1200 Key English Words is a three-book series designed to provide
a solid foundation in vocabulary for a wide age range of
beginners. The words chosen for the series come from an
analysis of the most commonly found words in textbooks
and materials for English language learners. The 400 words
presented in each level provide learners with 1,200 practical,
high-frequency English words.

1200 Key English Words 1

3:33

3:33 (disquiet0480)

รีวิวหนังสือ The why cafe ที่ชวนให้ทุกคนหันมาลองคิดถึงมุมมองการใช้ชีวิตแต่ละวันว่าผู้คน แสง สี เสียง ในปัจจุบันกำลังทำให้เราหลงใหล จนเราหลงทางจากสิ่งที่เราฝันไว้ อยู่หรือเปล่า?

#MissionToTheMoon
#MissionToTheMoonPodcast

MM EP.1083 | The Why Cafe คาเฟ่สำหรับ 'คนหลงทาง'

Baltazar’s Adventure through the Great Machine 
In early May 2019, composers working in the city of Sheffield recorded sounds in and around the Kelham Island Industrial Museum, using these to create musical works that resonate with the space and place of Kelham Island. In much the same way as one might imagine the transformation of the spaces of heavy industry, such as Brooklyn Works becoming residential accommodation, the ten sound artists transformed the sounds of Kelham Island, giving them a new home. 
This piece imagines the huge machines as if from a child-like fantasy. It follows the journey of fiction character - Baltazar - as he travels into, and through, the greatest machine of all.  Join Baltazar as he journeys through the Great Machine in search of its beating, mechanical heart. As the machine judders and splutters into life, will he avoid the pistons and valves, cogs and bursts of steam?  Warning: contains scenes of mild peril.

For Ozzy, Zac, and Kaia. 


Adam Stanović started composing electronic music some twenty years ago. At that time, early experiments with tape machines and a four-track mini-disc recorder led him discover the potential of recorded sounds, and he quickly started using computers as a tool for music-making. Ever since, Adam has considered the fixed medium as a canvass for his works which, although mostly acousmatic, are sometimes accompanied by instruments, electronics, film, and animation. In all cases, his music explores ways in which both pitch and noise coexist within recorded sound, with musical form often delivering one from the other. Adam’s music has been heard in over 400 festivals and concerts around the world. His works are available on 12 different CDs.

7 Adam Stanovic Baltazars Adventure Through The Great Machine (Prix Russolo 2020/21)

“The unadorned idea of a goal is ambiguous,” writes the neuroscientist Read Montague in his book Your Brain Is (Almost) Perfect. “As with any complex information-processing system, there are many levels of software in the brain … all other subgoals take a backseat to the most important edict—‘Stay alive until tomorrow.’”

One could be forgiven for procrastinating creative efforts during these past fourteen or so months. Alternatively, such conditions may also inspire a flurry of new activity that otherwise would not have happened. Regardless, some amount of stuff doesn’t get done.

Suss Müsik had an album ready to go for nearly a year before actually completing and releasing it this week. The concept was to revisit prior works with simpler, more spare arrangements. 

Suss Müsik was also interested in exploring what French philosopher Gilles Deleuze described as “figurative analogies,” blurring the auditory lines between how digital and analogue sounds are represented.

This week’s Junto contribution, titled Deleuze, is the demo of a track that wasn’t included on an album that almost never got made. A figurative analogy, perhaps, for what we mean to do vs. what we actually do.

More on this 488th weekly Disquiet Junto project — Reverse Delay (Assignment: Do something you’ve been putting off) — at: https://disquiet.com/0488/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0488-reverse-delay/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Deleuze [Disquiet0488]

Track09 (Unit 7)

Track05 (Unit 4)

Track04 (Unit 3)

Track03 (Unit 2)

Track02 (Unit 1)

Track01 (Copyright)

Άτοπος x Fidu77 - Ο πόνος έχει πλάκα

This is a composition based on the letters of the names of my children. I rendered a distinctive sample to each letter and composed a piece of music from these samples. They are mainly field recordings, but there are some synth parts too. I dedicate this piece to my children.

More on this 454th weekly Disquiet Junto project, Lsoo Vneg (The Assignment: The Assignment: Encode the name of someone you love into a piece of music), at:

https://disquiet.com/0454/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0454-lsoo-vneg/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Anesztrko [disquiet0454]

การตัดสินใจ 3 แบบ มีอะไรบ้าง

แปดบรรทัดครึ่ง EP725 - Beyond Entrepreneurship #8

"There is so much going on in this track, a British field recording presumably recorded recently. Something about the suggestion of that time sync makes it feel physically proximate, too, even if it’s far away from wherever the listener might be. And even if nothing in it is, technically, “alive,” in the sense that an animal might be alive, it is nonetheless very much alive. This is “Underwater Stream” by Landsounds, the name under which London-based John Hooper captures audio of the everyday and, as happens here, reveals the complexity inherent in it. In these mere two and a half minutes, there is gurgling, certainly, and droning, yes, and a hum that makes the the droning seem like its trebly by comparison, and other sounds (rope against wood?) that creak like dolphins speak. None is isolated from the others. They are in sync in their own manner. And then there’s that slow heartbeat of a pulse at the start and just before the end. It’s enough to make you think it’s been a bit of ambient techno all along." Thanks to Marc Weidenbaum from Disquiet who has said it far more eloquently than I could.

Underwater stream.

Sleeping Lady

bashford waltz - disquiet0479

Global English Education Company

Seed Learning Inc. was established to provide the best language learning products and service for the development of resources to match the needs of English learners in the 21st century.

Track09 (Unit 7)

Seed Learning

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