i love the vaporwave influence on the artwork and sound

04.04.2014 Do This

Special edition of PARA ONE's 2nd album "Passion" is releasing in Japan!

"Every Little Thing Remix(feat. Cam'ron, Irfane and Teki Latex)(tofubeats Remix)" is taken from the special Japanese deluxe digital album "Passion" and Japanese limited edition CDEP "Every Little Thing Remixes."

Released by: PLUS VAGUE!

"Passion" Special deluxe digital album & "Every Little Thing Remixes" limited edition CDEP release date: August 14th, 2013

Para One's "Passion" Special Digital Edition Track List:
01 - Ice Cold  
02 - Wake Me Up  
03 - Every Little Thing  
04 - Vibrations followed by Poisoned Apples(Interlude)  
05 - When The Night 
 06 - Sigmund 
 07 - Love Ave  
08 - You 
 09 - Albatros  
10 - Lean On Me 
 11 - The Talking Drums  
12 - Empire
13- Lean On Me(feat. Teki Latex)(Salva Remix) 
14 - When The Night(feat. Jaw)(Logo Remix)
15- When The Night(feat. Jaw)(Breakbot Remix)
16-Every Little Thing Remix(feat. Cam'ron, Irfane & Teki Latex)
17-Every Little Thing Remix(feat. Cam'ron, Irfane & Teki Latex)(Canblaster Remix)
18-Every Little Thing Remix(feat. Cam'ron, Irfane & Teki Latex)(tofubeats Remix)

Buy the special edition album from iTunes: https://itunes.apple.com/jp/album/id678871915

Buy the limited edition "Every Little Thing Remixes" CDEP from Tower Records: http://tower.jp/item/3288237/

http://marble.fm 
 http://plusvague.com

Para One - Every Little Thing Remix(feat. Cam'ron, Irfane & Teki Latex)(tofubeats Remix)

Organize Oluyoruz Vol 2 Outro https://itunes.apple.com/gb/album/organize-oluyoruz-vol.-2/id659571563

Grup Ses - V.A Organize Oluyoruz 2 (2012) Outromatik

Release Date:
CD, Digital - 10 Dec 2021
LP - 28 Jan 2022

Ⓟ & © 2021 KITCHEN. LABEL

Meitei’s 2020 album 'Kofū' was the bold bookend to an expedition, where sounds were first navigated and then subverted in 2018’s 'Kwaidan' and 2019’s 'Komachi'. 

All three albums were Meitei’s attempt at immersive storytelling, reimagining moments of Japanese history he felt were being washed away – not least by the unforgiving sands of time – through wistful compositions that stretched across ambient music, hauntology, and musique concrete.

When it came to finalizing 'Kofū', Meitei found he was left with over 60 fully realized tracks, bursting with ideas that fired in divergent, curious directions. Meitei was content with the 13 tracks he had selected. But when it came time to begin his next album, he found that it had been sitting in front of him all along.  He realized his work wasn’t over yet. 

Meitei sounds right at home celebrating the past he first reimagined in his previous work. The merriment is palpable in its first two tracks of 'Kofū II' – a loop of cheery whistling amidst the clanking of wood leads into strings, cricket sounds and flutes, all united in bustling harmony.

'Happyaku-yachō' is where it comes into focus. Pitch-shifted vocal samples roam around in the crowded sonic field. “My image of this music is that it expresses the vibrant mood of Edo's merchant culture,” says Meitei, “where old Japanese dwellings were densely packed together in a vast expanse of land.” The affair becomes bittersweet as the track leads into the desolate 'Kaworu', a compositional piece lifted from his 'Komachi' sessions – a final requiem to his late grandmother.

The album is bursting with spectral vignettes of wandering samurais, red lanterns, ninjas, puppet theatres, poets, even a vengeful assassin ('Shura Yukihime', known to Western audiences as ‘Lady Snowblood’). 

'Saryō' is as elegant and refined as you would expect. It induces stillness in its repetition, with each synth note a brushstroke. It was inspired by a Sengoku-era tea house he once visited, designed by national icon Sen no Rikyū. Meitei tied it to the reaction he felt while poring over the ink paintings in his grandmother’s house. “The decayed earthen walls and faded tatami mats gave me an emotional impression,” he says. “And the cosmic flow of time drifting in the small room. I decided to put my impression of this into music.”

In 'Akira Kurosawa', an appropriately thunderous track, Meitei finds deep resonance in his vast filmography, which drew equally from Japan’s rich heritage and troubled circumstances post-WWII. 

'Kofū II' is not a leftovers album, nor is it a straightforward companion piece. In this album, Meitei has his biggest reckoning with the Japanese identity yet. Over the years, he has attempted to peel back what he believes has defined Japan and its people. After seeking answers with three full-length albums, his fourth poses more questions. 

If his first three albums inspired a sense of longing – or, perhaps inevitably, fed an irreparable nostalgia doomed to history – Kofū II compels us to reassess our relationship with the past.  

By constantly looking back, are we ever afforded a clearer present? After capturing the “lost Japanese mood”, where does that leave its country in the modern world? Meitei offers no immediate answers with 'Kofū II'. It forces you to sit with its disparate moods, to meditate amidst the textured fragments. 

'Kofū II' will be released in 180g LP, CD and digital format on December 10, 2021 (LP expected to land January 28, 2022) via KITCHEN. LABEL. Both LP and CD format are presented in a debossed sleeve with obi strip and include a 16-page insert with words in Japanese and English from Meitei, printed on premium paper stock with design by KITCHEN. LABEL founder Ricks Ang, and is mastered by Chihei Hatakeyama in Tokyo, Japan.

Kofū II

Meitei - 八百八町 / Happyaku-yachō (Kofū II, 2021)

Seiho
//////3D printer

Free DL　16bit 44.1khz wav
www.dropbox.com/s/mrag09le6q1ddof/Seiho%20-%203D%20printer.wav

Seiho - 3D printer (FreeDL)

cover of erik satie gymnopedie no.1
https://www.mediafire.com/?4a6t28uog74ug2a
CONCRETE SOUND FOR OUR CHILDHOOD

Hercelot - ひつじと木箱 (gymnopedie.1)

all drums played live by conor rayne @conorrayne
all trumpets played live by ivan jackson @iamivanjackson

Good Love EP

say u will

Cherry Blossoms is a demo track made with the virtual instrument version of Metal Tunelle, available for Kontakt and Live.
www.wobblophones.com

Cherry Blossoms

乙女のポリシー (DJ SEVEN Refix)

エンジョイサマタイム/ EMC with FRIENDS (carios/DKXO/徳利/森光光子/ハラダ from hi,how are you?)

NEW WAVE MODERN TRANCE MIXED BY DJ DARUMA & JOMMY(PKCZ®︎)

バッターズサークル No.8とThis Must Be the Place

Just Be Good To Me - Spenny Remix

demo ver.

from the album "gold school" 
must buy!
http://goo.gl/DEou1

http://www.youtube.com/watch?v=2O2rIX5BML8

Seiho - 3D printer (FreeDL)

Seiho

Recent comments

v o e s t e y

Serhiy Lonko

ekobayukusumo

Masaharu Ono

Related tracks