Thanks a lot Rrose! My favorite Messiaen piece is included in this mix. Do you also have the entire playlist for us to share?

this mix is so sick. v glad i stumbled upon this

random sets... (indie, experimental, noise) part 2

Interview: https://truantsblog.com/2023/truancy-volume-308-polygonia

Soundcloud: @polygonia

Access the download and full tracklist (confirmed) on our Patreon. Your support helps cover all our costs and allows Truants to continue running as a non-profit and ad-free platform. patreon.com/truants

http://truantsblog.com

Polygonia

Truancy Volume 308: Polygonia

Kaspiann delivers a psychedelic trip on DSS 089. Going from swampy trance to techno loopers and back, the Helsinki based artist does not disappoint. Forging this mix with a specific scene in mind: the full-body immersion and psychological surrender of deep, compelling club music transmitted through a dimly-lit, hazy space over an imposing, physical soundsystem. Play this one loud.

@soundsofkaspiann

DSS 089 | Kaspiann

we would like to thank the landskron.3 team from the bottom of our hearts for the opportunity to perform as a duo at this wonderful festival for the first time. & we would also like to thank niculin barandun for his incredibly beautiful visualized work during the live set <3

Mario & Timnah (Hybrid) at Landskron3

The recording from one of my favourite sets last year ~ Transcendence Festival in Japan 🌲🇯🇵

I’ve long been drawn to the deep, organic and electrifying techno of Japan–inextricably linked to open-air gatherings deep in the forest–so it was very special to play this set in the mystical woods of Nagano’s mountains.

I played after Japanese wizard OCCA @oooccaaa, from 11.30PM-2AM ~ descending into the night and far beyond ✧.*｡⋆

Deepest thanks to @takumiinamoto1994 and @djmaria-jp for the invitation to join this gathering of likeminded musical souls, I am very grateful to have shared this experience with friends old + new 🫶

Featuring music from Alan Backdrop, Toki Fuko, Jacques Adda, Nao Nhil, Huda, A Strange Wedding, Conceptual, GiGi FM, Kangding Ray, Zemog, Noise From Beyond, Danieli, Vardae +++

Hope you enjoy this psychedelic forest trip to outer space 🌲🌌🧚🌙

Sybil @ Transcendence 2024

The vaunted techno producer discusses the connections between visual art and music, balancing a full-time career as a fine artist and how he creates his signature sound.

There's a connection between visual art and dance music that's seldom explored on our channels. Mike Parker is well known in the underground techno scene for minimal, hypnotic and beautifully executed sound design that sits somewhere at the edges of club music. But he also received his master's degree in fine art and teaches drawing and painting at Daemon University in Buffalo, New York. Fans of Parker will recognise his visual trademark: monochromatic prints that adorn the covers of the records he puts out on his label, Geophone.

In this Exchange, Parker sits down with Chloe Lula to talk about how he balances his art- and music-making practices and how they inform each other. He also opens up about the long process of sticking to his sound and finding an audience rather than catering to the demands and suggestions of labels and distributors. His 2001 breakout album, Dispatches—which he reissued last year—is a meditation on the act of living far away from any listeners or immediate influences, and he discusses the ongoing drawbacks and rewards of balancing the Eurocentric pursuit of DJing with day-to-day work that's so geographically removed. He also opens up about his longtime collaboration with Donato Dozzy, his love of mid-20th-century sci-fi movies and how free-form radio shaped his approach to music and art. Listen to the episode in full.

EX.761 Mike Parker

What’s better than a mix from electronic music royalty Cio D’Or? Two mixes. This week we present something very special, a tale told across two chapters. As a mainstay of techno for over two decades, Cio D'Or has consistently pushed boundaries, gracing the decks of revered institutions worldwide and crafting a legendary discography with releases on Prologue, Semantica, Hypnus, Time to Express and more. 

Across both mixes you will hear Cio’s unparalleled ability for sculpting minimalism and sonic architecture, masterfully recontextualizing familiar and obscure tracks alike, breathing new life into them and unveiling hidden dimensions. She dissects, reassembles and creates intricate connections between disparate sounds, all flawlessly executed with an alchemist’s touch.

Prisma 33 starts at a slower tempo, delicately building into an eruption of psychedelic minimalism. Dada grows with kinetic energy, with Cio sculpting sounds and textures into a deep trip where time seems to bend and dissolve, finishing with an unexpected wildcard that only a master selector could make work. 

Follow:

https://soundcloud.com/cio-d-or
https://www.facebook.com/profile.php?id=100044685305904
https://www.ciodor.de/


MNMT 478 : Cio D’Or (dada)

brittle.

Joy In The Same Cloud

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

Scion (Peter Kuschnereit aka Substance and René  Löwe aka Vainqueur) Basic Channel (Moritz von Oswald and Mark Ernestus) 

Basic Channel - Scion ‎Mix - Tresor 200

TRACKLISTING / LINER NOTES:
self-titledmag.com/2019/04/26/rrose-feature-needle-exchange-mix/

NE283: Rrose

Rinse France Podcast

E-Saggila invite DJ Loser - 25 Février 2020

Episode 65 of Chromatic Podcast Series with @parissior

Follow Chromatic:
www.facebook.com/chromaticclub/
www.instagram.com/clubchromatic/
@chromaticclub
www.chromatic-club.com

Follow Parissior: 
@parissior
https://www.facebook.com/Parissior/
https://www.instagram.com/parissior/
https://espaciocielo.com/

Chromatic Podcast 65 | Parissior

Rinse FM Podcasts

Download

Paramida - 12 July 2020

RAVE THEORY MIX

self-titled is a music magazine that has nothing to do with music. At least not in the traditional sense of self-important ‘criticism’ and profiles that read like regurgitated press releases. Yes, we print reviews and thought-provoking features, but we also pride ourselves on answering the questions others don’t ask. Find out what some of those questions are by reading our daily site or one of the back issues below.

For more information, or to request our one sheet for prospective advertisers and creative/event partners, please feel free to contact one of our editors:

Editor/Publisher, Andrew Parks, aparks@self-titledmag.com
Managing Editor, Arye Dworken, adworken@self-titledmag.com

As for getting covered in our digital magazine or daily edition, please send any material for review or feature consideration to our central office at:

self-titled
4204 Oakland Ave.
Minneapolis, MN 55407

NE283: Rrose

selftitledmag

Recent comments

NIENDR

Mateo Ramirez

111332730

Bibi Wood

Related tracks