@paolo-piaser: thanks for your kind thoughts

All These Things And More

You guessed it: I conducted a jam session, recorded everything and then used Audacity to put the best parts from this sesson together to one single track using only basic audio editing techniques. 

During this particular jam session I used my humble Eurorack together with the Arturia MicroBrute and a ton of modulation. Additionally, I employed a collection of guitar pedals to bring in some effects. The squeeking noises heard throughout the track is the MicroBrute's filter in self-resonance.

The speech sample comes from the stock audio library of the Eurorack module Radio Music and is the voice of Kurt Waldheim, an Austrian diplomat. This greeting was featured on the Voyager Golden Records, two gold plated records which were included aboard both Voyager spacecraft that were launched in 1977.

As so often the case, I additionally used a sample of another artist, this time it's the awesome, the magnificent, the one and only The Hybrid Drummer: https://youtu.be/KXhUwzdRD34


MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Humility And Hope [Jam session sections: RAW2022 - 1]

torn

Lyrics by David L. Graham
Music demo by Kate Stanton
Thank you Mctown Music for these inspiring words!!

Only A Detour by David L. Graham

I still dream of dark days
and wake in regret
cause those dark days had you
and our sweet bed

we popped corn and a tent
that kept out tomorrow
we glowed and flowed
with no taste of sorrow
but now it's only a dream
a detour on a time line
now we chase different lies
a detour on a time line

I left us and you know
that truth much too well
cause those hearts quit too soon
for that lovespell

chorus

but sometimes when I sleep
I wander through those years
but time travel comes
with truth and well-spent tears

chorus

only a detour...only a detour...

Only A Detour (Feat. David L. Graham)

Ritual

"Direction Within" is featured on the album Play of Color.
Watch the live performance:https://youtu.be/3X1zcl4rdLQ

Direction Within

This is a collaboration with mozawa_*https://on.soundcloud.com/n3oEo
The original song by mozawa_* is available at the following link. https://on.soundcloud.com/yWZDZ
Composition and Sampling collage and Reformed by Synline

"Lost Horizon" mozawa_*=Synline

I'll Be There.

songs used:
    
   STILLVIVID - Abortionist (Cities in Ruins)
       https://soundcloud.com/stillvivid/abortionist
   From album SAGA:
       https://soundcloud.com/stillvivid/sets/saga
   STILLVIVID soundcloud:
       https://soundcloud.com/stillvivid
   STILLVIVID youtube:
       https://www.youtube.com/watch?v=b7kPfsB35xo&list=UULFwJLC1MWQDmCJu5rYdxoXkQ&index=7

   FIVES  - MOOD
       https://soundcloud.com/fivesmke/mood
   FIVES  soundcloud:
       https://soundcloud.com/fivesmke
   FIVES music Linktree:
       https://linktr.ee/fives.music



My City, My choice
Abortionist, you will pay the price

The knife to our throat
Is cause of our vote
We are cornered

Full disclosure, total exposure
You're a liar

I've done a lot of things so I can't judge you
In fact I know I'm just like you

You're just like me
We're all apart of the same family

In we trust, In God we trust

You're aborting us

STILLVIVID & FIVES - Abortionist (Cities In Ruins)(dj baubau remix)

dep . R(i)e . viv . al . a . tion (2019)
for ensemble

March 10, 2019, performed by Hezarfen Ensemble in Bilkent Concert Hall, Ankara

Orhun Orhon, conductor
Cem Önertürk - Flute
Kıvanç Fındıklı - Bass Clarinet
Kerem Öktem - Percussion
Müge Hendekli - Piano
Özcan Ulucan - Violin
Ulrich Mertin - Viola
Gökhan Bağcı - Violoncello

Recording and mastering by Engin Dağlık

Art: Limm by Christoph Bader
 
dep . R(i)e . viv . al . a . tion (2019) for ensemble

"unhappy that i am, i cannot heave 
my heart into my mouth: i love your majesty 
according to my bond; nor more nor less."
			King Lear, I.1: 91-93, Cordelia.

dep . R(i)e . viv . al . a . tion, is an artificial word that was created as considering the phonetic features of both deprivation and revival words.
Just like King Lear's little daughter, Cordelia, many people have organic bonds of pure love. The most bitter of this situation is that they cannot leave these ties behind, and over time they become a cyclic deprivation. These types of situations that cannot be left behind and are transformed again, avoiding the progression of the timeline which creates loops. The deprivations that occur in these repeated cycles with particular or unknown periods inform their endings; in fact, every ending is the cause of a new revival. As Shams- i Tabriz says, ’The end is to return to the beginning.’ 
I have observed that this psychological process, which people have to experience from time to time, has an actual physical reaction on our own bodies. The harmonic cycle of music refers to the psychological process; the music, beginning in the “E” harmonic area, that completes its harmonic cycle by achieving different center tones and ends at the “E” center just like in the beginning. The harmonic function of music also serves the formal structure of itself. Transformed small structures texturally reach up in each center tone during the procedure, which is a reflection of the observed physical results.

dep . R(i)e . viv . al . a . tion

Thanks again and always to Hitoshi Yasui of chairhouse for his daily musical offerings and for helping us to adapt this lovely song based on his piano improv of February 28, 2020. It is another song from his epic "Piano Ten Thousand Leaves" project. The guitar arrangement is by naldo and the beautiful orchestration is again written by Berkeley composer Guillaume Pearson. We hope you enjoy it and as Hitoshi often writes "Happy if this makes you feel peaceful".

Listen to the original chairhouse piano here:
https://soundcloud.com/chairhouse/she-always-looked-at-the-postmark-first-2267-by-chair-house-0228-by-chair-house-02282020

cover art by Gustave Jean Jacquet

dep . R(i)e . viv . al . a . tion

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