lo de más es

from the waste lands, inspired by T. S. Eliot's poem "The Waste Land"

from the waste lands

soñé por un momento que era aire

starting point, departure point
starting point
where does everything go
when shadows lose their games

starting point, departure point
starting point
where does everything go 
when the stone in my heart shapes into the sky
and those city lights do not feed the birds' songs any longer
where does everything go 
when the sky made of stone breaks, breaks,
breaks and falls over our shoulders
that walk wondering what will be the next

starting point, departure point 
arrival point
where to begin
how to undo what the stone did first
bodies as birds wanting to fly away
bodies as songs wanting to touch away

let me fall from sky and do not play the bells:
my flesh was always my remedy. 

|| Inspired by Agus David Llosa's work, performed with Lola Vera ||

arrival point_departure point

Based on Feminist Fables by Suniti Namjoshi.
By transterile (Stefania Assandri, María del Buey) with Neuro-biologist Irene Echeverría.

Fábulas Feministas CONTAMINATION #1 -Transterile with Irene Echeverría

Práctica maqueta - el mundo de mdbc hoy
Investigación actoral 2023-2024

el mundo de hoy

This piece was developed by Natalie Pullen, Valerie Joyce and María del Buey in the frame of the MA Art in the Contemporary World, run by the NCAD, in Dublin. 
November, 2018.

Our automated guides have arrived from different periods in Germany’s history to re-interpret and deconstruct what can and cannot be considered art within an institution, including Liam Gillick’s Denominator Platform, but extending far beyond the gallery and recognised art object. With an attitude of playfulness and satire, questions about the nature and meaning of contemporary art within historical, political and institutional contexts arise. 

The audio guided tour concludes at the Return Gallery for Silent Disco by Valerie Joyce. In the gallery Silent Disco resonates in concert with Gillick’s platform, suspended beneath the watchful ocular skylight. For the duration of Silent Disco, Denominator Platform’s colour coded spectrum is in visceral, conversational synthesis with three Joy Division anthems; relating aesthetically as if dancing to the same tune; a symbiotic- kinetic new order…Dance ...dance...dance ...in absence of …So it Goes’... like nobody’s watching...

Loquendo's Gramophone GuidedTour + Silent Disco.

The Zone is a representation of the space, and it is a space for representation. It floats, sneaks, and creeps over the Dublin Grand Canal Dock, the GTT Atlantic fibre-optic cable, what is to be done and what can be imagined. Welcome to The Zone:
https://drive.google.com/drive/folders/1r-BuemxmrNgXeC7Fo6OrPMuHJ46jlwPe?usp=sharing

María del Buey. June, 2020.

The Zone

inflammation

autophagy

collapse

This audio guided was sketched with personal recordings of electronic readers and open license sounds. It was planned to be part of the exhibition "Between Telemorphosis and Security Zones", a collaborative installation with painter Dominique Crowley (dominique-crowley.format.com/). It was due to open in the Return Gallery of the Goethe-Institute Irland, Dublin, on March 2020. However, the project got indefinitely postponed as a consequence of the pandemic of the COVID-19. It attempts to be an encapsulation of everyday spaces and new social practices arisen by digital technologies. Similarly to that of Les Immatériaux, this sonic ambience provides a split between sight and listening. When in the space, the visual and ambient auditory aim to evoke the idea of a crowded mind, of this multisensorial clutter and a digital mediation of our existence.
March, 2020.

Photo credit: Dominique Crowley, "Telemorphosis".

securezzone

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