Pré-commande Bandcamp : https://matiereproduction.bandcamp.com/
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@matiere-production

|Premiere] Rask - Artsyficial Intelligence (Seul Ensemble Remix) (out on Matière)

my contribution to the annual @scumtapes Halloween compilation

https://scumtapes.bandcamp.com/album/the-many-faces-of-filth-iv-close-encounters-of-the-hurt-kind-scumtapes-halloween-compilation-2023

What Have I Done

Side By Side is out now on Magic City! 

Artwork by Froyo Tam

Mastering by Evan Sutton

https://magiccity.ffm.to/grrl_sidebyside2
https://www.instagram.com/froyotam/
https://www.suttonevan.com/

GRRL - Does It Feel Good

24/05/2024

Bahia [FREE DOWNLOAD]

Tracks with descriptions tend to get more plays and engagements apparently?

baby yeah (yeah baby)

freak

parts

The latest release from the EXE Project sees the notorious Aaron Spectre, best known for his Drumcorps project, with the 'Building the Panopticon' EP. This is an exclusive premiere of 'Replicate and Survive', taken from the EP. 

See our full breakdown of the EP here >> http://onehouronedj.com/wordpress/wordpress/aaron-spectre-building-the-panopticon/

Aaron Spectre Links
https://drumcorps.co
contact@drumcorps.co
https://soundcloud.com/drumcorps

EXE Project Links
http://exe-project.com
info@exe-project.com
https://soundcloud.com/exe-project

Aaron Spectre - Replicate and Survive

Two new tracks Vulpine and V - The latest batch in a series by Throwing Snow in 2018 aimed directly at the dance floor - with the 2 track EP dropping 14th September.

Here Vulpine plays with jagged, interlocking rhythms at 85/170bpm yet references the aesthetic of the other EPs.

Mastered by Matt Colton at Alchemy.

Vulpine

Buy now on BANDCAMP

Throwing Snow - Vulpine

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM = (A.FRUIT REMIX)

French electronic music webzine. Premieres, podcasts, free downloads, reviews and more.
SSS Crew: @backgroundsounds / @pasci-hi / @idris-ght / @fluidmatter / @drazel / @clemseg  / @marco-kabbale

|Premiere] Rask - Artsyficial Intelligence (Seul Ensemble Remix) (out on Matière)

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