Re-release of Innerzone Orchestra's Programmed coming Tuesday April 26th!

Innerzone Orchestra - Bug In A Bassbin - SOUNDCLOUD EDIT

Because music is stronger than world politics, Iranian born techno artist Aril Brikha and Isreali producers Deep'a & Biri decided to join hands for this EP, and make sure the proceeds are used for an organization that promotes relations between Israel and Iran.

Read more about Aril Brikha/Deep'a & Biri:
http://bit.ly/1lapFT9
https://soundcloud.com/art-of-vengeance
https://soundcloud.com/deepa


Aril Brikha - Ishtar (Deepa Biri Remix)

One of the 13 tracks that ruled this years time warp.
http://news.beatport.com/13-tracks-that-ruled-time-warp-usa/

Harry Romero-Get Deep (Ovum Records)

This is my edit from Machine. To be released in Philomena on March 30. VINYL ONLY.
Get it from Muting The Noise. 

https://www.mutingthenoise.com/

Machine (John Talabot's Synthedit)

Roman Flügel - Heartbreak kids

My first released track became an instant classic still fits in modern sets very well

thanks to 

jano, riley reinhold, jaqueline and manuel to make this one possible

Daso - Daybreak

Firstly, I'm fully aware this isnt great but I've just started learning to produce and was wanting to learn how to use Ableton, structure a track and try out some automation, compression and the Vital synth. It's also only using free samples i've found. Secondly, I'd appreciate any constructive feedback or advice if you have any. Thanks :)

Trystar - Declination (Original Mix) - [FREE DOWNLOAD] -  (See description for details)

Warm Analog

Its a bold and brave producer who takes on the task of remixing a stone-cold classic cut from the annuals of House history, but thats just what Joris Voorn, KiNK, Phil Weeks and Ambivalent have done with their fresh versions of DJ Dozia’s Ovum debut ’Pop Culture’. 

Originally released back in 1998 ‘Pop Culture’ rapidly gained cult status on the underground. Created by fellow Philly resident Dozia Blakey, the raw and sparse original, at over ten minutes, was made for the dark, strobe-lit, sweat-on-walls rooms where it found favour. Backed by the equally popular Size-9 remix, ‘Pop Culture’ was, and still is, a record that never leaves the box for many. Now, with a fresh set of remixes, its set for a glorious return. The original twelve inch is still one of the most sought after twelve inches on discogs. 

So what did persuade our set of remixers to take on this challenge? Well, lets ask them…
KiNK - "I heard Pop Culture by DJ Dozia for first time on the Profound Sounds Vol.1 mix by Josh Wink and since then it’s one of my all time favourite tracks! It’s an honour to remix it, but it was a very difficult task, the track is just perfect as it is. That’s why my version is very close to the original, with a little KiNK in it.”


DJ Dozia - Pop Culture - KiNK Mix

As with most Deetron tracks, you can look forward to an ominous, rumbling low-end that pulsates and wriggles throughout the song, while thick, brooding percussion chugs along in the background.

Endless

More exclusive music

Premiere: Deetron 'Endless'

Maurizio – Domina (Maurizio Mix) (Kohl Edit)

INFO: https://www.clubbingspain.com/mp3/2018/primicia-laval-sahara.html

Origins EP

Sahara

Laval - Sahara [Stockholm LTD]

The influential No.19 Music marks its 10th year in 2018 with a raft of incredible music set to propel the imprint to its 100th release by year end. As part of this celebration the label are delighted to welcome pioneering house producer Satoshi Tomiie for a very special new EP that comes with a remix from the fantastic Dana Ruh. Japanese born Tomiie is best known for his enduring hit Tears with the late Frankie Knuckles, but since then has continued to produce and remix a wealth of essential tracks. Always imbuing his music with a real sense of musicality that stems from his background as a student of classical piano and jazz, he also runs his own Abstract Architecture label and has released on the likes of Kerri Chandlers Kaoz Theory and Holic in recent years. His hybrid DJ setup mixes traditional DJing with analogue modular synths and that innovative and impromptu style carries over to his recorded productions. First up here is the mighty Resonant, a nine-minute house track that is forceful and attention grabbing from the off: it has heavy kicks and rumbling dub chords rolling out to an infinite horizon, with razor sharp hi hats and resounding claps taking it into techno territory as filters add dynamism to the pads. Its a heavyweight roller to get the floor marching as one and is certain to do just that each time it's dropped. Then comes the immediately appealing Bassline, taking its title one suspects from the old school Chicago b-line which features as its main hook. As it rides up and down the scale, slick kicks and icy percussion flesh things out and vocal yelps break out every so often to add fuel to the fire. Its a timeless classic from the off. The package is closed out with a stunning remix from the hugely talented Dana Ruh. Ruh has built an enviable reputation over the past decade, recording for the likes of Cocoon, Ostgun Ton & Underground Quality as well as her own Brouqade label and touring the world consistently, with appearances at Tresor, Amnesia and Pacha. Here she flips Bassline into a punchy, kinetic house cut with swirling pads and muted chords that manage to be warm and driving at the same time, delivering a standout remix that is certain to make its mark in the months to come. This is a high impact and atmospheric EP that is designed to make dance floors take note.

THEO PARRISH Falling up - CARL CRAIG remix

selectai

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