Available @ Discogs: http://www.discogs.com/Sebastien-Crusener-A-View-Without-A-Room/release/7100633

Sebastien Crusener - A View Without A Room Excerpt II (Humus 1501)

lege ruimte, fiets, vocalen, hoorn, treingeluid en toevallige omgevingsgeluiden

Sebastien Crusener - Hoorpapillen (Empty Room Tape I)

Klankschaal/strijkstok improvisatie en field recordings

Sebastien Crusener - Woudspiegel

This piece basically consists of 3 basic sine tones from a cell phone (minupulated/extracted). I made a composition of it (or at least I tried, I'm not classically trained). Manipulated field recordings from Saint-Sauveur were added. Produced and processed in the night of 7 december (between 2.10 a.m. and 4.30 a.m.)while I was feeling really, really sick (business as usual).

Sebastien Crusener - Ophangtoonstuk

Part II from the broken mic. tapes for solo gong. The gong was used in a bathtub with dripping water. The sliding effect and gong  treatment were done simultaneously. Everything was recorded with a broken microphone (which is basically the only "gear" I have).

Sebastien Crusener - Solo Gong Part II (Broken Mic Tapes)

Sebastien Crusener - Gong Piece IV

Sebastien Crusener - Schets I

Profielfoto: Amber W.

just some stuff. I never use synths or electronica, all sounds are manipulated field recordings, classic instruments, gongs and found objects. Some of the tracks are recorded completely live (especially the longer gong tracks on location), others are seperately recorded sounds, cut and pasted afterwards. The main purpose is to combine/cut and paste sounds the way Brion Gysin did it with words.

Ik maak geen gebruik van synthesizers, alle "muziek" bestaat uit (gemanipuleerde)field recordings en opgenomen geluiden met diverse types microfonen (meestal Piëzo contactmicrofonen, een Tascam Recorder en pick-up coils). Dit is een persoonlijke interpretatie/verderzetting van de cut-up techniek van Brion Gysin, dewelke ik wil verder trekken in zowel muziek, poëzie als field recordings.

Een tweede luik is het manipuleren van instrumenten met als voornaamste de gong

Bovendien is de bal rond, het is elf tegen elf en nog een hoop clichés.

S.C.

Sebastien Crusener

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