I love this whole album. Pulls my heart strings.

this is literally one of my favourite songs of all time. so beautiful. 

Should I ever get married I would want this to be my wedding song, the first dance as husband and wife. I love it.

Seawolf

Copyright Daniela Andrade 
i own nothing 

Daniela Andrade - Bright Blue

Our new Christmas song, available on limited edition red cassette with handmade gold artwork.

---------------------------

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Sweet Winter Rain

Debut Sea Wolf EP "Get To The River Before It Runs Too Low"

You're A Wolf

Neutral Ground

A cozy acoustic mashup of two favorites — “Ache for You” by Ben Lee and “Beautiful Like Words” by Elijah Wyman.

Iphone Voice Memo 06: Ache For You/Beautiful Like Words (Ben Lee/Elijah Wyman Cover)

hereswherethestoryends.mp7

Chris Trapper. Symphonies of Dirt & Dust. Produced by Jason Meeker. 

01 Angel Appearing In A Small Cafe

Live Session

Sweetmatter (Live)

Passenger

10 Nowhere to Go

'Cherokee' is the new single from Sean Christopher

Sean Christopher's debut album 'Yonder' will be released May 11th

Bristol-based singer-songwriter Sean Christopher will release his debut album 'Yonder' on Swedish label Dumont Dumont (RY X, Charlie Cunningham, Josin). 

Sean Christopher links:
Facebook www.facebook.com/seanchristophermu/?fref=ts
Twitter twitter.com/seanchristophr
Instagram www.instagram.com/seanchristophermusic/
Soundcloud @seanchristophermu
Spotify open.spotify.com/artist/0e4vnHBYwY6LQqrhutIcnj
Label www.dumontdumont.com
Website www.seanchristopher.mu

Sean Christopher live:
 
April 4           Hedon, Zwolle (NL) support to Nana Adjoa
April 5           Rotown, Rotterdam (NL) support to Nana Adjoa
April 12         Ekko, Utrecht (NL) support to Nana Adjoa
April 19         Slaktkyrkan, Stockholm (SWE) support to Jennie Abrahamsson
April 20         Stora Teatern, Göteborg (SWE) support to Jennie Abrahamsson
May 5           Liverpool Sound City (UK)
May 14         Blacks Club, London (UK)
 
Sean Christopher has been immersed in music all his life. As a child growing up in the Netherlands he would listen to his father play Flamenco guitar for hours and hours every day, while his mother’s extensive vinyl collection introduced him to legendary artists like The Beatles, Leonard Cohen, and David Bowie.
 
An alumni of the Royal Conservatory in The Hague and Codarts in Rotterdam, where he studied music production, Sean began creating music for films and commercials shortly after graduating. In 2014 his song ‘Everything’, composed and produced for an international car commercial, began to get him noticed, reaching a million streams on Spotify.
 
Back in The Hague, Sean built himself a basement studio and decided to record his first full-length album. Hidden away, accompanied only by his ever-growing collection of instruments and his dog Ollie, he began to work. In the end, it was his father's old Flamenco guitar that took centre stage and drove the recording of what was to become ‘Yonder’.
 
After relocating to Bristol last year, Sean signed a record deal with Swedish label Dumont Dumont, home to artists including RY X, Charlie Cunningham and Josin.
 
Praise for Sean Christopher:
 
“A beautifully composed piece of music, there's a marvellous sense of balance in Sean's songwriting, with those lingering guitar notes underpinning his softly intense vocal”  CLASH
 
“Something really warm about his voice... it’s reminding me of Jeff Buckley, it’s beautiful."
Georgie Rogers, Virgin Radio
 
"His work is rooted in pastoral acoustic climes, while still reaching towards the personal. Recent single 'Paper Plane Pilot' is a beautiful example of his artistry”
CLASH
 
“A very listenable and magnetic bit of guitar pop”
Blahblahblahscience
 
“An accomplished listen – one that’s alive with tight melodies, intelligent lyricism, emotional content and a really appealing set of vocals"
**** Indie London
 
“His vocals pour like honey into the mix and the whole track feels like an elixir for simple happiness“
Indie Shuffle
 
"Heart-touching lyrics, soothing vocals and a melody to die for. Yeah, Sean Christopher's "Paper Plane Pilot" is quite the find!”
Stereofox

Yonder

Cherokee

Sean Christopher - Cherokee

Buy "Old World Romance" on iTunes: http://smarturl.it/oldworldromance

Buy iTunes

Changing Seasons

Dear Fellow Traveler

Miracle Cure

Whirlpool

Taking its name from novelist Jack London’s 1904 seafaring adventure, Sea Wolf has evolved organically from its hermetic origins in Alex Brown Church’s living room into a muscular, full-bodied musical entity with passion to burn. After adopting the sobriquet, Church burst onto the music scene in two-fisted fashion with the EP, Get to the River Before It Runs Too Low, and the subsequent full-length debut album, Leaves in the River, about which Interview magazine observed, “His music is both erudite and unvarnished, a blend of swirling melodies, literary balladry and damaged art-rock composition.”

And now, Church’s singular vision has led to the creation of the eloquent and expansive new album White Water, White Bloom, which not only fulfills the immense promise of the initial musical diptych but conjures up its own cosmology. This is one of those rare and mysterious records wherein, the first time you hear it, you can’t shake the feeling that it’s always been part of the soundtrack of your life. You intimately know its ups and downs, its melodies and cadences, its settings and characters.

“I couldn’t have known beforehand what the next record would sound like,” says Church, “but I did know I wanted it to be bigger, with a band feel, rather than another series of intimate confessionals.”

A song cycle set against the changing of seasons, this timeless work unfolds like an epic poem, yet resonates with thematic elements that speak, elliptically yet unmistakably, to the world we live in. Pulsing with evocations of nature at its most elemental, Church’s songs are flooded with vivid imagery, carried along on torrents of sounds as majestic as a mountain stream swollen with the bracing, crystalline runoff of spring’s first warming breath. What’s more, he sings these songs with newfound power, the result of extensive roadwork behind Leaves in the River, while deepening the mesmerizing expressiveness with which he made his initial mark.

Opening track “Wicked Blood” begins with what sounds like an orchestra tuning up before surging to glorious life, the rhythm section shaping itself into a propulsive groove accented by delicate piano notes, carrying along the opening chapter of the saga: “We met in the East/ poured in like a flood,” Church begins, shadowed by the breathless wheeze of an air organ, “You’re the whispering kind/dark sapphire blood/A vision of veils/all shimmery white/like a backdrop of sails/all aglow from the light/of the wonder behind/at a starry night.” And with that, we’re off into an adventure of cinematic immediacy, as befits the sensibility of this onetime film student, who’s clearly found his natural medium of expression.

“Lyrically,” says Church, “I like to incorporate what one would construe as classic imagery, and even infuse the songs with elements of mythology, but also delve into more contemporary themes. I’m interested in the way words look and feel, not just when you hear them but also when you read them.”

Church’s verbal acuity is mated with bold, vibrant soundscapes set off with thundering drums, stabbing, reverb-soaked electric guitars and ghostly keyboards, resulting in such memorable pieces as the mythological tale “Orion & Dog,” ornamented with strings right out of a John Ford western; the folk-noir fable “O Maria!”; the surging title song, burning with Byronic heat; the fever-dreamscape “Spirit”; the muted, idyllic, “The Orchard”; the Dylanesque roundelay “The Traitor”; and the closing “Winter’s Heir,” with its life-embracing denouement.

“When I write a song,” says Church, “for me it’s always associated with a specific place and time. For example, ‘Orion & Dog’ was written during the summer, and ‘Winter’s Heir’ is about coming out of the long Montreal winter and experiencing a sense of rebirth.”

The album has a back story: “I met and fell in love with a girl in Montreal while on tour with Irving, and just before signing with Dangerbird,” Church recalls. “And then, while touring behind the Sea Wolf record, I spent most of my time off in Montreal with her. Apart from ‘Wicked Blood’ and ‘O Maria!,’ which I wrote in Los Angles, everything on White Water was written in Montreal, holed up in our little apartment, a block away from the river. That was all of last fall, winter and spring, so I was very much influenced by that experience, and a lot of the record is set there in my immediate surroundings, along with remembrances of being home on the West Coast.”

White Water, White Bloom was recorded at the Omaha studio of Mike Mogis (Bright Eyes, M. Ward, Monsters of Folk), with Church handling vocals, acoustic and electric guitars, as well as some of the air organ and pump organ sounds that were such a big part of the sonic signature of the earlier records. Joining him were the three core members of the six-piece Sea Wolf touring lineup: keyboardist Lisa Fendelander, bassist Ted Liscinski and drummer Joey Ficken. The remaining slots were filled by Mogis on lead guitar and an assortment of other instruments, with his Bright Eyes cohort Nate Walcott filling the role of the cellist, arranging strings for a quartet, sometimes working from cello parts originally created by Catherine Odell, who’d been part of the initial Sea Wolf touring lineup, with Church’s input.

They arrived with a full set of song demos, providing a detailed blueprint for their subsequent expansion into widescreen anthems that reshape the classic aspects of traditional folk, folk rock and chamber pop—but these bucolic elements are intercut with aggressive bursts of raw emotion sharpened to a serrated edge—making for a rich, vibrant sound that is virtually unprecedented.

Church is working in the most personal of mediums, and that results in constant self-questioning. “Every time you make a record,” he says, “you invariably think, ‘Oh, I wish I’d done this differently,’ or ‘Next time I want to do this.’ But if you get to the point where you don’t think that, then it’s time to quit. In terms of aspirations, as long as I’m constantly having new ideas and finding new places to explore with the music, I’ll be satisfied.”

Neutral Ground

Sea Wolf

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