que obra de arte!!!! ao ler como fizeram a música fiquei mais encantada ainda!! precioso! 💓

Multi Culti are proud to present the debut EP from Sao Paolo's Voodoohop resident, Thomash.

DJ Thomash has set up one of the most influential nights in the bazooming Brazilian scene with his Voodoohop party, a fusion of tropical hedonism and avant-garde trance-inducing European electronic music, a lively mix that no doubt has its genesis in his transplanted German roots (he's from Cologne aka Kompakt-ville). He's shared the stage with guys like Rebolledo, Joakim, Acid Pauli and more, and now finally looks to colonize the world with his first release.

Interestingly, Thomash has a degree in artificial intelligence, so while it might just be our imagination, it does seem that the rhythms, full of oddly tuned percussion and colorful synth stabs seem imbued with a distinct internal logic, playful forms that bounce off each other in their own reality, according to their own laws. This narrative of the ethnoid, German-Brazilian AI ties in nicely with the title: Candomble is the name of an Afro-Brazilian religion, meaning literally 'dance in honour of the gods.' Fortunately for us, Thomash seems to be honouring some scarcely acknowledged, far-out deities... spritely DMT-elves. Ectoplasma further plays into this reading, both in title and in vibe, floating unconcerned with material dancefloor goals into a space of peaceful imagination and spirit. Finally, Calango Fumando Palha is a soft, dreamy morning peyote-fire anthem… a healing latin lullaby to soothe troubles and set positive vibes free.

Called in to take us deeper into the trip are Multi Culti's go-to sooth-sayers DREEMS, who lead us forwards in full-chakra-alignment with the originals, bringing bigger bass into the heart of the jungle, tripping on acid, leaving us loose-limbed, wide-eyed, and open-minded in bliss as the final chords tuck us in and kiss us goodnight. Sweet Dreems!
  

Thomash - Candomble

An EDM track inspired by the spirit of raves and nightclubs.

D.A.R.E.

The cult of Multi Culti expands it’s horizons to include Nicola Cruz, backed by remixes from Xanga and L_cio.
Nicola Cruz’s music beautifully invokes the landscapes and rituals of his homeland, Ecuador, a country that contains both the majestic Andes mountains and the mighty Amazon jungle.  His sound is an amalgamation of folkloric traditions and ancestral mythologies, crafted with fine detail and slick production techniques. 
In 2012 Nicola collaborated with Nicolas Jaar on Clown & Sunset, and has since worked towards his debut album on ZZK Records.
Between past and present, traditional and modern, Nicola fits into a growing scene of South American artists exploring local indigenous and Afro-cosmologies, among fellow artists and ZZK label-mates like Chancha Via Circuito. 
For his debut on Multi Culti, Nicola has created Mantis, and it is arguably his most accomplished club record to date, a 105bpm tribal chugger that flexes shamanic authority over hearts and minds. Invocacion goes even deeper into the new, new age, presenting traditional instrumentation and mysticism in a modern framework. Australia’s Xanga joins in with a super lively, rhythmic remix that is as joyful as it is deep. Finally, Brazil’s L_cio presents a version that strips things down for club play, upping the tempo while keeping the characteristic flavour of the flute.

Buy on iTunes

Nicola Cruz - Mantis (Xanga Rewind)

undiú - joão gilberto (1973)

edit descompromissado 

<a href="https://theartistunion.com/tracks/6bf37d" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Undiú (Salvador Space Edit)

Available Online: https://kaphase.work/monolith/

Free Download

I.U.tA. Ya Na O Ke

Original music by Siete Notas, Recorded and produced by Chopin Thermes


Grabado originalmente por Chopin Thermes en colombia, 1986 con una Nagra IV.

Originally Recorded by French EthnoMusicologist, Chopin Thermes, in Colombia in 1986. The Recording was done in the field on a Nagra IV. 

Sampled from original master tapes

all contributions will be used for further archival work.

Siete Notas - El Estanquillo (Quixosis edit)

Those who experienced listening to the original Maria Rita version of "Cântico Brasileiro Nº3 (Kamaiurá)" on the dancefloor know it's such a thrilling experience that could only be better if the song was a bit longer. At the same time, it didn't make much sense to mess with the original. Having these thoughts on their minds, the Selvagem boys' Augusto Olivani and Millos Kaiser (the minds behind Selva Discos) had an insight while discussing the reissue of the "Brasileira" material with singer Maria Rita Stumpf: why not hit the studio and remake the track? Also, why not ask someone like Joakim, known for his exquisite taste and brilliant production skills, to remix "Lamento Africano/Rictus"? It would be the perfect package. And that's what happened. 

In order to properly remake "Kamaiurá", they recruited Paulo Sergio Santos from Uakti, one of the musicians that took part of the original "Brasileira" recording sessions, a supertalented multi-instrumentist who still possesses a version of the plastic tubes responsible for the particular bass sound of the track and also a couple of flutes reminiscent of the ones first used (not to mention a lot of crazy instruments he brought alongside him; on a side note for those not familiar with Uakti, it was an instrumental music group from Brazil famous for creating their own instruments whose godfather was Milton Nascimento and peaked in the 1990's playing with Philip Glass). Carlos Gualda aka Carrot Green, who's been collaborating with Selvagem for the past 3 years, was also summoned for the mission. 

The project of remaking "Kamaiurá" also needed a proper recording studio, so Augusto and Millos pulled a couple of strings to rent the legendary Vice-Versa studio in São Paulo (now owned by the Brazilian label Trama), which was founded by Rogério Duprat (yes, the Tropicalia maestro), Luiz Arruda Botelho, Sá & Guarabyra in the early 1970's – a beautiful, spacious acoustically-treated wooden room fully equipped and controlled by a Neve console. There, Paulo Sergio Santos recorded 12 different instruments (none of them electric or electronic) and Maria Rita Stumpf sang in a studio after more than 20 years, on a different arrangement than the original, with a new intro and an outro, also extending the song (including a breakdow) for a better dancefloor experience. Later, Selvagem & Carrot Green worked on the post-production, adding a kick drum, a hi-hat and some Rolando SH-101 punctuation, all very minimal, so the feeling of a jungle excursion of the new session would be preserved. 

Concerning the "Lamento Africano/Rictus" remix, it's a great feeling when you present your first choice an idea and the person is just hooked by the power of the music. Joakim was just very interested about the singer, the instruments used, the lyrics and jumped aboard this project quickly. He didn't had the same opportunity as Selvagem & Carrot Green had, being offered to work with just the original song, but did an amazing job inverting the elements of this suite, using the kalimba-sounding instrument in the introduction and the African lyrics in the breakdown, turning this subtle, sensitive chant in a dancefloor monster. 
credits
released October 27, 2017

Written by Maria Rita Stumpf
& Produced by Augusto Olivani, Carlos Gualda and Millos Kaiser
 
Recorded at Trama Estudios, São Paulo
Mixed at Carrot's Studio, Rio de Janeiro, 2017

Maria Rita Stumpf - vocals
Paulo Sergio Santos - bowed guitar, flutes, caxixi, derbak, handclaps, body percussion, shell rattle, chajchas, pvc tubes in D
Selvagem & Carrot Green - handclaps, body percussion, backing vocals, drum programming and additional keyboards

Mastered by James Savage 
Cover picture by Márcia Costa Dias
Artwork by Colletivo Design LTDA
Back cover picture by Gil Lopes

Maria Rita Stumpf - Cântico Brasileiro Nº3 (Kamaiurá) (Selvagem & Carrot Green Remix)

Tropical Bangers Vol.II

Psycho Tropiques - Orangoline (Original Mix)

C๏sʍ๏tunes ★ 8 - @da-iguana
Grupo Batuque - Percussao Livre (Da Iguana Edit)
Release date: September 21, 2019
Label: @cosmovisionrecords
Mastering by: @FelipeNadeau
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We are big fan of Da Iguana music, no doubt, he made a beautiful track for our first compilation, the super awsome " dancefloor friendly" cumbia vibe '' Cuando andas por la noche y la cumbia te rompe la cara '', we are really stoked to collaborate with him again,  with an amazing edit of Grupo Batuque :  a tribute to the deep tribal sounds of Berimbau from Brasil.  
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About his edit : 
"While digging into Brazilian music, I came across this extraordinary percussionist band called Grupo Batuque. Their first album is a real slap in the face, and there was this particular recording using light & dreamy sounds recalling the jungle, with a name as beautiful as the song itself: Percussao Livre. I thought about giving it a go, keeping the entire song, adding some more of these "free percussions", and giving some more melodical depth with some deep organic bass and synthesizers. In the end a lot less organic than the original version, but more trippy, shapeshifting and groovy to my opinion! 
Hope you enjoy " da-iguana
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
About Da Iguana : 
Da Iguana is a real experience, beat-loving bearded reptile mixing roots, genres and styles with open-mindness & passion. Curator and co-founder of @ethnokult
@da-iguana
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
Grupo Batuque is a constantly shifting samba collective of veteran Brazilian percussionists, drummers and musicians assembled by Joe Davis of Far Out Recordings.The idea came about in Rio ’96 during three long hot days of Carnival. Far Out Recordings hired a studio and gathered some of the top percussionist and musicians, with artists from local favela-based samba schools. This resulted in ‘Samba de Rua’ the first album from Grupo Batuque, an album full of rural street batucadas – encapsulating the music and atmosphere of the Carnival. 

Grupo Batuque have gone on to release another four albums with Far Out Recordings, becoming one of the labels most successful projects. Their second album ‘Samba de Futebol’ was in part a homage to their beloved Flamengo football club and the beautiful game as a whole. The album featured members of Império Serrano, one of Rio’s most traditional samba schools, led by Wilson das Neves (musical director). 

Their third album, the Grammy nominated ‘Africa Brazil’ was produced by Joe Davis and arranged by Ivan Conti; documenting Samba's African roots. After the success of ‘Africa Brazil’ Far Out Recordings decided to take the project further by releasing ‘Rhythmix’ which featured remixes of tracks from the previous two albums featuring the talents and concepts of 4 Hero, Big Bang, Fauna Flash, Viper Squad, Rock Hunter, Jamie Anderson, Osunlade, Zero dB, Masters At Work and Da Lata. Their fifth album was called ‘O Tempo Do Samba': a feel good, up-tempo sun-soaked record. The core of the album was written by Ivan Conti and produced by Roc Hunter who were helped by infamous percussionist Cidinho Moreira. 

Moreira was backed up on percussion by Pirulito, who in the 70’s was a regular member of Jorge Ben’s legendary Banda Ze Pretinho. It also features Nico Rezende, a famous Brazilian pianist who had major success in the 80s as did composer, songwriter and saxophonist Leo Gandelman who worked on the searing horn arrangements that punctuate the album. The two lead vocalists are Fabiola and Claudemir De Silva. Fabiola was a popular Samba singers from in 70s to the 90s whilst newcomer Claudemir is both a poet and Sambista whose talent started getting recognised after appearing on the album.
https://www.faroutrecordings.com/collections/grupo-batuque

<a href="https://theartistunion.com/tracks/970906" rel="nofollow">Download for free on The Artist Union</a>

Free DL : Grupo Batuque - Percussão Livre (Da Iguana Edit)

A few weeks ago, an idea was created to help indigenous peoples affected by the Amazon rainforest burning in Brazil. The first part of this journey was launched by the Voodoohop collective, and now we release the final part here at Tropical Twista Records.

Music by https://soundcloud.com/yaguaretee

Donate!

Villa-Lobos - Bachianas Brasileiras N5 (Yaguareté Rework)

Fiz uma versão eletronica desse hit dos anos 90 da Banda Carrapicho.
A letra foi composta por Braulino Lima em 1993 e selecionada em um festival de toadas no Amazonas.
Regravada em 1996 pela Banda Carrapicho, a música chegou aos ouvidos do produtor francês Patrick Bruel e levada para a Europa onde estourou e fez muito sucesso com a banda.
Espero que gostem :)

Mastered by @elpeche

Bate forte o tambor
Que eu quero é tic tic tic tic tac
Bate forte o tambor
Que eu quero é tic tic tic tic tac
É nesta dança que meu boi balança
E o povão de fora vem para brincar
É nesta dança que meu boi balança
E o povão de fora vem para brincar
As barrancas de terras caidas
Faz barrento o nosso rio mar
As barrancas de terras caidas
Faz barrento o nosso rio mar
Amazonas rio da minha vida
Imagem tão linda
Que meu Deus criou
Fez o céu a mata e a terra
Uniu os caboclos
Construiu o amor
Fez o céu a mata e a terra
Uniu os caboclos
Construiu o amor
Bate forte o tambor
Que eu quero é tic tic tic tic tac
Bate forte o tambor
Que eu quero é tic tic tic tic tac
É nesta dança que meu boi balança
E o povão de fora vem para brincar

Download

Carrapicho - Tic Tic Tac (Meraki Cover)

Label dedicated to unearth overlooked and unique Brazilian music, both from the past and the future. Also important: straight from Brazil to the world. Run by Augusto Olivani (aka Trepanado) of Selvagem. selvadiscos@gmail.com

Maria Rita Stumpf - Cântico Brasileiro Nº3 (Kamaiurá) (Selvagem & Carrot Green Remix)

Selva Discos

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