In Act 2 of Gian Carlo Menotti’s “The Consul,” the magician Nika Magadoff (Alex Mansoori) hypnotizes everyone in the consulate and makes them dance: 
Oh, what a lovely ballroom this is...
the floor shines with precious marble.
Look how the light falls bright and clear 
from twenty crystal chandeliers.
Look at the crimson walls, hung with golden mirrors. 
Ah, listen:  the music has begun.
Ah! How you'd love to dance with your loved one...
But where is he? But where is she?
There, there he is!  He's bowing to you.
Look, there she is...bow to her.
What are you waiting for?
The floor is empty, the music sweet...
the dance is on.
Carlo Montanaro conducts the orchestra of Seattle Opera. Elise Bakketun, photo
Seattle Opera, The Consul, Menotti, Carlo Montanaro, Alex Mansoori


THE CONSUL: ALEX MANSOORI as Nika Magadoff

Seattle Opera’s General Director Aidan Lang worked as a freelance stage director for many years before becoming an administrator. In January, Lang brings his own New Zealand Opera production of one of his favorite works to Seattle. Listen to (or read at http://www.seattleoperablog.com/2015/12/aidan-langs-marriage-of-figaro-comes-to.html) this downloadable podcast to find what Lang thinks about this extraordinary masterpiece and its beloved characters.

For a refresher/overview of The Marriage of Figaro, look at our Seattle Opera Spotlight at http://www.seattleoperablog.com/p/spotlight-on-marriage-of-figaro.html. 

Musical examples recorded at Seattle Opera in 2009: conducted by Dean Williamson, starring Oren Gradus (Figaro), Christine Brandes (Susanna), Marius Kwiecien (Count Almaviva), Twyla Robinson (Countess Almaviva), Daniela Sindram (Cherubino), Leena Chopra (Barbarina), Arthur Woodley (Dr. Bartolo), Joyce Castle (Marcellina), Ted Schmitz (Don Basilio), and Barry Johnson (Antonio). 

PODCAST: Aidan Lang’s "Marriage of Figaro" Comes to Seattle

Join me as I sit down with Emily Cabiness, librarian and archivist for the Seattle Opera. We discuss the art of opera, through both process and product. How does it stay relevant in contemporary life? What kind of collaborative work does it take to put on a production? What does a librarian do for an opera company? How does music help us express the otherwise ineffable? 

A funny, engaging, and emotional chat with a good friend of the show.

(Disclaimer: Emily participated in this discussion outside of her official duties with the Seattle Opera. As such, all of her opinions are her own, and do not necessarily reflect the views of the Seattle Opera or any affiliated staff or artists!)

For more information about the Seattle Opera, including upcoming shows and events, visit https://www.seattleopera.org/ 

For those interested in listening to Emily’s scene selections further, please see the recorded versions below:

Mozart’s The Marriage of Figaro - “Pace Pace Mio Dolce Tesoro” - https://open.spotify.com/track/3EQrqvdRO7VMWSPKSlCdSe

Wager’s The Valkyrie - “War Es So Schmählich”
https://open.spotify.com/track/68CZHU1J4F89quxGwQOQGn

All clips and music used under Creative Commons and Fair Use policies.

Ping: Opera With Emily

Founded in 1963, Seattle Opera is a leading American opera company. The company presents the classics of the European repertoire as well as new works of American opera. Frequent productions of Wagner's RING, beginning in 1975, established the company's worldwide reputation. Seattle Opera usually presents five opera productions each year.

PODCAST: Aidan Lang’s "Marriage of Figaro" Comes to Seattle

Seattle Opera

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