Erik Satie - Nocturne No. 2

Deaf Center - White Lake

get the vinyl: 

allrooms.myshopify.com/products/lp-michael-benjamin-the-world-is-still-beautiful

Stranger And Allies

Proud to share the latest single 'Between Us' from from returning Insight label artist and Norwegian producer Tremolo.

Find your preferred streaming/download link here: https://fanlink.to/Tremolo_Between_Us

Hear more from Tremolo here: https://soundcloud.com/insight-music/tremolo-with-you-its-different

Discover more music like this in our Insight curated Spotify playlists: https://open.spotify.com/user/insight_music

• Purchase Insight merch: 
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https://insightmusic.co/merch/

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• Latest label updates: 
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Support 'Tremolo' on:

Soundcloud: https://soundcloud.com/tremologarage
Spotify: https://tinyurl.com/stuhw2se
Instagram: https://www.instagram.com/tremologarage/
Twitter: https://twitter.com/tremologarage

Download on Bandcamp: https://insightmusic.bandcamp.com/track/between-us

Photo by: Roma Kaiuk

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Support ‘Insight Music’ on…

Soundcloud: https://www.soundcloud.com/insight-music
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• Who We Are

Established in 2011, Insight Music has been exploring the depths of ambient music, defining genres such as atmospheric, chillwave, cinematic, drone, future garage, soundscape, wave and more.

Providing only the finest in underground electronica.

Have questions? Contact us at https://insightmusic.co/contact

Stream/Download

Tremolo // Between Us

Buy here: https://www.beatport.com/track/black-sunrise-original-mix/7482604
Released by: Connaisseur Recordings

Release date: 25 January 2016

Francesco Chiocci Black Sunrise (Feat. Black Soda)

WE TRUST - Time Better Not Stop ( Remix)

Στίχοι: Άρης Δαβαράκης
Μουσική: Κώστας Τουρνάς

Μοναξιά μου,
η μεγάλη δύναμή σου δεξιά μου,
τ' αγεφύρωτο κενό σου αριστερά μου,
εκκλησιά μου,
εισ' η πιο καλοραμμένη φορεσιά μου,
Μοναξιά μου...

Μοναξιά μου,
η φριχτότερη έχεις γίνει απειλή μου,
μου ταΐζεις το αδέσποτο σκυλί μου,
μοναξιά μου,
στα κλειστά μου είσαι θάλασσα τριγύρω
απ' τα νησιά μου...

Και δε θέλω, θέλω ζήλειες κι αγκαλιές, θέλω Οθέλο,
θέλω βόλτα Κυριακή στο Πόρτο Μπέλλο,
θέλω να `μαστε μαζί, να `μαστε μαζί...
Και δε θέλω, θέλω να' μαστε ο Άμποτ κι ο Κοστέλλο,
να σε κάνω να γελάς και ν' ανατέλλω,
θέλω να με αγαπάς, να με αγαπάς, αυτό θέλω

Βλάσσης Μπονάτσος - Μοναξιά Μου 1996 vlassis bonatsos monaxia mou

Few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. For starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off. 

Ali Kuru is one of those rare producers whose music sounds like nothing else around. The Istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering Middle Eastern instrumentation – via releases for the likes of Luxa Flex, Kalisah, Sound Architecture and, most recently, Leng. 

It’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, Egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. From start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of Istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings. 

Those surroundings come to the fore on opener “Bazaar”, where tipsy horns and gently strummed electric guitar passages slowly rise above the sound of a harbourside market. 

They’re present, too, within the souk rhythms and cascading pianos of “Zorba The Greek”, beneath the gentle throb of “Lost Bedouin”, inside the spaced-out, stargazing pulse of “Hiyar”, and around the chiming melodies and mournful strings of hushed ambient closer “Adios”. 

Kuru’s genius lies in his ability to take familiar musical tropes and twist them into unique, Ottoman-inspired shapes. So, while “Tangerine Dream” doffs a cap to the stretched-out hypnotism of the legendary krautrock band of the same name, its reliance on backwards drum hits, locked-in grooves and psychedelic sample loops is a far more contemporary proposition. 

Some may hear the influence of Detroit beatdown in the slow and dubby house grooves of “Le Voyage De Space”, while others could describe the drowsy “Ashoka” as being Weatherall-esque. Yet none of these tracks, layered as they are with traditional Balkan, Persian and Arabic instrumentation, sound like anything other than Ali Kuru productions. 

The result is an album that surprises and enthralls in equal measure. Highlights come thick and fast, from the bubbling, dub-house psychedelia of “Mount Damavand” and haunting deep techno humidity of “Sacred Vallley”, to the Augustus Pablo-in-Ankara shuffle of “Jungle Flower” and potent hookah hit of “Return to Paradise”, where sampled voices rise above a typically tactile groove.

14 - Ali Kuru - Lost Bedouin

Tamuro - Gifujo

Spotify |https://open.spotify.com/user/wm9bg0hxkawmfglt84r3wx5jh

Βλάσσης Μπονάτσος - Μοναξιά Μου 1996 vlassis bonatsos monaxia mou

Aυτόφωτη Σελήνη

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