i love this piece and your style. Amazing work

Excerpts of several tracks from Jack Callahan and Jeff Witscher "Stockhausen Syndrome" available now at www.newmusicindustrialcomplex.com

Stockhausen Syndrome (Excerpts)

Taken From "RUM EP"

http://jameskmusic.bandcamp.com/track/drunktrack

Drunktrack

“hi leaves” is the new full-length record from soft tissue, the duo of Glasgow-based artists Feronia Wennborg and Simon Weins. Following their self-titled debut for Penultimate Press in 2019, this collection examines microsound by way of extended amplification technique, bone conduction, domestic recordings, and digital feedback. Tracks like “plant pot” and “kettle” appear to disclose their source material, presenting wonderfully tactile environments of highly articulate sound. Wennborg and Weins prove themselves to be masterful arrangers of discrete, organic material, weaving together knotty and immersive compositions from these sharp, prickly sounds. Ultimately, soft tissue inhabits an intoxicating soundworld somewhere in between the patient abstractions of composerly eai music, the haptic indulgences of ASMR, and the diffuse digital pastorals of the 90’s a-musik/Cologne scene.

Written and produced by Feronia Wennborg and Simon Weins
Mastered by Kassian Troyer at Dubplates Mastering

LP/Digital available via studentsofdecay.com and studentsofdecay.bandcamp.com on 3/4/22

misc 2

Paradise Crick

River Turns Woodley (for Frogman)

Fatima Al Qadiri - Body Double (Slowed)

2018 · Stockholm, Sweden.

Composed during a two month residency at Elektronmusikstudion EMS in Stockholm, with support from Nordic Culture Point.

Premiered at Saarbrücker Tage für elektroakustische und visuelle Musik on the 31st of October 2019.

Original format: 8-channel fixed medium.

Exiles (Stereo reduction)

Pre-order: https://boomkat.com/products/imperial-flood 

Five years after releasing the widely feted UK underground classic Cold Mission, Logos returns with his second solo album, Imperial Flood

Written between 2015 and 2018 Imperial Flood is an exploration of dark and altered pastoral material, drawing on the trance-inducing agrarian topography of eastern England interpolated through modern speculative literature including writing by Jeff VanderMeer, Christopher Priest, Lando and JG Ballard, via influences as diverse as the Erosion and Chain Reaction back catalogues, experimental computer music and the late-90s drum and bass minimalism of Photek, Digital and Spirit. 

The album includes a new collaboration with long-standing production partner Mumdance and will be released on Different Circles, on vinyl and digital formats on 12 April 2019

Imperial Flood

Logos - Arrival (T2 Mix)- from 'Imperial Flood' LP released 12 April

Patience is the debut full-length album by Sante Fe-based artist Theodore Cale Schafer. Alternately murky and narcoleptic and bristling with grit and light, this collection of eight pieces is a delicate play of contrasts. Impressionistic settings unfurl with an unhurried gait, opening with the dreamlike disorientation of “Gold Chain” in which a degraded location recording gives way to a soft web of treated piano motifs. Schafer’s compositions are sumptuous yet unfussy, recalling perhaps the concise, vignette-oriented tape works of Andrew Chalk, which seem to prioritize spontaneity and ephemerality over preciousness and decorum. This approach yields substantive results, as on “It's Late,” which marries a dolorous, clanging guitar sketch to the sound of change jostling in the pocket of a walker and the laughter of friends or passersby. This is diaristic music— rough-hewn, confessional, and teeming with possibility. Artwork by Andrea Bjurström. Mastered by Kassian Troyer at D&M. LP/Digital available 10/11/2019. https://studentsofdecay.com/post/187440375149/theodore-cale-schafer-patience

It's Late

Work (CM-009)

A1 - Yourope (0:26)
A2 - Airbnb (0:17)
A3 - FAQ U (0:38)
A4 - Missing (0:36)
A5 - PO (0:50)
A6 - No Monuments To Be Made Today (1:11)
A7 - New Empires, Old Vampires (0:26)
A8 - The Right Word To Write a Wrong (1:23)
A9 - Work (1:13)
A10 - Futurum (0:33)
B1 - A Day In The Studio (7:28)
B2 - Modern Spanking Bolero (3:31)

Released on the 13th of July 2020
Cat. no: CM-009
Format: 12" Vinyl & CD
Written and recorded by Hanne Lippard
Production by Louis McGuire on B2 - "Modern Spanking Bolero"
Guitar by Paul Benham on B2 - "Modern Spanking Bolero"
Mixed by Alban Schelbert
Mastered by Rashad Becker
Designed by Ethan Assouline
Pictures by Felix Brüggemann
Distributed by Boomkat

Collapsing Market © 2020 in collaboration with LambdaLambdaLambda

Hanne Lippard - Work (CM-009)

Welcome To The Astral Pool

Kō Ōtani - Ethereal Remains (Edit)
Eco Futurism Corporation - Tropical Interface
Carter Burwell - He Was Horrible
Cotton Mouth - Luke (Cover)
Khonnor - Basement Key 555
Ryuichi Sakamoto - Before Long
Yasuaki Shimizu - SEIKO 1
Yoko Shimomura - II
Nobukazu Takemura - Icefall
1127 - Renaissance - النهضة
Daisuke Matsuoka - Compatibility Tester
1127 - Renaissance - النهضة
Floex - Prenatal Hunters (Floex Revision)
Angelic Music (Edit)

Welcome To The Astral Pool

LISTEN or BUY: https://mappa.bandcamp.com/album/sotto

VIDEO teaser / SOTTO 
youtu.be/md6kPU18r6g 

‘Sotto’ is Andrew Oda’s attempt at world building in sound. Meshing method, mind, metaphysical and mundane into massive murals, its triptych of vivid compositions seem to wield electronic sound like a magic paintbrush. Inspired by the paintings of Otto Marseus van Schrieck, Ljubomir Popović, and Nicole Duennebier, ‘Sotto’’s three parts inhabit environments bursting with explosive internal ecologies of synthesized pulsations, yawning drones, tinkling imaginary chimes, and abstract noisy rumblings that flow, ebb and breathe with the infinite complexity cognition meshing with the chaotic order of natural greenery. 

Side A’s two pieces – ’Sotto’ and ‘Spirit’ – are both only made up of synthetic sound, created via computer and other synthesizing methods. The spark came from an attempt to show the process of creation, life and the final union through sonic means, spiralling into a dense lattice of lifeforms, spirits, and objects realised in sound. “The original goal of the project was to convey the idea of this sound visualization for creatures and textures that are fluid, tangled and morphing into and around each other,” explains Oda. 

While imagination and spirit are the subjects of the first two pieces, the final piece of the triptych, ‘Enfold’, emerges into a luscious and staggeringly beautiful material world. Oda turns here to acoustic recordings made in the field, as well as pianos, bells, and flute (performed by Susannah Oda), layering the results into the trembling organic soundscape suggested by Jonáš Gruska’s cover photography. The entirety of ‘Sotto’ is a living and vivid sound world of Oda’s creation – the first in a pegged trilogy of triptychs – brimming with beauty in which to wander and bask. 


released November 2, 2020 

Music by Andrew Oda 

Side A contains only sound synthesis 
Side B contains field recordings, piano, bells, as well as flute recordings from Susannah Oda 

SOTTO was made in Indiana, California and Virginia from 2018-2020 

Cover and photos by Jonáš Gruska 
instagram.com/jonas.gruska/ 

Mastered by Adam Badí Donoval 
abdonoval.com 

Words by Tristan Bath 
tristanbath.com 

Photography by Leontína Berková 
leontinaberkova.com 

Released by mappa as MAP021 in 2020

MAP021 / Andrew Oda - SOTTO

Sebastian Edin is a sound artist and composer. Their work includes fixed media compositions, sound installations, performance pieces, music for modern dance and theatre and pieces for instruments and electronics. Their work has been presented in Denmark, Sweden, Finland, the Faroe Islands, the U.S, England, Italy, Belgium and Germany at venues and festivals such as L'Espace du Son in Brussels, Belgium; LAK Festival, Rum 46 and Den Sorte Diamant in Denmark; Norbergfestival and NyMus Live in Sweden; G! Festival and The National Art Gallery of the Faroe Islands; Conservatorio Pollini di Padova, Italy; ICMC-NYCEMF in New York; North Atlantic Flux Festival in Hull, England; Jornadas Internacionales de Música Electroacústica in Córdoba, Argentina and Errant Sound Berlin and Saarbrücker Tage für elektroakustische und visuelle Musik in Germany.

They were awarded first prize in category A of the 10th biennial Métamorphoses competition for their piece Vestiges (Belgium, 2018).

Exiles (Stereo reduction)

Sebastian Edin

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