Oberon (2013)

Black Swarm - Black Hole

Black Swarm - Mountain Silence

Mirandas Orbit - Neo 5

ED

Sebastian Bättig - git/fx
Michael Cina - dr/electronics

ED live 20180617

Preview of the upcoming album "The Summer I Was Ten"
Enjoy!

The Summer I Was Ten Teaser

"Das war damals alte Musik!" sagt Maurice Steger im Podcast Am 8. Dezember 2019 gaben er und Ignacio Preto ein Konzert für Blockflöte und Cembalo im Rahmen des 24. Saisonprogramms der GKML. Im Podcast sprechen beide über das Konzert, das Programm und ihre besonderen Momente im Konzert. Sie hören Ausschnitte aus dem Konzert und Stimmen von begeisterten Zuhörern direkt nach dem Auftritt. Die Sprache ist deutsch und englisch.

Kammermusik Luzern_Maurice STEGER_Podcast

Composer: Rosetta Bachofner 
www.rosettab.ch 
fb.com/rosettab.ch 

© Rosetta Bachofner 2020

Dazed Wings

Premier EP d'Azur. Sketches, les esquisses de style et de genre de chaque membre s'entrecoupent de phrases et d'histoires en tout genre. Jetez une oreille.

POUR MONA

My first go at scoring to picture.
I've been trying get to grips with Hitrecord. Found a short film but the project was closed so i'm not sure if i'll be able to upload it.
Here's the music for it, with a silent section removed.

Edit: Link to the film :)
https://hitrecord.org/records/4638197

The Phone Call

Tomas Sauter Glances
—
Tomas Sauter – classical & baritone guitar
—

For many years the guitarist and composer Tomas Sauter has surprised and convinced the audience again and again with stunningly distinct musical projects. Whether in a duo with double bass, trio, quartet or quintet, as composer, leader and instrumentalist Sauter always guarantees absolute authenticity and highest quality. He feels equally at home on the electric, jazz and acoustic guitar, but he has also amazed the music world on the electric bass of his brilliant band with trumpeter Ralph Alessi. He tastefully documents his work on wonderful recordings, which he releases on his own label CATWALK. With 20 albums, the brand stands for finest sound culture and exquisite artwork.
And now there is the solo album "Glances", on which Tomas Sauter delights all alone with music for classical and baritone guitar. One is tempted to say: finally! Sauter undoubtedly stands out from the mass of contemporary musicians in terms of inventiveness, creativity and versatility. Despite all his success, however, he has remained modest and has taken his time before setting off on his next musical adventure into unknown territories on his own.
For "Glances", Tomas has written a repertoire that is so different from anything we have heard from him before. This time all pieces are fully composed. The music floats organically, easily and naturally over long arcs of tension. Even though the jazz musician for once subordinates improvisation and interaction to the vision of a clearly composed sound architecture, he has written his new pieces based on improvised motives, sounds and moods. At the same time, one can hear in them that Sauter has long been engaged with and inspired by the forms and sounds of contemporary classical compositions.
No words need be spoken about the brilliant interpretation of these treasures. Virtuosity of course, but never degenerates into circus artistry. On the contrary, the music fascinates from the very first note and makes you completely forget how difficult it is to play, especially since the classical guitar is technically more demanding and offers more tonal possibilities than the jazz guitar. Sauter masters these challenges brilliantly, elicits unheard-of sounds from his instruments and thus opens up new artistic territory, on which he once again creates beautiful and at the same time exciting music.
Tomas Sauter is a great melodist, who is able to enchant an inconspicuous phrase into a catchy tune even in dissonant settings. But he is also an innovative sound researcher who experiments with unconventional moods and unusual strings. His baritone guitar, for example, has the range of the cello and opens up a fascinating spectrum of overtones and basses. Thanks to a fantastically deep-dimensional sound design, "Glances" provides enthralling listening and sound experiences. As on all previous albums, the CATWALK label has realized a clear sonic vision on the latest production, from recording to mixing to mastering.

Tomas Sauter Glances Preview

Sebastian Bättig wuchs in Hombrechtikon (ZH) auf.
Nachdem er schon früh klassischen Gitarrenunterricht genoss, widmete er sich
der E-Gitarre und nahm Unterricht am Konsi-Zürich bei Theo Kapilidis .

Nach dem Abschluss seiner kaufmännischen Ausbildung begann er ein
Musikstudium an der HKB Bern (u.a bei Ronny Graupe).
Seinen Bachelor in Jazz schloss er im Sommer 2015 erfolgreich ab.
Im September 2017 hat er seinen Masterabschluss in Music Performance Jazz
erfolgreich absolviert.

Heute engagiert er sich in diversen Bands und musikalischen Projekten und
spielt Konzerte in der ganzen Schweiz sowie im angrenzendem Ausland.
Dabei bewegt er sich stilistisch im Spannungsfeld zwischen Jazz, Rock, Roots, Alternative und klassischen Einflüssen.
Besonders wichtig sind ihm dabei die improvisatorischen Elemente seiner Musik,
sowie das Ausreizen der vielfältigen klanglichen Möglichkeiten (u.a. mit diversen Effektgeräten) seines Instrumentes.

Nebst seines künstlerischen Schaffens ist er als Lehrer bei den Onlineportalen
Instrumentum, Music4Life, Instrumentor und School 78 tätig.
Er übernimmt auch Stellvertretungen an öffentlichen Musikschulen (u.a. Herzogenbuchsee, Winterthur Seen) und unterrichtet seit August 2018 an der Musikschule Kaltbrunn.
Privatunterricht erteilt er in Bern wie auch in Hombrechtikon.

Zurzeit studiert er an der HKB Bern im Studiengang Master in Music Pedagogy.

Oberon (2013)

Sebastian Bättig

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