Originally composed around 2004 for a small local theatre production. This piece tells the story of a young couple navigating the perils of World War II. While the theatre has since closed its door, I felt this piece deserved a new life. I hope you enjoy listening.

Dear Beloved

Musical Masterworks, Season 33 | December 2023 performances recorded at the First Congregational Church of Old Lyme, CT featuring Carmit Zori, Violin; Todd Phillips, Violin; Tessa Lark, Violin/Viola; Robert Rinehart, Viola; Julia Lichten, Cello; and Michael Thurber, Double Bass.  Learn more at https://musicalmasterworks.org.


Bach, (arr. R. Rinehart), Concerto for 7 in D Major, BWV 1061 - II. Adagio

Dive into a world of enchantment with 'The Water Girl,' an orchestral instrumental inspired by the magical soundscapes of animated Disney films. Overflowing with whimsical melodies, sweeping strings, and sparkling harmonies, this track brings to life a story of courage, wonder, and the power of dreams.

'The Water Girl' captures the charm and emotional depth of animated adventures, evoking scenes of shimmering waves, daring escapades, and heartfelt moments. Perfect for fans of timeless Disney scores, this piece invites you to immerse yourself in a tale as boundless and beautiful as the sea.

Movies That Don't Exist

The Water Girl

✨ “La Belle Époque” is a graceful and enchanting waltz, blending classical elegance with a modern neoclassical touch. With its flowing piano melodies and delicate rhythm, this piece captures the charm and romance of a bygone era while feeling timeless and fresh. Whether you’re swaying to its gentle three-quarter time, unwinding after a long day, or finding focus while you work, “La Belle Époque” offers a soothing yet uplifting escape into a world of beauty and refinement. 🎶💫

La Belle Epoque

Love your appreciation of this track, guys. To be released on Spotify 9/5 ‘25!🎸🎸🎸 Feel free to follow and stream😀

Sundrops on two rainy pavements

I used classical and modern instruments for these sinfoniettas

Sinfonietta spaziale 2. Adagio

Instructions for a party I don't want to attend (2025)

This is a cover of a MIDI song I made in the 1990s. It was the first in a series of orchestral pieces I made as total beginner and shared on CompuServe. The idea was that this would be the opening track.  
Now it's replayed with an arrangement of AI instrumentals, finally bringing this song to life. There's even a music video: https://youtu.be/U2IwTE6_Uxk

Overture (Instrumental)

 #classicalmusic #classicalmusician #classicalmusicians #classicalmusiccover #classicalmusicmemes #classicalmusicconcert #classicalmusicmatters #classicalmusicmeme #classicalmusicindy #classicalmusicshow #classicalmusicworldwide #classicalmusicsydney #classicalmusicaward #classicalmusicwtf #classicalmusicandbooze #

Venus

Thought moves beyond structure, unfolding into a mental cosmos where form is fluid and meaning expands without limits. Silence conveys formless messages, and perception becomes light: weightless, infinite, and ever-developing.

Unfigured Space

Tove Lo | Heroes (We Could Be) | (Alesso)

It's my passion to make quality songs using all resources available to me. As a music enthusiast I'm interested in many different genres. 

My music production process is a blend of traditional songwriting and cutting-edge AI. 

It all starts with the human touch: I craft the lyrics and song structures myself, sometimes accompanied by music I recorded or composed.

From these foundational elements, I then bring the songs to life using synthetic voices and musicians. 

A key aspect of my creative flow is "jamming" with what I call "personas"—distinct AI voices and styles that offer consistent character and sound. 

My roots in music stretch back to the 1970s, when I was a drummer boy in the local harmony. 

The 1990s marked a pivotal moment with the advent of MIDI, opening up new avenues for instrumental composition. 

The early 2000s saw me dive deep into Digital Audio Workstations (DAWs), and during that time, I also picked up the guitar. 

Since 2024, integrating AI into my workflow has been a transformative experience. 

It has unlocked unprecedented creative possibilities, providing access to a vast array of virtuoso vocalists and instruments, from intricate acoustic guitar arrangements to full orchestras.

Overture (Instrumental)

Señor Barends

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