Buy (vinyl / digital): https://nebleena.bandcamp.com/album/no-right-or-wrong-way-forward
'Memento Vivere' is the second single from my new album 'No Right or Wrong Way Forward'. You can watch a music video for this track by Eric Hogg here: https://www.youtube.com/watch?v=leBTJY-a8pk

Sweguno presents his debut album ‘No Right Or Wrong Way Forward‘. 8 tracks of genre-blurring electronic music with a distinct vocal presence permeating the whole. Both oppressively dense and achingly delicate, NROWWF is a sonic treatise on our contemporary world, its agonies and ecstasies.

Available physically as a vinyl record, & to stream/digitally purchase. Mastered by Sean Price, and released with Nebleena.

No Right Or Wrong Way Forward

Affect All

Ethereal, ambient soundscapes for your pleasure. Relax, chillout and enjoy. SFS

ETHEREAL - FAREWELL AND SORROW

The closing track from our debut album 'hours' - something more laid back with Chris on vocals.

Hours

I will be there for you

Buy Vinyl

Greg Fox - By Virtue Of Emptiness

Learn more at RVNG: smarturl.it/rvngnl38-rvng
Add to your collection at Bandcamp: smarturl.it/rvngnl38-bcamp
Download + stream everywhere else here: smarturl.it/rvngnl38-digi

©2017 RVNG Intl. / igetrvng.com

The Gradual Progression (RVNGNL38 - 320 Promo)

Greg Fox - By Virtue of Emptiness

Unreleased work included on the "A Turn of Breath: Deluxe Edition" 2xLP
Available to pre-order now, available on June 29th, 2018
www.recitalprogram.com/a-turn-of-breath
www.recitalprogram.com/purchase

R8 - Ian William Craig - "Heaviness Sketch in Winter" from A Turn of Breath 2xLP

World Breathes People

Soho Rezanejad - I Wasn't Made To Swallow the Tide

R. Elizabeth is the recording name of London-based artist and academic Rachael Finney. Every And All We Voyage On is her
solo recording project’s second full length and is a focused distillation of her practice in sound art and her knack for pop
minimalism. It follows a long sold out release on Where To Now? Records and a prolonged period in which she concentrated
on artist residencies exploring her interest in recorded sound and voice. Immediate and natural, Every And All We Voyage On
manages to sound joyful while tackling complex themes, handling everything with an improvisatory touch. The songs are full of
air and light; infectious, melodic and off-the-cuff.
Recorded using a single 80s Casio keyboard, reel-to-reel tape manipulation, piano and vocal, Finney’s practice with R. Elizabeth
belies a studious attention to detail. Her academic work is often focused on analysing sounds – particularly voice and language –
divorced from meaning and R. Elizabeth challenges the listener with overtly emotional tropes: sweeping portmento lap-steel
guitar keyboard tones on Back From Ten suggest a nostalgic melancholy when it intersects with the narrator closing her eyes,
realising she has nothing left to give. The lilting vocal cloaked in reverb is disarming, with an almost child-like surrender to the
undertow of the song. On Tragedy And Trade there’s a rough grace to the mixing with visceral, manipulated tape sounding like
the artists’ hands are literally in the speakers wrenching the melodies in mid-air. When it intersects with chants about the “gaps
and the silences” it has an eerie, hauntological effect. R. Elizabeth is constantly playing with sound and song: a Wonderland of
perceived emotion, the listener’s perception of what they’re hearing constantly in flux, it’s deceptively simple and deserving of
repetitive listening.
Cut Piano opens the album and introduces a documentary-feel which the album upholds through-out. It’s the sound of the artist
mangling a tape of her own piano recording, twisting it out of shape and suggesting a bend in reality. We’re listening to the artist
becoming a ghost in her own machine, a 3rd or 4th generation copy of an emotion rendered a long time ago, chilling and playful at
the same time. An Image Is Different bursts out of this with a sunny Casiotone beat, a melodic contrast that also introduces
Finney’s vocal. It flitters between a gorgeous repetitive melody ruminating about the nature of reality and a seemingly careless,
conversational tone. The effect is joyful, but you don’t really know why. The lyrics instruct someone (you? The artist?) to “go
outside and break someone’s neck, make it feel so real” before ending with R. Elizabeth nonchalantly stating “I dunno, to be
honest I don’t really care” as if on the phone to someone they’re bored with. It would be jarring if it wasn’t so catchy and uplifting.
The title track is a slow-tempo meditation with droning synths providing the background to slow, dragging tape sounds and
grounding, just-out-of-focus vocals bunkering down in the mix. The methodology suggests the work of Broadcast: there’s a
loping bassline that propels the track forward but the duet/duel between Finney’s haunted vocal and the soloing tape warble
provides aural snakes for the listener’s ear to follow.

R. Elizabeth - SPIRITUAL TO SYMPHONY (from Every And All We Voyage On)

Some Limited And Waning Memory (Milan W Remix)

Mourning Dove - Blessings (Mdrgr-025) 

Format: 2xCS with additional insert

Layout and Design by O.R. 

Cassette edition available to order now! You can also buy the digital album at: Mourning-dove.bandcamp.com

Order: https://mdrgr.com
IG: @mdrgr

Blessings

Mourning Dove - I Don't Know

Hiver / winter

Seasonal show by @syndrome_premenstruel_spm & @fatmawonthealyou about music and plant on Lyl Radio.

Fatma Pneumonia et Syndrome Premenstruel sont de retour pour un hiver sous les signes du cresson, des hellébores et d'une salade très spécial! Les branches du gui nous protègent. Cold talk, recette et tracks chaudes.

tracklist and more info >>> https://lyl.live/episode/hevea-syntax-5

HEVEA SYNTAX ep06 w/ Fatma Pneumonia & SPMDJ _ LYL RADIO

self-titled is a music magazine that has nothing to do with music. At least not in the traditional sense of self-important ‘criticism’ and profiles that read like regurgitated press releases. Yes, we print reviews and thought-provoking features, but we also pride ourselves on answering the questions others don’t ask. Find out what some of those questions are by reading our daily site or one of the back issues below.

For more information, or to request our one sheet for prospective advertisers and creative/event partners, please feel free to contact one of our editors:

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Soho Rezanejad - I Wasn't Made To Swallow the Tide

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