Micromancer OST

Micromancer

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Selective Pressure

Mistakes (Not) Left Behind

Mistakes (Not) Left Behind (WIP)

Umbral Fire

Sunspots (WIP)

A Flick of the Brush (WIP)

Interlude - Raindrops on Noses (WIP)

Final Flourish (WIP)

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Strongforce

Crypt Of The Uprising

[This is a dual track, not a duel track. This is simply a collaboration, and does not confirm nor deny bracket placements.]
Track by: @cactusteam
Art by: @dreemstrider, Anonymous
Characters Represented: King Slime, The Chaos Cohorts

Bill and Discord's plan to create chaos within the competition has already begun, and they've started by pissing off King Slime, calling him nicknames that brought him back to his younger days of being bullied by the stronger slimes. He's not having this again, so he challenged them to a "musical duel." Perhaps there isn't enough space to have a real duel on a plane, nor would it really be a fair match. Bill laughed at his petty challenge, but Discord insisted they go through with it as he's always had a knack for theater. Alas, Bill agreed, but only if he got to pick a majority of the songs, of course!

King Slime's sourcelist:
- Songs from Terraria and The Calamity Extra Music Mod (Boss 1, Corruption, Moonlord, Playing With Firepower, It Sees Everything, etc.)
- Songs from games in the Sandbox genre (Starbound, Rimworld, Lego Worlds, Don't Starve, etc.)
- Generic enemy and generic boss themes (Battle! Wild Pokemon, Come on Again! From Mario & Luigi Superstar Saga, Enemy Approaching from UNDERTALE, etc.)
- Songs related to royalty, ninjas and the color blue (ASGORE, Dancing Queen by ABBA, Blue by Eiffel 65, Katana Zero OST, etc.)

The Chaos Cohort's Sourcelist:
- Songs related to Gravity Falls and My Little Pony (Rainbow Factory, It’s Gonna Get Weird, Smile Song, We’ll Meet Again, Discord, etc.)
- Songs from TV shows that appear/have appeared on Disney Channel (Songs from Phineas & Ferb, Star vs. The Forces of Evil, Wander Over Yander, etc.)
- Songs related to chaos, insanity and internal struggles (The World Revolving by Toby Fox, The Mind Electric by Miracle Musical, Stan by Eminem, Safe Skin by Patricia Taxxon, Songs from Celeste, etc.)
- Songs composed with the intent of being disorienting/songs in the Experimental genre (Alabama Song, anything by Experimental groups such as Death Grips, 100 Gecs, etc.)

Songs used:
100 Gecs - Money Machine (Experimental / Distorting)
Crypt Of the Necrodancer - King Conga Kappa (Royalty)
TheLivingTombstone - Discord (My Little Pony)
Magic Mirror SFX (Terraria)
Bill Cipher Dialogue (Gravity Falls)

Conga Machine

I compose chiptune music first and foremost, and I try to give my pieces a rich atmosphere with emotional depth. I want to apply this style originating from retro video games to telling stories that are personal to me. It's not what most people think of when they hear words like "8-bit" or "Video Game Music" but I know tons of games with extremely emotive soundtracks, and I suppose I'm trying to distil those influences here. Maybe my work will resonate with you, and hopefully it'll get you dancing as well! I am available for game soundtrack composition in addition to my more personal releases.

One project I have on the backburner right now is the soundtrack to Deralight, an indie game which I conceptualised but which is not currently being worked on. I've linked the discord below anyway, as I post regular updates on my other projects there too!

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Copyright information:

Asking in DMs to discuss how you want to use or distribute my works is the best way to avoid infringement of Copyright law, especially if you're uncertain what counts as fair use, and I am always happy to negotiate things over messages.

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-Online redistribution for non-commercial purposes as long as I am credited.
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-Use of my tracks in other works such as videos or podcasts, provided I am credited as the artist and composer.*

Ensure your use adheres to these terms, as well as to legal terms of Fair Use and SoundCloud's terms on licensing.

*I do not endorse usage as important tracks such as the intro, outro or theme of your channel or persona or any significant repeated content you create, as it creates a false association of the track with you as its primary distributor. These cases notwithstanding, you may use my tracks in monetised content.

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