S&S&N - XXXIL

Terrific 1.2 WIP

SenSen are : Senmove & Senglar
Field recordings : Joao MS

SenSen - One 2 Thin

Drede & Senglar - Boscodos

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

Sensen - Cldscp

“Deep in my dream the great bird whispered queerly
Of the black cone amid the polar waste…” 
H.P. Lovecraft, The Fungi from Yuggoth

Created using multiple instances of Fluss, the new granular audio mangler app from Hainbach and Bram Bos for the ipad

On Arcturus I Listened To The Ice Sing

[live electronics from a live performance at Elebash Hall, CUNY]
pour Simon Kanzler

Electronics I: Simon Kanzler 
Electronics II: Corie Rose Soumah

States of Intermeshing: vi. come to fall

Ever stomped your feet into the floor until they cracked & bled?

You ever find yourself completely lost & entranced when listening? 

Thats what Bell-Stomp is all about!

Watch Bell-Stomp in practice: https://www.youtube.com/watch?v=UCx0gbYnHoE

Split Echoes

Mother Kali 180-200Bpm Hassan

Dandelion (Piss)

Latest Albums :
https://senglarbraille.bandcamp.com/album/jt-chapman-senglar-susurrus
----------------
https://elmuellerecords.bandcamp.com/album/hum
----------------
https://martinhoogeboom.bandcamp.com/track/fearless-senglar-version-a

Sensen - Cldscp

Senglar

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