Giovanni Battista Viotti, Violin Concerto No. 22 In A Minor

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Violin Concerto No. 22 in A minor - Adagio

Violin Concerto No. 23 in G major - Allegro

Violin Concerto No. 23 in G major - Andante

Violin Concerto No. 22 in A minor - Moderato

Violin Concerto No. 22 in A minor - Agitato assai

Going Hard 2

Oltre

Come mi guardi

Da soli

Bicchieri di plastica

Emoji della traphouse

I do not own nor made this OST, all credits go to Pablio Delgado and the rest of the Brutal Orchestra Team

Brutal Orchestra Soundtrack

Brutal Orchestra OST 28 - With Apologies To Giovanni Battista Pamphili

"Gelido in ogni vena"
Giovanni Battista Ferrandini, "Siroe"
Libretto: Pietro Metastasio

Countertenor + piano accompagniment: Philippe Jaroussky
Live on France Inter Nov 2023
Cosroes' aria (Act III, scene V)

Gelido in ogni vena
Scorrer mi sento il sangue,
L'ombra del figlio esangue
M'ingombra di terror.

E per maggior mia pena
Vedo che fui crudele
A un'anima innocente,
Al core del mio cor.

**
I feel my blood congealing run 
Thro' ev'ry vein, in ev'ry part, 
And the pale ghost of my dear son,
Strikes dread and terror to my heart. 

And still to add to greater woe,
The loyal innocent I've slain,
Of cruelty at length I know,
I, on myself, have fix'd the stain. 

Gelido in ogni vena" is an aria from a libretto by Pietro Metastasio*. It appears in two distinct operas: "Siroe" and "Farnace". (Farnace: 1927, "Gelido in ogni vena" was set to music by almost every composer in Baroque and beyond. The approaches are very different and interesting to hear. They range from Vinci's approach which is more pleasing than it is gripping to Vivaldi's soul-crushing benchmark of what a baroque aria can be.

The fellow Venetian Giovanni Battista Ferrandini (*1710) has a yet different approach. It's not quite clear when his version was composed, only that it happened before 1758. The dread that befalls Cosroe when he imagines seeing his deceased son whom he (justly) feels he has wronged that makes his blood run cold with fear and guilt, Ferrandini illustrates with fragile diminished jumps and subtle harmonic shifts and chromatics as Cosroe's world is coming apart at the seams, shifting and shaking while he tries to somehow smoothen the cracks and live on. More personal and intimate than Vivaldi's, Ferrandini's interpretation is sublime by its own merit.

*) (this seems more likely even though some sources credit Antonio Maria Lucchini, but it seems that his version didn't contain "Gelido ...")

The full radio podcast is still available here: 
https://www.radiofrance.fr/franceinter/podcasts/le-grand-atelier/le-grand-atelier-du-dimanche-05-novembre-2023-5102248

Translation Source: Siroe, re di Persia. Drama per musica, etc.
1736, British library
https://www.google.de/books/edition/Siroe_re_di_Persia_Drama_per_musica_etc/NnkCXEdNB4wC?hl=de&gbpv=0

I believe the publication of this excerpt fulfils the criteria of "fair us", discussion on study. Should you object against this being online, drop me a line and I'll remove it immediately.

Philippe Jaroussky sings "Gelido in ogni vena" from Giovanni Battista Ferrandini's "Siroe"

Amadeus

Giovanni Battista Pergolesi: Stabat Mater: Quando Corpus Morietur And Amen

This song is from Origen's  album "In Search of the Future of Music"- http://www.origenmusic.com/origen-in-search-of-the-future-of-music.html

All music performed by Alexsey Zakharenko
All vocals performed by Tetiana Lubimenko AKA Milana

In Search of the Future of Music

Quando corpus morietur (by Giovanni Battista Pergolesi)

Piano accompaniment provided by Levine Music faculty member Irina Kats.

Eddie Cavallin is a violin student of Susan Katsarelis at Levine Music in Washington, DC and is an 8th grade student at St. Albans School in Washington, DC.  He has been studying violin at Levine for 5 years.  During his time here, he has studied music theory and participated in chamber music ensembles.  As a performer he won second place in the 2017 Cogen Concerto Competition, 2016 Misbin Chamber Competition, Honorable Mention in 2017d Marlen-Engel Instrumental Competition and First Prize in the 2017 Washington Performing Arts Feder Memorial Strings Competition. 

Levine Music is one of the country’s largest nonprofit community music schools, with over 3,000 students of all ages and abilities at five campuses throughout the Washington, DC area. At Levine, children and adults find lifelong inspiration and joy through learning, performing, listening to, and participating with others in music.

The Honors Program at Levine is the school’s top merit-based program. Designed to enrich the musical development of Levine’s most gifted and dedicated students ages 8-18, the program provides opportunities to enhance students’ musical education, gain inspiration through a community of like-minded students, and represent Levine as ambassadors of excellence. Once admitted to this prestigious program, Honors students participate together in a variety of activities throughout the year to deepen their musical understanding and broaden their musical experiences.

© 2018 Levine Music. All rights reserved.
Engineer: Aaron J. Percy
Producers: Paul Bratcher and Sarah Andrew Wilson
Design: Kyle Reardon
Recorded at Levine Music’s Morris and Gwendolyn Cafritz Recording Studio
Sallie Mae Hall, 2801 Upton Street NW, Washington, DC 20008

www.levinemusic.org/honors

EDDIE CAVALLIN, violin - Allegro from Concerto No. 23 in G major (Giovanni Battista Viotti)

Retrouvez la playslist du spectacle "Una costilla sobre la mesa : Madre" d'Angélica Liddell qui se jouera du 18 janvier au 9 février à La Colline. 

Ce spectacle sera présenté en alternance avec "Una costilla sobre la mesa : padre" qui se jouera du 10 janvier au 7 février.

Plus d'informations : 
https://www.colline.fr/spectacles/una-costilla-sobre-la-mesa-madre
https://www.colline.fr/spectacles/una-costilla-sobre-la-mesa-padre

"Stabat Mater" - Giovanni Battista Pergolesi

La vanità del mondo

La decollazione di San Giovanni Battista: "Bacio l'ombre e le catene" (S. G. Battista)

La decollazione di San Giovanni Battista: Sinfonia

I AM NOT THE ORIGINAL CREATOR OF THE BRUTAL ORCHESTRA SOUNDTRACK! I AM JUST A FAN WHO ENJOYS THE MUSIC AND UPLOADED IT HERE FOR ACCESSIBILITY!

All credits go to Publio Delgado and Chris Dang as noted on the soundtrack page

sono nel chill non mi cagate il cazzo!!🥤🍓

We're an international fan community, devoted to spreading the love for Philippe Jaroussky, a French singer and a wonderful person. 
***
Dear copyright holders! We believe that all of all our tracks meet the conditions of "fair use", discussion and study.  None of the tracks is available for purchase, all excerpts taken from radio shows are very brief and link to the original source. If you have any concerns about any of the snippets being public here, please ask us to take down the respective track, and we'll comply immediately.  
***
Visit our website for concert dates, our reviews, news, and more: 
http://philippejarousskycompletelyunofficial.com

Origen brings Classical music into the 21st Century New Age Era. It is next level of Classical Crossover and you’ll stop in amazement from the first moment with desire to listen to this music again and again. 
The band members are two musicians from Kiev (Ukraine): the founder of Origen, Alexsey Zakharenko who arranged, performed and produced all the music and Tetiana Lubimenko a.k.a. Milana, singer of Ukrainian National Opera House who performed all vocals.  
For more info please visit http://www.origenmusic.com

dernier né des cinq théâtre nationaux, dédié aux écritures contemporaines.
Direction : Wajdi Mouawad