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The album Verses was released on September 20 2022
Music by Soho Rezanejad and Miccel Mohr

Verses

Soho Rezanejad - Verses

Vajranala

Alnilam

"PITXANTU" sound archive.- Sintetizador + Grabación De Paisaje Sonoro
Fecha:  09.23 
Lugar de grabación: Chomio mapu  - Gulumapu

Pitxantu Mo

Braulio Lam is an artist and photographer from the border region of San Diego/Tijuana. His journey into music began at the age of 12 when he first picked up a guitar, before he progressed to formal music education from 2009 to 2012. 
Braulio’s debut album ‘Soundtrack For Vision’ was released on Static Discos in 2016 and in 2024 he released ‘Claroscuro’ with Dragon’s Eye Recordings. He has also released with labels such as Seven Villas Voyage, AvantRoots Records, the sublabel Akasha (Éter Editions) and Facade Electronics.

Drawing from a diverse array of influences spanning reggae, jazz, electronic, avant-garde, ambient, folk, world music, rock, afrobeat, and soundtracks, Braulio's compositions are informed as a reflection of his eclectic tastes in music. His creative process is as dynamic as his music, often changing methods and environments such as the time of day when producing music, in a quest to encounter different results. Whether crafting solo in his studio, fueled by morning coffee or late-night inspiration, or collaborating remotely with artists like FAX, Braulio's commitment to musical innovation remains unwavering.

In this album entitled ‘Redscale’, Braulio sketched a concept based around photography after settling on one of his own images as the cover artwork. The chosen photo was shot using Lomograpny Redscale at 50 ISO and each track has a title relating back to this particular shoot. 
For the music, Braulio aimed to use a small set-up of electric guitars and pedals, an OP-1, a field recorder and a mixer. He restricted the number effects and post-editing to a minimum, so that the resulting sounds stand true and intimate. In spite of the minimalism there is a variety across these 8 tracks; some pieces are deep and linear, others include environmental field recordings, and then there are sun-bleached ambient passages too. Each track was recorded at a different time of day and mood and reflecting back, Braulio describes the process as being like therapy.

Redscale

wlr162 Braulio Lam - Redscale

Written, produced, and performed by Abbi Press
Additional drum elements by Dylan Cameron
Mixed and Mastered by Dylan Cameron
Photo by Lissy Laricchia, Edits by Abbi Press

Lyrics:
So Speedy
So Speedy, So

How do you define me?
I don't know what to believe anymore
Obvious there’s more that’s plain to see
Obvious there’s more to me
I really wanted to show you more

I don’t know what to believe anymore
You were the one who said we should go this way
A million miles from the corner store
I really wanted to show you more

So
So Speedy
So Speedy, So

I really wanted to show you more, show you more
I wanted to but I just needed one more day…

I don’t know how to get away from the craze
I really wanted to show you more
(Show you more)
I really wanted to show you more
I wanted to but I just needed one more day…
I wanted to but I just needed one more day

I’ve given up on the idea of perfect balance
On top of it, you might say this just can’t be

So

released June 14, 2024
all rights reserved

STUCK

Atmadja

¡ we will woo ! last 4 tracks album released in January 2017  
>> - - - - - <3 - - - - - >>>

c a y u c o

02_como aire

One track preview from vinyl reissue of Monopoly Child Star Searchers' Make Mine, Macaw.

More info go to: www.discrepant.net

MONOPOLY CHILD STAR SEARCHES

Monopoly Child Star Searchers - Tangerine Taxi (From Make Mine, Macaw LP)

a few tracks taken from V/A - 'No Compass, Nearer or Further' CS [RULE-150] available @ www.strangerules.com

Eva Bowan - October

Taken from the album Debris, released January 17th, on @theleaflabel. Pre-order: 
https://keeleyforsyth.bandcamp.com/album/debris

Debris

“If color is one of the contents of the world,” wrote William Gass, “then nothing stands in the way of blue’s being smelled or felt, eaten as well as heard.” Blue, by Sebastiano Carghini (Milan, IT), continues the great, cerulean tradition of artists engaging a word that is never just a word, the color that’s never merely color. Tape loops of old studio hardware are played through a few cassette players and effects, and in turn, Carghini conjures many blues: the hiss of electricity, water’s rounded frequencies, a field of forget-me-nots.

Heavy on the low-end, rhythms are turned melodious, yet they never quite burst into the visible spectrum. Like the color, these tracks are more concept than function. Blue, the album, is moody in the sense that there is depth of feeling, but melancholy is just one pigment on the two sides of this spectral work. Guided by feeling far more than intellect—and smarter for it—Blue enters that place in the mind where moroseness and brightness converge, a place shadowed and cool.

releases September 25, 2020

mastering :: Glyn Maier

artwork :: Sebastiano Carghini 

order :: https://enmossed.bandcamp.com/album/blue

Alnilam

Senyawa

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