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Solfeggietto in C minor (H 220, Wq. 117: 2) (yeah they used to name music like we name software) composed in 1770 by C.P.E. Bach, son of J.S.

Live video: https://www.youtube.com/watch?v=pJ8fyDSYaOI

Skinny Pete plays it in the music store scene in Breaking Bad season 5 episode 3 (http://www.youtube.com/watch?v=CQlAmtWHPII) and he makes more mistakes than me.

The instrument is Clavia Nord Stage 2 using a sampled Yamaha C7 grand piano and a few touches of synth.

Updated with a better take with less reverb on Feb 23, 2014.

Video

C.P.E. Bach - Solfeggietto [piano + synth]

Composer: Camille Saint-Saëns, Transcribed using Sibelius 7.5 and Played back using Wallander's NotePerformer

C. Saint-Saëns: Symphony No. 2 in A Minor, Op 55 - I. Allegro Marcato/Allegro Appassionato

''Va pensiero'' from the Opera "Nabucco" - Giuseppe Fortunino Francesco Verdi. Chorus and Orchestra of the Accademia Nacionale di Santa Cecilia.

Va’ pensiero sull’ali dorate
Attraversa le montagne e vola
Sugli oceani.
Raggiungi la terra, trova il luogo
Dove vanno tutti i bambini
Ogni notte dopo aver sentito questa ninnananna.
Lì troverai i loro eroi vivi
Che proteggono la loro innocenza
Benedicili tutti perchè il loro animo semplice
è tanto puro e meraviglioso.

Va’ pensiero sull’ali dorate
Fai continuare questo sogno bellissimo
Per tutta la notte.

Presta loro le tue ali dorate
Tutte le paure voleranno via
Prendili per mano
Aiutali a trovare una strada facile
Riportali alla luce, riportali alla luce
Alla quale appartenevano un tempo
Dove possono restare
Bambini per tutto il tempo che vogliono.

Va’ pensiero sull’ali dorate
Attraversa le montagne e vola
Sugli oceani.
Raggiungi la terra, trova il luogo
Dove vanno tutti i bambini
Ogni notte dopo aver sentito questa ninnananna.
Ogni notte dopo aver sentito questa ninna nanna

Traducción al castellano:

¡Vuela pensamiento, con alas doradas,
pósate en las praderas y en las cimas
donde exhala su suave fragancia
el aire dulce de la tierra natal!
¡Saluda a las orillas del Jordán
y a las destruidas torres de Sión!
¡Oh, mi patria, tan bella y abandonada!
¡Oh recuerdo tan grato y fatal!
Arpa de oro de los fatídicos vates,
¿por qué cuelgas silenciosa del sauce?
Revive en nuestros pechos el recuerdo,
¡háblanos del tiempo que fue!
Canta un aire de crudo lamento
al destino de Jerusalén
o que te inspire el Señor una melodía
que infunda virtud al padecimiento.
que infunda virtud al padecimiento.
que infunda virtud al padecimiento.
virtud al padecimiento.

Va pensiero / Nabucco. Guiussepe Verdi

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

Upon learning the whereabouts of a cherished soul, Akrios braves the bitter cold, slips into the Black Castle, and risks all to bring them back.

The Rescue

Crown and Cosmos

Para ver o Por do Sol

Chopin Polonaise Opus 53 Heroisch - Korg Kronos 2 Berlin Grand

ORTF Orchestra
Violin : Serge Blanc

More information on www.sergeblanc.com

Saint-Saëns - Introduction and Rondo Capriccioso in A minor, Op. 28

Although the “Kreutzer” Sonata, Op. 47, is dedicated to Rodolphe Kreutzer, the original dedication was to George P. Bridgetower (1779-1860), for whom the piece was written. Bridgetower, an African-Polish violinist who lived in London.
Rodolphe Kreutzer (1766-1831) was a French violinist of great renown whom Beethoven met in Vienna in 1798.

Beethoven’s decision to dedicate the sonata to Kreutzer instead of Bridgetower was probably related to his intended move to Paris and a wish to ingratiate himself with French musical luminaries. Legend has it that Beethoven changed the dedication because he and Bridgetower quarreled over a woman. Kreutzer most likely never knew of the dedication, and it is almost certain that he never played the piece.

The “Kreutzer” Sonata was published in 1805. Beethoven described the piece as “written in a very concertante style, like that of a concerto,” explaining the internal conflict generally associated with his larger works.

Beethoven’s “new path” is everywhere evident in the first movement of the “Kreutzer” Sonata. The only slow introduction Beethoven ever wrote for a violin sonata is actually the only portion of the movement in A major, which gives way to A minor at the beginning of the Presto sonata-form section. Development of the first theme does not occur until the lengthy, weighty coda, which is much more symphonic than chamber-style in conception.

Ludwig van Beethoven. Sonata No. 9 "Kreutzer" for violin and piano, op. 47

Guest conductor David Lockington leads the NEC Philharmonia and student soloist Huijuan Pan in Franz LIszt's Concerto for PIano No. 1 in E Flat Major. The performance was recorded live on April 12, 2011 at NEC's Jordan Hall.
For more information about New England Conservatory: http://necmusic.edu

Liszt - Concerto for Piano No. 1 in E flat major  - Allegro marziale animato

reinterpretation of different interpretations :
- Danse Macabre In G Minor, Op. 40 - Camille Saint-Saëns - Slovak Radio Symphony Orchestra
- Danse Macabre In G Minor, Op. 40 - Camille Saint-Saëns - Jura Margulis
- Danse Macabre In G Minor, Op. 40 - Camille Saint-Saëns - Leopold Stokowski and National Philarmonic Orchestra

Death by Rats (Danse Macabre edit)

DONALD RUNNICLES conducts
SIBELIUS Symphony No. 7

This performance was recorded during concerts January 18-21, 2018.

Saint-Saëns - Introduction and Rondo Capriccioso in A minor, Op. 28

Serge Blanc

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