Pijamas

https://www.youtube.com/watch?v=z4ZhwYgG6M8&list=PLBYucxNfbDL8tBKFU0k6-0TkhfCPzDGGw
Debut solo album released 20 May 2020 n Candy Bomber Music / Seja Records, Netherlands. Get it here: sejarecords.bandcamp.com/album/gig-economy
TIJ (THE INCONSISTENT JUKEBOX) is Barry Snaith, also one half of International Electronic soundscape duo m1nk.

Gig Economy

09. A Puppet Pulling Strings

ATTENTION GRAB RIGHT AWAY! 
My latest release is coming out on Sept. 4th of 2020 on Bandcamp and Spotify. Pre-order has started on Bandcamp and the download also will include three bonus tracks and some additional goodies: 
https://saschamuhr.bandcamp.com/album/fuive-part-2

I'd be overjoyed to see some of you drop by there !
ATTENTION GRAB END

The video at hand is once again a bit of an exploration into searching souds on my new pedal board configuration and trying out some heavier/heftier sounds. 

All the distorted guitars are either the Vigier Excalibur Shawn Lane signature or my Fender Pine Telecaster with '63 gray bottoms in the bridge into the beautiful noise's "When The Sun Explodes" into the BLuguitar Amp1's clean channel. First time I've tried utilizing the different IR speaker models on the BLugutiar Blubox and I'm particularly happy with how the Tele-Sound on the "Stack 1980" turned out. Gnarly sounds right there.

In case you've enjoyed this, you might also like my other original music on 

https://open.spotify.com/artist/7ti7ScpoJPlzAuh8beNTCV 

https://www.soundcloud.com/sascha-muhr and https://saschamuhr.bandcamp.com

Improvisation_14: Ambience with fretless bass

Zach Schneider ( @zach-schneider-1  )composes some beautiful light melodies.   I thought I would add accordion to one of his tunes to see how it sounds.

Original https://soundcloud.com/zach-schneider-1/the-turkey-in-the-tree

Instruments:
Zach Schneider: Composition, Kentucky mandolin, Doug Tipple low D flute, sleigh bells, tingsha bells

Alan Ingall:  Accordion

The Turkey In The Tree  (collab Zach Schneider)

It's a South County Kind of Day, 
The sky is uniformly grey
The sun is up there somewhere but it's hidden away
"Get used to it, Buddy" is all I can say
It's time for the R I Waltz

Cho: It's time for the RI Waltz
         We love her in spite of or maybe because of her faults

It's time to clean the chimney
The truck has a flat tire
The crows are making a racket perched on the wire
They're singing a song, it a beautiful choir
It sounds like the RI Waltz

RI Waltz

MBS.

Poem 'Body Memory Hypothesis', field recording and cover pic taken in Venezia at Punta della Dogana by Ilaria Boffa

Body Memory Hypothesis

'La nostalgia never rests, never 
complains for it never ceases. 
 
When we rarefy we loosen grip
we allow others’ passage. 
They release new kinaesthetic 
recordings and by merging we
discontinue our tissue 
recollections and restore 
experience. Permeable or
semipermeable, up to us.
It’s a remembrance crossover
and recombination.

Feel me spread and merge.
Rarefy.'

Body Memory Hypothesis (canticle)

Dreaming Music
Guy-Frank Pellerin: tenor saxophone
Recording: 27/10/2020

Dreaming Music / Guy-Frank Pellerin

Tephomab has been dabbling in the singing of the throat.
Though he's not very good at it, he does notice many techniques are similar to vomiting.
Recorded three clips, layered, then added some reverb.
Free download to use as you like. CC licence, Attribution is appreciated but not required.

An attempt at throat singing

https://soundcloud.com/ilaria_boffa/ilaria-boffa-crazy-compass-geography-of-translations

In support of the "Translations" album by @Ilaria_Boffa:  https://soundcloud.com/ilaria_boffa/sets/translations
On @Meticulous-Midgets label: http://stopcran.ru/news/2020-11-20-272

A year ago, we recorded our first joint track with Ilaria (https://soundcloud.com/crazycompass/ilaria-boffa-foreign), and then we agreed that we would do another one later in which each of us will read own poem in native language. Everything coincided. "We translated our voices into exact references and wording. Now, hear." 

CRAZY COMPASS: Padua, Italy - Moscow, Russia (november 2020)
https://crazycompass.bandcamp.com/track/geography-of-translations-ilaria-boffa-crazy-compass

Poem in Italian: Ilaria Boffa @Ilaria_Boffa
Poem in Russian, field recording & photo (poplars & wind): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

---

TRADUZIONI (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in
riferimenti e formulazioni. Ora, ascoltami.

TRANSLATIONS 

A clear geography of silver poplars
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations
on others’ listening modes.
We question affectivity, objects’ reverbs
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits.
It neuroshapes and impacts the plasticity
of things.
We translated our voices into exact
references and wording. Now, hear.

---

ГЕОГРАФИЯ (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

GEOGRAPHY 

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I'm.

Pijamas

senogul

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