiche per la Pentecoste

Fantasia in B-flat major 
Largo
Allegro
Grave
Si replica l'allegro

Georg Philipp Telemann, Composer
Robert Simonds, Violin
roberthuntsimonds.com
@simondsviolin

Fantasia in B flat Major; Georg Philipp Telemann, Composer; Robert Simonds, Violin

Die neue CD des Machado Quartetts!
	Hinreißende Interpretationen der Musik 
	von Gaspar Sanz, Ridolfo Luigi Boccherini, 
	Enrique Granados, Georg Philipp Telemann, 
	Fabian Payr und dem Namensgeber der Formation: Celso Machado.

Konzert in D-Dur - Georg Philipp Telemann

Suite in A Minor by Georg Philipp Telemann

Georg Philipp Telemann - Overture In F Minor, TWV 55 - F1(Collegium Instrumentale Brugense, 2006)

Mixed sessions & archived containers in playlists of

Polyphony in Baroque Period Music
https://brevemusicstudios.com/the-evolution-of-polyphony/

Buddhism as Philosophy by Alan Watts
https://archive.org/details/buddhismreligion00watt

Psychedelic Trance DJ Sets & Mixing Sessions 
#psychedelictrance

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Introduction to the Baroque Era/Period Music

The Baroque era 1590 - 1750, spanning from the late 16th century to the early 18th century, was a time of artistic grandeur and musical innovation. This period in music history is characterized by its ornate and intricate compositions, elaborate melodies, and the use of various instruments to create a rich and dynamic musical tapestry.

Baroque music is known for its use of dramatic contrasts, ornamentation, and emotional intensity. Composers of the Baroque era aimed to create music that evoked powerful emotions and stimulated the senses. This led to the development of new musical forms and styles, such as the opera, oratorio, and concerto.

The Baroque era brought about significant changes in music composition. Composers began to explore complex harmonies, intricate melodies, and the use of contrasting textures to create depth and expressiveness in their compositions. This era also saw the emergence of virtuosic instrumental music and the establishment of the basso continuo as a standard practice in music composition.

Principal Second Violin, Louisville Orchestra // Section Violin, Cabrillo Festival of Contemporary Music //  Solo Recitalist  // Chamber Musician

Gbopera è un webmagazine dedicato all'opera lirica, la musica classica e la danza

Dedicated to re-engaging modern audiences in historically informed performance, the Chicago-based ensemble @NewCommaBaroque features violinist Matthew C. Cataldi, flutist @Leighann-Daihl Ragusa, gambist @PhillipWSerna, harpsichordist Emily J. Katayama and a variety of other collaborators celebrating cultural diversity through our rich musical heritage in the concert hall and beyond. Advocating a strong sense of cultural context as well as community and educational outreach, New Comma Baroque works in close conjunction with Illinois’ first period-instrument public school Baroque orchestra at Adlai E. Stevenson High School in Lincolnshire, IL as well as other programs. Please join us in a vibrant and new way of experiencing Baroque music.