💣

Request a copy & digitals at : ma007kph@gmail.com
or Instagram dm at : @00djloser

bonus track included in the release.

Idolizing The Wrong Figures

The soundtrack of the audiovisual art piece Apophenia by Lasse Gudmand-Høyer.

Entrancing noise, apophenic visuals, and provoking presentations.

Apophenia is a sonically centred multidisciplinary work, that seeks to explore the in between and parallels of, sound-experience, performance, participation and visualisation. The project is anchored by a recurring soundtrack that takes the form of a collaborative, predominantly industrial, techno production, curated by Lasse Gudmand-Høyer. Meaningful patterns emerge in the rhythmic composition of vacuous noise, that simultaneously feel deeply disturbing and intensely entrancing. The 12 tracks, produced by a mix of Copenhageners- and internationals, lay the sonic foundation for Apophenia's two pillar components - an enigmatic video exhibition and a staged, performative rave. The album captures feelings of intense apophenia, visualised as movement of bodies in a highly instinctive, Rorschach's inkblot-like, diversity of interpretation.

The first physically manifested element of the project is a visual exhibition at inter.pblc. This experience, dubbed by the vacuous and entrancing soundtrack, consists of a film displayed on a large LED screen and a virtual reality headset. The video acts as an enigmatic, yet engaging, examination of the, otherwise reserved, rave topography. It features a collection of moving bodies, collectively, yet separately, entranced by the apophenic noise around them. Seeing these bodies and their movement, captured through a 360 degree camera lens, allows the viewer to attain a deeply immersive perspective from an active participant’s point of view. The film itself spawns a unique and eerie feeling, among the observer, that oscillates between that of a non-existing surveillant and a deeply involved participant. The VR headset functions, not as a central aspect of the exhibition, but merely as a dynamic angling tool that decides the video's rotational point of view. The purpose of the exhibition is to display a collection of moving bodies in a catalog-like display of conceptual personas. It acts as a teaser for the final aspect of the project.

Apophenia's culminating element is a rave at Basement in Copenhagen. Here, the soundtrack meets the visual representation of the exhibition in the most literal way. At its' center, this concluding part of the work is an exercise in connecting the parallels between sound-experience, performance, -participation and -visualisation, in the context of what seems to be no more and no less than a rave party. Yet, the event itself is staged with a performance-like auction of the conceptual ownership of the moving bodies, displayed at the inter.pblc exhibition, where all profits are donated to charity. The act, which in itself seems ethically controversial, seeks to comment on the duality of activism and monetisation by selling bodies as concepts, who, in the specific scenario, are no different than the observer, turned active participant. 

DJ LOSER
Soundcloud: https://soundcloud.com/loser111
Instagram: https://www.instagram.com/00djloser/

PREMIERE: DJ LOSER - Experiment In Noise 1 (Apophenia OST)

Artist: @huma4444
Title: Replicate
Album: Hyperchaotic
Label: @opal-tapes, @hedonic_reversal (co-edition)
Release date: April 1th, 2022
Format: wav or mp3
Buy link: https://hedonicreversal.bandcamp.com/album/hyperchaotic

"Huma's 'Hyperchaotic' explores chaos, theoretical physics, uncertainties and how order emerges out of the fog of the real. No apparent or understandable reason is required for this or anything else to simply, be.

The album seeks balance between randomness and certainty, between abrasion and delicacy. Sound design references elemental processes that seem to take on a life of their own: combining, interfacing and modulating each other. Sound, space and silence creating symbiosis and an incredibly detailed listening experience which evokes the kinesthetics of Gábor Lázár or the cybernetic wild cards of Terminal 11."

More information and promos: info@tforgotten.org
Follow us on Instagram: https://bit.ly/3dIwmu6
PayPal donations here: https://bit.ly/TFDonative

DISCLAIMER: All tracks are loaded in low quality for promotional purposes only and with purchase links to respect the label and the artists.

FOLLOW US: 

Website: https://www.tforgotten.org
Youtube: https://goo.gl/MNiXdG
Instagram: https://goo.gl/NwLscp
Facebook: https://goo.gl/DWJBmK
Twitter: https://goo.gl/b3TJgt

Huma - Replicate [Opal Tapes]

Accession: amekcollective.bandcamp.com/album/accession

Accession

Vinyl / Digital

Transfixed

New tune out together with the g STUGATS. Free DL

Free Download

[Free DL] IMPERIA x STUGATS - SMILE

Exctasy

Olli&Paul Mix25

A2 - Isabella - Penchant - PMIK001

We give full streaming on the Five to Nine track  by AN-i and Unhuman release on L.I.E.S Records 

It's raw, brazen dynamic and willing to cover different influences.
Chunked into sections of literally relentless beats and repeated snare strikes which roll and explode "noise climaxes" that can easily trap you while Lee Douglas’ voice is not giving you the space to escape. No Breath. 

Artist:An-i + Unhuman 
Track: Five to Nine

Label: L.i.e.s Records
Format: 12''
Release Date: July, 2019
Order :  https://liesrecords.com/collections/all/products/an-i-unhuman-s-t-12-lies-141

Premiere #49 AN - I + Unhuman - Five To Nine [L.I.E.S. Records]

@sorcery_music
Track listing:

A1 Manufactured Conflicts
A2 Orbature
B1 Orbature (Samuel Kerridge remix)
B2 Artificial Landscapes Part 1
B3 Artificial Landscapes Part 2

“There are no strict rules to how I compose beats, calculate clever subdivisions or bend time signatures, the rhythmic alchemy is dictated by feeling the impact that resonates in me.”

Manufactured Conflicts is the hard-hitting precision engineered debut from one of electronic music’s most acclaimed experimental underground’s drummer. His cinematic math-laden techno is a combination of beastial, off-pulse rhythms, clever metric modulation, inspired textures and punchy transients designed to bend the listener’s mind whilst providing a high-impact full-body massage groove to the dancefloor.

Fierce and punishing, title tracks ‘Manufactured Conflicts’ and ‘Orbature’ pummel away at the consciousness where the only way out is through whole mind and body surrender. Manipulations of the mind play out in the two end-game scenarios of ‘Artificial Landscapes Part 1 and 2’, where lightness and tension interlace between man and machine.

Samuel Kerridge thoughtfully re-engineers ‘Orbature’ re-pacing the structure and contributing additional textures to the piece. His rework sculpts a haunting industrial feel to the track.

About Sorcery

Sorcery cuts a unique presence in electronic music’s experimental underground. A passion for the interaction between acoustic and electronic instruments has led to the creation of intricate, mind bending and challenging compositions. There’s an unrelenting and visceral impulse to his work, defined by a life-long and far-reaching passion for the rhythmic qualities of music. It’s a compelling, abrasive alchemy, defined by a belief in pursuing the ‘Gesamtkunstwerk’. This is ‘total’ music production: composition, collaboration, performance and recording — of which he is a proven a master in all four disciplines.

The producer behind Sorcery has lent his unique live drummer presence to the techno scene throughout various contributions and collaborations including with Kangding Ray, Belief Defect, Dadub and Powell just to name a few. This musicianship has led him to perform twice at Atonal festival and release on the Atonal imprint with SUMS (Kangding Ray + Barry Burns/Mogwai).

Credits:
 
Mastering for digital support by Daniele Antezza @Dadub Studio
Vinyl mastering and cut by Simon at The Exchange 
Artwork by Rosmarie Weinlich

Manufactured Conflicts

Pre-order

A1 - Sorcery - Manufactured Conflicts

Track listing:

A1 Manufactured Conflicts
A2 Orbature
B1 Orbature (Samuel Kerridge remix)
B2 Artificial Landscapes Part 1
B3 Artificial Landscapes Part 2

“There are no strict rules to how I compose beats, calculate clever subdivisions or bend time signatures, the rhythmic alchemy is dictated by feeling the impact that resonates in me.”

Manufactured Conflicts is the hard-hitting precision engineered debut from one of electronic music’s most acclaimed experimental underground’s drummer. His cinematic math-laden techno is a combination of beastial, off-pulse rhythms, clever metric modulation, inspired textures and punchy transients designed to bend the listener’s mind whilst providing a high-impact full-body massage groove to the dancefloor.

Fierce and punishing, title tracks ‘Manufactured Conflicts’ and ‘Orbature’ pummel away at the consciousness where the only way out is through whole mind and body surrender. Manipulations of the mind play out in the two end-game scenarios of ‘Artificial Landscapes Part 1 and 2’, where lightness and tension interlace between man and machine.

Samuel Kerridge thoughtfully re-engineers ‘Orbature’ re-pacing the structure and contributing additional textures to the piece. His rework sculpts a haunting industrial feel to the track.

About Sorcery

Sorcery cuts a unique presence in electronic music’s experimental underground. A passion for the interaction between acoustic and electronic instruments has led to the creation of intricate, mind bending and challenging compositions. There’s an unrelenting and visceral impulse to his work, defined by a life-long and far-reaching passion for the rhythmic qualities of music. It’s a compelling, abrasive alchemy, defined by a belief in pursuing the ‘Gesamtkunstwerk’. This is ‘total’ music production: composition, collaboration, performance and recording — of which he is a proven a master in all four disciplines.

The producer behind Sorcery has lent his unique live drummer presence to the techno scene throughout various contributions and collaborations including with Kangding Ray, Belief Defect, Dadub and Powell just to name a few. This musicianship has led him to perform twice at Atonal festival and release on the Atonal imprint with SUMS (Kangding Ray + Barry Burns/Mogwai).

Credits:
 
Mastering for digital support by Daniele Antezza @Dadub Studio
Vinyl mastering and cut by Simon at The Exchange 
Artwork by Rosmarie Weinlich

Artificial Landscapes part 2

B3 -  Sorcery - Artificial Landscapes Part 2

Artificial Landscapes part 1

B2 - Sorcery - Artificial Landscapes Part 1

Orbature (Samuel Kerridge remix)

B1 - Sorcery -  Orbature (Samuel Kerridge Remix)

Orbature

A2 - Sorcery - Orbature

FURTHER LISTENING:
self-titledmag.com/sorcery-orbature-samuel-kerridge-remix/

Manufactured Conflicts EP

Sorcery - Orbature (Samuel Kerridge Remix)

The second track from the upcoming 3Ddancer Album: Can't Relate

3ddancer offer a glimpse into their long freeform dance music performances with a selection of pieces taken from live shows over the last two years. Composed of Alex the Fairy, Rachel Lyn & Volruptus, each with their own varying backgrounds, the trio verge on conjoining when operating their electronic instruments during performances, providing an eclectic mix of musical styles spanning electro, techno, acid, industrial, gabber, EBM, hardcore and beyond. This is reflected in the broad spectrum of material on the record.
 
3Ddancer shows are always unique moments, never to recur. The recordings stem from the groups live performances at various venues, including their multiple appearances for Modular Gang at the Oscillate parties.
 
The tracks, in true 3Ddancer spirit, are an uncompromising, unrefined expression of the three interwoven minds; rough, rugged and raw. And yet, out of the chaos: a record emerges - hence, a ‘great fucking success’.

great fucking succsess

Can't Relate

self-titled is a music magazine that has nothing to do with music. At least not in the traditional sense of self-important ‘criticism’ and profiles that read like regurgitated press releases. Yes, we print reviews and thought-provoking features, but we also pride ourselves on answering the questions others don’t ask. Find out what some of those questions are by reading our daily site or one of the back issues below.

For more information, or to request our one sheet for prospective advertisers and creative/event partners, please feel free to contact one of our editors:

Editor/Publisher, Andrew Parks, aparks@self-titledmag.com
Managing Editor, Arye Dworken, adworken@self-titledmag.com

As for getting covered in our digital magazine or daily edition, please send any material for review or feature consideration to our central office at:

self-titled
4204 Oakland Ave.
Minneapolis, MN 55407

Sorcery - Orbature (Samuel Kerridge Remix)

selftitledmag

Recent comments

Dyslexia

Pr1nceton K1ng

1103 Musik Berlin

Related tracks