All These Things And More

You guessed it: I conducted a jam session, recorded everything and then used Audacity to put the best parts from this sesson together to one single track using only basic audio editing techniques. 

During this particular jam session I used my humble Eurorack together with the Arturia MicroBrute and a ton of modulation. Additionally, I employed a collection of guitar pedals to bring in some effects. The squeeking noises heard throughout the track is the MicroBrute's filter in self-resonance.

The speech sample comes from the stock audio library of the Eurorack module Radio Music and is the voice of Kurt Waldheim, an Austrian diplomat. This greeting was featured on the Voyager Golden Records, two gold plated records which were included aboard both Voyager spacecraft that were launched in 1977.

As so often the case, I additionally used a sample of another artist, this time it's the awesome, the magnificent, the one and only The Hybrid Drummer: https://youtu.be/KXhUwzdRD34


MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Humility And Hope [Jam session sections: RAW2022 - 1]

torn

Lyrics by David L. Graham
Music demo by Kate Stanton
Thank you Mctown Music for these inspiring words!!

Only A Detour by David L. Graham

I still dream of dark days
and wake in regret
cause those dark days had you
and our sweet bed

we popped corn and a tent
that kept out tomorrow
we glowed and flowed
with no taste of sorrow
but now it's only a dream
a detour on a time line
now we chase different lies
a detour on a time line

I left us and you know
that truth much too well
cause those hearts quit too soon
for that lovespell

chorus

but sometimes when I sleep
I wander through those years
but time travel comes
with truth and well-spent tears

chorus

only a detour...only a detour...

Only A Detour (Feat. David L. Graham)

Ritual

"Direction Within" is featured on the album Play of Color.
Watch the live performance:https://youtu.be/3X1zcl4rdLQ
DistroKid album link:https://distrokid.com/hyperfollow/benruhl/play-of-color-2

Play of Color

Direction Within

This is a collaboration with mozawa_*https://on.soundcloud.com/n3oEo
The original song by mozawa_* is available at the following link. https://on.soundcloud.com/yWZDZ
Composition and Sampling collage and Reformed by Synline

"Lost Horizon" mozawa_*=Synline

I'll Be There.

songs used:
    
   STILLVIVID - Abortionist (Cities in Ruins)
       https://soundcloud.com/stillvivid/abortionist
   From album SAGA:
       https://soundcloud.com/stillvivid/sets/saga
   STILLVIVID soundcloud:
       https://soundcloud.com/stillvivid
   STILLVIVID youtube:
       https://www.youtube.com/watch?v=b7kPfsB35xo&list=UULFwJLC1MWQDmCJu5rYdxoXkQ&index=7

   FIVES  - MOOD
       https://soundcloud.com/fivesmke/mood
   FIVES  soundcloud:
       https://soundcloud.com/fivesmke
   FIVES music Linktree:
       https://linktr.ee/fives.music



My City, My choice
Abortionist, you will pay the price

The knife to our throat
Is cause of our vote
We are cornered

Full disclosure, total exposure
You're a liar

I've done a lot of things so I can't judge you
In fact I know I'm just like you

You're just like me
We're all apart of the same family

In we trust, In God we trust

You're aborting us

STILLVIVID & FIVES - Abortionist (Cities In Ruins)(dj baubau remix)

Second Act: Parumper Phantasiae(2018)
miniatures for trio

performed by Ensemble X
August, 2018, Cappadocia University, Nevşehir
KK Composer’s Cauldron’18, Capadoccia

Mahir Cetiz, conductor
Ellen Jewett, violin
Elizabeth Simkin, violoncello
Xak Bjerken, piano

photo: Jack Davison

The piece has written to be performed by Ensemble X (Ellen Jewett, Elizabeth Simkin and Xak Bjerken)at the Klasik Keyifler 2018 Composer’s Cauldron.
Second Act: Parumper Phantasiae is the latest work of the miniature series concept that I‘ve been thinking from the last year. This piece contains different instrumental combinations of the trio; nevertheless, miniatures are linked in succession through one single unified course. In this context, it should not be considered that every miniature is an independent structure; rather, each one is an overall part of the whole. This whole introduces a theatrical action. Starting from the first miniature, the series begins with an elegiac spirit, then with the cello solo distorting the harmonic structure it is based on, resembles as a soliloquy in its characteristic. By cutting off the angular blocs as rhythmical, music transforms the more voluminous structure and its frames become blurry gradually.

Second Act: Parumper Phantasiae, Miniatures for Trio

Thanks again and always to Hitoshi Yasui of chairhouse for his daily musical offerings and for helping us to adapt this lovely song based on his piano improv of February 28, 2020. It is another song from his epic "Piano Ten Thousand Leaves" project. The guitar arrangement is by naldo and the beautiful orchestration is again written by Berkeley composer Guillaume Pearson. We hope you enjoy it and as Hitoshi often writes "Happy if this makes you feel peaceful".

Listen to the original chairhouse piano here:
https://soundcloud.com/chairhouse/she-always-looked-at-the-postmark-first-2267-by-chair-house-0228-by-chair-house-02282020

cover art by Gustave Jean Jacquet

Second Act: Parumper Phantasiae, Miniatures for Trio

senayugurlu

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