MIX 4 - Aug. 24

Ancestral language

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

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Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

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The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

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Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

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Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
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I will pick out the code forms from the above sites that you should be especially aware of.
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D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
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Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

Your Party -Interlude
Production by Fire Ark Radio

Your Party -Interlude

DaddyN8  producer ,composition and vocal

Natan Carneiro

HIDE

Jason - J.BoogZ Feat.PHZ TANX(produced By BoogBeatz)

Dope cool guy-Ry
Be sure to check out his Dope Rap
👆https://soundcloud.com/rquinlan48
"Manifesting"
Words&vocals-Ry
Beat&prod-Tot.

Manifesting -ft. Ry

【FellPeepz】 GRIT & GRIME RHYME  Prod By  Chameleon

Lyrics
They Want to know the real reason—why I don’t care
He’s freaking out ——she’s freaking out 
everybody’s ————-just freaking out
What’s the deal? 
Let me know ———why the hell———- you're——all——freaking out

It’s no dream, no pattern, 
more questions 
when it’s all said and done, 
did I do, what i did, 
really do it the right way, 
Each and every path taken, 
did they lead me the right way, 
okay ———-rebel or obey 
what’s right or wrong——Who’s to say

Why —————————-couldn’t I see————-Why couldn’t I see 
what was always inside me
Hey—-Hey—-Hey

Standing at the crossroads, which path to take?
Left or right, it's all at stake
Decisions heavy, on my mind they weigh
But I stand tall, ———-in the -light of day
Ambitions strong, with dreams to chase
No regrets, no time to waste
Climbing mountains, reaching high
Sky’s the limit, I’ll touch the sky

[Chorus]
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see 
Why couldn’t I see——Why couldn’t I see 

[Verse]
Why couldn’t I see——-That power within me
From the shadows to the light, I'm finally breaking free 
With every step I take, I conquer doubt
Putting in the work, while the haters shout
No more holding back, it's my time to shine
Illuminate the path, can't nobody block my grind
Verse after verse, I'm writing my own story
With every line I drop, I'm chasing glory
Dreams —just ain't dreams, they become the vision
Manifesting greatness, I'm redefining fate
Turning obstacles, to stepping stones that I create

From the ashes of defeat, I rise again
In this life of battles, I’ll never be a friend
To complacency————to chains that bind
In this hustle——————-I'm one of a kind
Fueling the fire, with every stride
No more shadows, from the light I won't hide

Inside Me

originally intended to be a collab- fell through...
first track from "Four Abstracts" EP https://burythejar.bandcamp.com/album/four-abstracts
photo-Michael Ryan- Cathedral Wash Canyon-Arizona

Abstract 1

Choices

Jonas Brogren: keyboards and production
Jens Fredholm: guitar
Karl Hugosson: bass
mastered by Jon Rinneby

Yema

Composition and Sampling collage by Synline
Photo by Jarih


Let's Carry On

Japanesque
A phantom flower of Mt. Fuji,
blossoming where
imitation meets longing.

Japanesque

Just a remix of a song from a friend! Members of The Eclectic Collective.. added the Awesome parts! Josh on bass guitar, Stephen and Tez on guitars! JJ and Mark on keyboards and other instruments! I’m on Vocals and Drums! Hope you enjoy!!!😎😎😎🙏🙏🙏 Tez is the remix master plan!!!Extra @ Thank yous to The Welsh Rarebit!!! 😊

Happy Ever After 2025- Eclectic Collective

låst in

Download

直流 直流　
笑い者変わり者の僕 

交流 Call You　
君はだれが好きなのかな
AC AC
鼻で笑ってその名をいう君
 
ニコラ・テスラ
彼こそがスター
僕は弱気なエジソン
でも盗むゆうきもない

スパーク・ラブ
愛が愛がスパーク

でもいつかテスラのように
君とCall Youしたい君と交流したい 


→
English Lyrics (translation)

Direct current, direct current
I’m the misfit, the laughing stock

Alternating current, call you
Who’s the one you love?
AC, AC
You smirk and say his name

Nikola Tesla
He’s the shining star
And I’m the timid Edison
Without the courage to steal at all

Spark love
Love, oh love, it sparks

But someday, just like Tesla
I wanna call you, call you
I wanna connect with you in alternating flow

HIDE

REFEM

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