Multi Multi MIX series

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JSR - Drop Like This [GR058]

Byron Yeates, label boss at Radiant Records and resident/founder of La Noche, and Ian Crane bring you an hour of sexy house and techno to get your evening started! <3 

https://www.instagram.com/the_icrane
https://www.instagram.com/byronyeates 



The State of Bliss with Byron Yeates b2b Ian Crane @ The Lot Radio 06-14-2025

Dropping in like a bat out of a high place (and definitely worth the wait) is 4 throbbing hours from professional hype man/producer/DJ @glenstefani
Scattered with brainwave samples and rolling through high NRG sex appeal, let your teeth and feet get into it.

LIVE AT FANDANGO - Glen S

So as I’ll be playing on a boat with my Goddezz family, I thought I’d start off
with some hands in the air, big feels, euphoric piano house kind of vibes - then
easing into some funkier tech-y-er cuts, a mix of new bits from this year as well
as some old joints that I had to rip from records.
Peppered in with a few sleazy cuts from the likes of paranoid London and even
a Patrick Cowley joint in there somewhere, I feel like this mix encapsulates the
vibes I’ll be bringing on the day. Its gonna be happy, groovy, emotional and
sexy…

Multi Multi Mix Vol. 14: DJ Deep Heat

Brian (DJ Python) and I run a Sunday party called Pause, and here’s a section of a live recording from our third edition.

Brian got stuck in New York, which meant I had to hold it down for about 6-7 hours. I’d barely slept—maybe an hour since Friday—thanks to what could be excused as work commitments and some friends deciding to get married in the middle of it all.

Honestly, I barely remember playing, just that I showed up without headphones or a working USB. Shout out to Blake from the Ormside Bar team, who lent me his headphones and held down the first 30 minutes while I copied some random folders onto a spare stick of his.

The mix is a bit loose given my delirium but meant I was trying shit like leaving Chicago drum tracks rolling under other blends or attempting to double drop minimal tunes (god only knows why)."

Multi Multi Mix Vol. 17: Kit Seymour

"Building this mix with recent dancefloors and memorable dancers in mind. The result is a a condensed representation of a peak time set you might find me play recently. Full of new and old records i've been enjoying recently in clubs and festivals. 

It starts with a 40 mins build up of rolling, rhythmic and consistent early 00s tech house tracks, leading up into an intentional 30 minute final flurry of good feeling inducing 90s ravey lifters. I'm really happy how it turned out, and maybe some of these records slip into my set at Multi Multi."

Multi Multi Mix Vol. 21: Mark Gill

CLUB SMUT - BETHAN

"This one-hour vinyl-only mix weaves together chuggy house and disco grooves, built for those deep and magical moment when the whole dancefloor moves as one. You're invited on a sonic journey through spiritual, soulful, and percussive sounds now.
Enjoy the ride!"

Multi Multi Mix Vol. 18: Nina Yamada

Had a proper boogie recording this in my bedroom! I was hoping to create a mix that showcased my love of early 00s progressive house, incorporating both old records and new fresh material that capture the nostalgia of the golden era. Packed to the brim with unreleased and forthcoming material from my extremely talented friends. Proper peak time mix but can fit any setting I’m sure 😉 Enjoy x

Multi Multi Mix Vol. 19: Wigs

This mix is especially dear to my heart - a love letter to some of my all-time favourite records. Threaded throughout is a consistent theme of soulful female vocals that bring warmth and emotion to the journey. Expect a strong presence of ’90s house and garage influences, with plenty of summer-tinged “hands-in-the-air” moments, punchy piano lines, and deep, chunky house grooves. It’s a feel-good blend designed for open skies, sun-kissed dancefloors, and pure joy.

Multi Multi Mix Vol. 20: Leztopia

POTENCY MIX 002 - 131BPM

The trance queen opens RA.998 with her cheeky, break-heavy vision.

The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture.

This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward.

Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole.

Roza Terenzi opens with a high-impact A-side. Clocking in at just over an hour, her second mix for us picks up where the first left off, connecting breakbeat, acid, UK garage and trance with an ear for tension and a sense of play. Peppered among the skippy percussion and earworm vocals are moments of proper heft that build and release with purpose. It's cheeky, confident and tailor-made to get any dance floor moving.

While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle.

Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP.

@rozaterenzi

Find the tracklist and read the full interview at ra.co/podcast/1002

RA.998 Roza Terenzi

Full album →  goo.su/aoAtiZ
Artist: OQO
Title: UNO
Format: Digital 
Artwork: Mercedes Berastegui
Catalogue: 
Tracklist:  
1. Palenque
2. Diffuse Reality
3. Eso E.
4. Ciático

www.diffusereality.net 
linktr.ee/diffusereality
https://soundcloud.com/andresberastegui

PREMIERE: OQO - Palenque [Diffuse Reality]

Non stop rollers from eoin dj - a companion listen for their latest EP on 9finity skipping through 2000s tech house and forthcoming club hits

9FINITY004: https://9finity.bandcamp.com/album/9finity004-eoin-dj-get-now-ep

A Beyond Mix Vol. 10: eoin dj

Groovy Baby

Secretsundaze DJ bookings: 
marc@poem.agency

Spirit of Sundaze Ensemble bookings:
lauren@earth-agency.com 

Secretsundaze is the trademark of forward-thinking, underground house music. As an artist and brand – spanning parties and festivals, a record label, a studio, an NTS residency and a live band project – it’s been operating for over 20 years and embodies the spirit and community of London’s club culture. But it’s never been one to sit still or rest on its laurels; leave that to the nostalgia crew because Secretsundaze always keeps it moving. 

Take this year, 2024, as an example. Right now Secretsundaze is stepping out as an artist proposition in its own right, helmed by producer/DJ/curator James Priestley who’s currently packing a stack of club tracks that will drop across the year and establish the project as a hit factory for DJs and dancers searching for a fresh take on house music that draws on breakbeat energy and trancey euphoria. Priestley is known to take the roof off as a DJ and now he’s adding to his arsenal with sought-after solo productions of his own under the Secretsundaze name. 

As a tastemaker, Secretsundaze sits at the cutting-edge, bringing new heads into the fold and always looking to champion new talent. His NTS residency, which has seen MoMa Ready, Paquita Gordon and Alex Kassian guest recently, is a reflection of the project’s current dancefloor obsessions. The meticulous curation of the Secretsundaze presents parties and Multi Multi festival, renowned for featuring talents such as Ash Lauryn and Carista long before they gained widespread recognition and uniting visionary artists like Toumba, Tash LC and NIKS under a single roof, serves as a compelling testament to Secretsundaze’s commitment in celebrating new artists.

Now for some history: 2022 saw the launch of Spirit Of Sundaze Ensemble, a full live band project that reimagines anthems beloved of those in the know, recording and performing cult bangers like Photek’s ‘Mine To Give’ and Joyce Sims’ ‘Come Into My Life’. The band has already graced the stages of the Queen Elizabeth Hall (Southbank Centre) and the ICA as well as Beat Hotel and Kala festivals, with a debut LP set for release later this year.

This duality of cutting-edge and classic is what makes Secretsundaze so special. Priestley originally cut his teeth as a d’n’b DJ and a promoter of not-so-legal warehouse parties before becoming an annual resident at the legendary Robert Johnson and landing gigs at Panorama Bar and Queen at Smart Bar, which is the kind of gigography that many selectors would happily settle for. But Priestley’s love of underground club culture has propelled him even further and Secretsundaze is now two decades deep, a pillar of London culture that has poured blood, sweat and tears into the city’s music community. 

Secretsundaze begins 2024 as a solo venture with Priestley at the helm, navigating an ever-expanding musical universe that unearths and re-engages with different styles, genres and music scene via parties, live shows, productions, radio and even a new record label.

Multi Multi Mix Vol. 14: DJ Deep Heat

Secretsundaze

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