FLATLINER

For Audience participation add in your own Hey Ho's at will :)

Vocals: James Sheehan.
Guitar: Jamie Parnell.
Bass: Tom Jackson.
Drums: Leo Brown.

Recorded by: James Wilkinson, Keeran Jonson, Joshua Thynne, Benjamin Henry-Michael Conibear.

Mixed/ Mastered by: James Wilkinson

Recorded at: dBs Music (Plymouth)

Nice track chaps :)



Hey Ho! (Ho Hey, Lumineers Cover)

playing didgeridoo through a length of PVC pipe :D

My Song

All sounds were sampled into a Akai S3000xl sampler for this tune. I had 2 Atari STE's midi synced together to create a polyrythm one Atari running at 4/4 and the other I think was 3/4. Both Atari's running cubase 3.1 to sequence the Akai sampler. This is un-mastered and the drums were inspired by the Tao drummers (check them out on youtube)

Poly Tribe

A drum and Bass tune of mine without any Bass lines. Even tho a Bass line is missing (which you would not expect to hear in a DnB tune) it is still recognisable as a Drum and Bass tune. In my view the most important element in Drum and Bass is most certainly the breakbeats, the way they are fused and edited within the sequence. Vocals sampled from an old BBC sample library record. BOOM!

Freestyle Sessions

All sequenced by an Atari STE running cubase 3. The mobile phone type sound was made with a old FM synth, drum sounds come from a Korg X50 which were all sampled into a Akai S3000xl sampler

Way Beyond

Gone Down The Shop To Get Some Baki

A track made for a Uni assignment. Sounds from a Korg X-50 sequenced by a Atari 1040 STe. This is an un-mastered mix

Sunshine

Made from a group of field recording's I and two friends made. The sounds were imported into a mental software called forested 1.4 found here: http://leafcutterjohn.com/?page_id=14 . I made a series of recording's from it's chance operational approach to interacting with the sounds and then imported the recording's into Logic Pro 9 where I simply cut out parts, added fade in's and fade out's, automated stereo panning and a little further dynamic control with limiting. A very small amount of Gold plate reverb placed on the master to help tie thing's together coherently. This type of stuff is a bit out there for me to make but I like it! big up's to leafcutterjohn!    

Distorting

A Live recording of Calvin Thomas's track called Love I recorded at DBS Live, mastered in my studio using no EQ processing, sent through a Gold plate reverb and slightly compressed to keep everything in order and help the vocals come through. I recorded the result into one of my Akai S3000xl samplers and then back into the computer then applied a neutral mastering chain in ableton live just to help things to sparkle a bit and bring up the overall volume.

Would love to record more of this guy.

sequential vibez

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