In the summer of 2006 a good friend of mine sent me a piano score, Sergei Rachmaninoff, Vocalise and asked me to do, orchestrated  for soprano saxophone and symphony orchestra. I wrote the atonement, and sent him on this CD (virtual orchestra) It is written in Finale 2006 software, editing later Finale 2011 - version with Garritan instrument library.

Vocalise a symphony orchestra and soprano saxophone, arr. L Granqvist 2006

I wrote this originally three voice fugue, A long time ago when I studied composition and counterpoint, for, baritone, tenor and soprano saxophone. Later, matching the techno version.

Fuuga no: 13 techno version

Aspects For Woodwind Trio

Virtual organisms, emergens and level timbres
Player: All istrument low, except for harp
(Full notation, no sample at all)
bassoon
contrabassoon
bass tuba
harp
cello
double bass

Emergenssi

U1Kenttävärikoe2 LG-2016

Floating in Space 
Composer: Leo Granqvist

utilized in part, Ligeti field technique
Synthesizer
Clarinet in B
double bass
percussion

Floating in Space

Refraction:
Composer: Leo Granqvist
Refraction is the change in direction of a wave due to a change in its speed. It is essentially a surface phenomenon . The phenomenon is mainly in governance to the law of conservation of energy. The proper explanation would be that due to change of medium, the phase velocity of the wave is changed but its frequency remains constant. This is most commonly observed when a wave passes from one medium to another at any angle other than 90° or 0°. Refraction of light is the most commonly observed phenomenon, but any type of wave can refract when it interacts with a medium, for example when sound waves pass from one medium into another or when water waves move into water of a different depth. Refraction is described by Snell's law, which states that for a given pair of media and a wave with a single frequency, the ratio of the sines of the angle of incidence θ1 and angle of refraction θ2 is equivalent to the ratio of phase velocities (v1 / v2) in the two media, or equivalently, to the opposite ratio of the indices of refraction (n2 / n1):
(From Wikipedia)

Refraction

Telescopium
Composer: Leo Granqvist
flute
Obo
clarinet
bassoon
contrabassoon

Telescopium

Saxophones celebrate and laugh a bit to the other instruments.

Laugh Instruments

Tuohilippi ja lähde
Poem Helvi Juvonen
Composition LG 3.1.2018 song series Five songs
Corno, bassoon, oboe, piano
(Here, the song section presents an instrument)

Viisilaulelmaa

Tuohilippi ja lähde

Dance 1

My first musical writing program was OrcPulus in 1998 and I started writing my compositions.
This has later been edited by the Finale-program, and the Garritan Sound Library, Composed in 1998
My own instrument is drums, so rhythmic music has been important in my early compositions. The photo was taken "yesterday," I'm in the left-hand side

Costarica

The composer was born in my study of work. I will build the table at the moment of intervals tensions.
The intention is to have this way of intervals tensions between precision control. This musical take advantage of this table.
But this table has been made until maybe a quarter. This table was a large dilation, because I've had long been interested in micro-intervals and now was a good time to examine them, and also put in the same twelve-tone table but put in 24 tones. Troops pitch in this table should be several thousand. The method makes use of Forte's rating system, and, in particular Marcus Castren, interval vectors. "A number of fundamental questions about the theory" publication Sibelius Academy.
This particular composition does not include the mirko-intervals, but in the next they may already be involved.

Consert for Trompone Marimba and Kontrabass

All sounds are string quintet and timpani.  A strong resonance is due to the use of the micro-interval. Notation has been made to Finale 2011 notation software and Garritan sound library. Studio editing is done Sonar1 program.


Sounds for string quintet and timpani

Lyyrinen laulu  sanat: J.H.Erkko
Fagotti ja Piano

                                          Sydämeni On Viety

Hän muuten ei kuin silmillään vain mua rakasti,
ei sydämellään, ei
Hän sanoillaan ja töillään minut aina hylkäsi,
mut sydämeni hän vei.
Siks olen  hälle kylmä ja jäinen, tunnoton,
kun sydämeni on viety, poveni ontto on.

Sydämeni on viety

Sydämeni On Viety  Piano ja Fagotti 21.6.2020

Rhythms! There is a wide range of
groovy
hacking
soft
elegant
sensual
and then there are also bad beats
good rhythms
funky rhythms
unusual rhythms
Listen to how many of these you can find on this track.

sector9000

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