الزمن الجميل

من فوق ضهر الحصان - فهد بلان

The Method - I've Got A Cat

Memento

My Singing Soul

Keira will be available on Soundway Records Sept 2016. Pre-order here http://smarturl.it/SussoDirect

Susso - Ansumana

Forthcoming on the Futureboogie 10 Year Anniversary compilation.

http://www.residentadvisor.net/news.aspx?id=15596

Featuring Gary Aylesbrook on solo trumpet & James Ladd on guitar.

Buy now

Typesun - LAST HOME

pre-order: https://habibifunkrecords.bandcamp.com/album/habibi-funk-007-an-eclectic-selection-of-music-from-the-arab-world

"The first time I talked to Mohamed, he told me about how he left his hometown in Algeria to go to France. Shortly after he started telling me about how he met a zouk band in Paris that pushed him to open up to a different culture and mix different styles of music. Mohamed Malek was born near Oran in Algeria but left in his twenties. For Mo- hamed the huge dynamism and multiculturalism around the Parisian cultural scene did certainly play a major role in his own perception of music and expanded his influences. Since he started creating his own music, Mohamed knew that he wanted to break boundaries in order to freely express himself. He wrote and recorded many tracks among which some were shown to the world and others were kept secret. He also performed in Paris for many years, in bars or in public spaces even though music wasn’t his main source of income.
Hearing all those stories made me realize something about his art. In fact Mohamed‘s music is like a crossroad between the gloom of a sad ending and the sparkle of a new beginning‚ „Rouhi Ya Hafida“ is a song about the loss of love but the mingle between the disco beat and the Arab lyrics manage to take the song to a very powerful level. Most of Mohamed‘s work, including „Rouhi Ya Hafida“ is highly poetic. He also recorded many other songs in different styles going from acoustic to zouk or mysterious Arab experimental electronic styles in both French and Arabic. Mohamed never told us about those pieces but Jannis did find some very special tapes between the ones he keeps in his tiny but well-stocked music room. A space where he hides all of his work and for sure some of his dearest memories. Today despite his age Mohamed‘s hunger for music still pushes him to play and write songs. We are also working on releasing the afore-mentioned electronic tapes from Mallek Mohamed in the near future."
written by KhedijaDhaoui

IG: habibibfunk
FB: facebook.com/habibifunk

Pre Order

Mallek Mohamed - Rouhi Ya Hafida (Habibi Funk: An ecclectic selection of music from the Arab world)

pre-order: https://habibifunkrecords.bandcamp.com/album/habibi-funk-007-an-eclectic-selection-of-music-from-the-arab-world

"Without Fadoul we would have never started Habibi Funk. I vividly remember  nding a copy of his now classic James Brown cover „Sid Redad“ in a dusty old shop, run by a man who once owned a record distribution and label called Mekauiphone in Casablanca. It took us around six trips to Morocco over the course of more than a year to  nd his family as Fadoul himself unfortunately died in the early 1990s. Over the course of time, we kept on  nding new records by him that were unknown to us (and recently also two studio tapes from two sessions at Boussiphone studios full of alternate takes and demo versions) and they all added to the picture of a wild heart, full of energy, creativity, yet no stranger to the inner demons a lot of artists struggle with. Fadoul was more than just a singer. He spent some time in Paris playing theatre, he painted, he worked as a circus clown for four years in the Netherlands, he recorded and also composed a single for a famous orange juice brand from Morocco.
His lyrics dealing with topics such as drugs and depression but also having good times paired with a musical backdrop that is always funky yet dirty and played with a real punk attitude. “Bsslama Hbibti is taken of a hardly known 7“ he recorded for Atlassiphone and picks up where the recording on Fadoul’s album on Habibi Funk left off. A raw sound aesthetic, an energetic performance, a mighty voice and a very lively atmosphere that was pre- served in the recordings. So far only the copy used for this release has surfaced. We have also started to work on a second album exclusively dedicated to Fadoul with a partial focus on his 1980s output consisting of his very unique takes on hiphop and reggae. This song, just like the “Al Man Saib” album, was licensed from Fadoul’s family."

order

Fadoul - Bsslama Habiti (Habibi Funk: An ecclectic selection of music from the Arab world)

Order here:
https://www.juno.co.uk/products/rare-silk-storm/721537-01/

Be With Records and Emotional Rescue team up to present a special release of US jazz vocal group Rare Silk and their cult song, Storm. 

A diggers cut for many years, more recently it's become an algorithm "hit". Presented here as a stand-alone limited 10" release, the song is backed by a spellbinding echo-drenched remix by New York's exemplary electronic sonic explorer, Arp. 

Originally formed when sisters MaryLynn and Gaile Gillaspie met Marquerite Juenemann in southern California in the late '70s, with the arrival of Todd Buffa the trio quickly expanded to a four-part harmony vocal group. Signed to Polydor, they rose to prominence over the ensuing decade with the release of three albums that gained them multiple Grammy nominations. 

Taken from their 1985 album American Eyes, Storm is based on a Stanley Turrentine song of the same name, from his 1971 album Salt Song. With additional vocals written by MaryLynn, as with much of their music -underpinned as it is by an otherworldly exotica - the artisanal, crafted care of the instrumental and vocal arrangements, featuring lush, rich phrasing, is evident in their exquisite reading of the song. 

When deciding how best of present the song it seemed right to ask a favourite of both labels. Having appeared on Emotional Response in 2017/18, Alexis Georgopoulos returned to his Arp project with last years' much-heralded Zebra album on Mexican Summer. Stripping out the vocals, the remaining instrumental is rearranged, rebuilt and then soaked in heavy tape echo. The result is a discerning dub to act as the perfect accompaniment.

A. Rare Silk - Smooth

فلكلور مصري
كلمات : سيد مرسي
ألحان : بليغ حمدي

سلّم عليا فهد بلان

تضيقُ بنا الدنيا إذا غبتُم ُعنا*** وتَذهَبُ بالأشواقِ أرواحُنا منّا

فبُعدُكُمُ موتٌ وقُربكُم حيا *** فإن غبتموا عنّا ولو نفساً متنا 

نموت ببعدِكمُ ونحيا بقُربكم *** وإن جاءنا عنكم بشيرُ اللقا عشنا 

ونحيا بذكراكم إذا لم نراكمُ *** ألا إنَّ تذكارَ الأحبَّة ينعشُنا

فلَولا معانيكمُ تراها قلوبُنا *** إذا نحنُ أيقاظٌ وفي النوم إن غبنا 

لمتنا أسى من بعدكم وصبابةً *** ولكنَّ في المعنى معانيكُم معنا 


يحرُكنا ذكر الأحاديث عنكمُ *** ولولا هواكُم في الحشا ما تحرَّكنا 

فقُل للذي ينهى عن الوجد أهلهُ *** إذا لم تذُق معنى شرابِ الهوى دعنا 

إذا اهتزَّت الأرواح شوقاً إلى اللقا *** ترقصت الأشباح يا جاهلَ المعنى 

أما تنظرُ الطير المقفَّصَ يا فتى *** إذا ذكر الأوطان حنَّ إلى المغنى 

يُفَرّجُ بالتغريد ما بِفُؤادهِ *** فتضطرِبُ الأعضاءُ في الحسّ والمعنى 

ويرقصُ في الأقفاصِ شوقاً إلى اللقا *** فتهتزُّ أربابُ العقولِ إذا غنى 

كذلكَ أرواحُ المحبّينَ يا فتى *** تهزِّزها الأشواقُ للعالمِ الأسنى 

أتلزمُها بالصبرِ وهي مشوقةٌ *** وهل يستطيع الصبر من شاهد المعنى 


أبى مدين الغوث

تضيق بنا الدنيا . يس التهآمـى

Ahmed Fakroun - Nisyan

Songhai

Jarabi (Remasterizado 2018)

Written, performed, recorded, and mixed by Surv.
Mastered by Peak-Studios.

Cover artwork by Daniel Dueckminor.

AWAL Digital Limited on behalf of Surv

Surv - Je Kabere

و اشرح لها عن حالتي روحي عليلة لأجلها
روح يا نسيم لأرضها سلم لي عاللي بحبها
واشــــرح لها عن حالتي.. روحي عليلة لأجلها
اوف اوف..
جبلنا.. وسمانا وجبلنا
ومنحيي ......
..
و اشرح لها عن حالتي روحي عليلة لأجلها
روح يا نسيم لأرضها سلم لي عاللي بحبها
و اشرح لها عن حالتي روحي عليلة لأجلها
اوف اوف..
ولاخ ولاخ يا ظالم..
تنحرم من شوفتي..
وانحرم من شوفتك
..
خطيئة
..
و اشرح لها عن حالتي روحي عليلة لأجلها
روح يا نسيم لأرضها سلم لي عاللي بحبها
و اشرح لها عن حالتي روحي عليلة لأجلها

‫و اشرح لها عن حالتي - فهد بلان‬

بالامــس كانت    تهوى وجودي
واليوم  صارت    تنسى وعودي
يا ويلها ماذا بها  اتظنني عبدا لها
انا لن تهون رجولتي خابت ظنون دليلتي
***
بالامس كانت تغلي  اشــتياقا حتى تراني
واليوم صارت تحتال  دوما كي لا تراني
يا ويــلها مـاذا بها       اتظنني عبدا لها
انا لن اعود لحبها     حتى تعود لطاعتي
***
عاندت قلبي حتى  سلاها والحب يغري
قد كان دوما يهوى  هواها فأطاع أمري
فلربما يحنو لها     ولبســـمة من ثغرها
لكنه قد قال لي       فوق الغرام كرامتي
يا ويلها ماذا بها         أتظنني عبدا لها
أنا لن تهون رجولتي خابت ظنون دليلتي

Ahmed Fakroun - Nisyan

saad

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