Taken from the album 'Suisse Redux' released as LP and Digital

François J. Bonnet & Stephen F. O'Malley 'assembled by Jim O'Rourke (excerpt)' (EMEGO 298)

Order : https://ideologicorgan.bandcamp.com/album/higgs-boson

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Runhild Gammelsæter and Lasse Marhaug are two Norwegian musicians/sound artists. Both started in the early 1990s music underground and have worked in many constellations with a wide range of collaborators.  
 
Despite knowing each other for a long time, Gammelsæter and Marhaug’s first collaborative work was the “Quantum Entanglement” LP in 2014. The album ignited a collective spark that both wanted to pursue further. Still, other commitments got in the way, and the project lay dormant until Stephen O’Malley, and Greg Anderson invited them to open for Sunn O))) for a special gig in the St. James Church of Culture in Oslo in the autumn of 2019. The two gathered for a long series of rehearsals, and after the successful performance, it was clear that it was time to start working on new compositions and recordings. That process initiated in late 2019 and continued to early 2021, encompassing before and after the world went through the lockdown. The result of this long development to be heard accumulated upon their new album “Higgs Boson” on Ideologic Organ Music.

GAMMELSÆTER & MARHAUG 'The Stark Effect' (SOMA043)

Degradation Loops was a 16 day composition that gradually and completely 'bit crushes' my 2015 album Yellow Bell. Produced for a group show at the 55 Sydenham Rd, Marrickville gallery in Sydney, a process of sonic destruction unfolds in response to visual artists destroying and reassembling their work, to create new work, and to question the dominance of commercial imperatives within art. Here is a 14'48" time lapse edit of the 16 day composition, 2016.

Degradation Loops_55 Sydenham Rd Marrickville

From Sonja Tofik and Mar-llena's collaborative LP release 'Vilar i dina spår', released on LP in May 2018
@moonilena

Vilar i dina spår

Buy LP

Mar-llena - Monrepos

Take from the album 'Music Promenade/Unheimlich Schön' released as LP and Download

Luc Ferrari' Music Promenade' (excerpt) (REGRM 022

"Figures / Ground" is a commission for the „Untraining the Ear“ series, produced in collaboration between @savvy-contemporary, @deutschlandfunkkultur and @ctm-festival. For the radio feature, the two parts are interspersed by a conversation in german with Jan Rohlf (Co-founder and artistic director of CTM / Disk agency).
Premiere on 29.03.2019, the piece is from now on available for free on-demand streaming under the following link:
https://www.deutschlandfunkkultur.de/klangkunst-abschied-von-den-hoergewohnheiten-figures-ground.3685.de.html?dram%3Aarticle_id=437789

Figures / Ground (extracts - link in text)

Lee Gamble 'Diversions 1994-1996' (PAN 33) 
12"/DL - Release Date: Nov 2nd 2012

'Diversions 1994-1996' is made up entirely from samples from the collection of Lee Gamble's Jungle cassette mixtapes. The audio has been subjected to analog and digital deformations, whilst trying to extract, expand upon and convey particular qualities emblematic of the original music.

http://pan-act.com

Lee Gamble 'Emu' (PAN 33)

Maxmillion Dunbar - Woo

Purchase from RVNG: http://smarturl.it/md-how-rvng
Purchase from iTunes: http://smarturl.it/md-how-itunes
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Purchase from Amazon: http://smarturl.it/md-how-amazon
 
Taken from House of Woo

© and Ⓟ 2015 RVNG Intl. / www.igetrvng.com

Support the Artist

Maxmillion Dunbar - Woo

Yarn sewn fabric played on prepared turntable and stylus.

Tistre is the first outcome of an experimentation with textile supports, made by Andrea Borghi in 2018, during a residency at Lottozero textile laboratories in Prato. Fabrics and yarns are the materials with which he creates discs the shape and size of a Lp. He plays them with a prepared turntable, in order to exploit the reliefs of the weft and the warp as a surface from which to produce the sound with the use of special self-built styli and electronic treatments.

Tistre follows the path taken by the artist with Discomateria, focused on experimentation with different materials such as glass, resin, metal or marble, which become the source for the production of sounds.

https://www.dinzuartefacts.com/

https://andreaborghi.com/project/tistre/

Tistre_(Dinzu Artefacts /DNZ43/2019)excerpt

excerpt from:

WILLIAM BASINSKI + RICHARD CHARTIER
Aurora Liminalis

LINE_060 | CD + Digital | Edition of 500 | coming in February 2013

The second highly anticipated collaborative release from William Basinski and Richard Chartier.

1 Aurora Liminalis (44:20)

http://www.lineimprint.com/editions/cd/line_060/

basinski chartier aurora liminalis excerpt 2

Rainer Veil are Liam Morley and Dan Valentine, two friends who met while studying contemporary music in the north of England. The pair began improvising and making drones in a dark basement before incorporating a broader palette and forming Rainer Veil as an ongoing concern last year. ‘Struck’ is their first EP and debut for Modern Love, following an appearance at the label Boiler Room takeover in August 2012.
The ‘Struck’ EP incorporates recordings made over the last year and extends from the rewired Jungle ruckus of the title track to the more emotive formation of ‘Wade In’ and ‘Bala’, through to the hazy closer ‘Yield’. There’s a melancholy pop pulsing at the heart of these tracks, coloured by a love of electronic mutations from UKG and Hardcore rave to House and Techno, most evident in the unusual recording process undertaken while constructing the EP. Each track was re-worked from radically different first drafts, often starting life as more recognisable and structured songs before being dismantled into more abstract shapes: percussion degraded and layered, vocals fed through analog delays, samples reworked at the wrong speed and re-sampled to tape for added warmth: the narrative all mixed up.

Giuseppe Ielasi "Rhetorical Islands" extract 01 (Senufo 39)

Senufo Editions

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