This another track from my 1999 album, in which I could play with my gifted friends from the Brazilian Jazz group Aquilo del Nisso. At that time, the group was Rogerio Costa (alto-sax), Celso Marques (tenor-sax), Marcelo "Beba" Zanetini (keyboards), Paulo Padilha (bass) and André Magalhães (drums). There are some musical quotations in the impro, with a bass-line from Miles Davis's "All Blues" adapted to a Baiao groove, and Bocato's "Multinacional", a trademark tune of the legendary Banda Metalugia, a tune I played many times with the author. An interesting point is that this was one of the first recordings made at the then opening Zabumba Studio, around 1996.It's a very Hermeto Paschoal-like composition, I was probably studying his work at the time I wrote it.


Caleidoscópio (Keren No Forró)

Valsa Em Cm 2025

DuOZ
Sax Soprano e Wind Synth - Paulo Oliveira
Piano - Beba  Zanettini

Céu Aberto (Beba Zanettini)

While waiting [:a.cinema:] buddies to rehearse a Live-Cinema act, I started playing with my digital delay, creating some loop layers... This is a sample of the sounds I've been making nowadays on my own and with my fretless guitar... It was recorded by Dino Vicente with his IPhone...

Basbaum Loop

À beira do tejo.m4a

Gravação da minha canção "Redesejo" feita para TV PUC em novembro de 2019, no estúdio Sounds Good. Sérgio Basbaum: guitarra e voz; Marcelo Maita: piano elétrico; Paulo Bira: baixo; Adriano Busko: bateria. Engenheiro de som: Luciano Giammarusti Watase
Mixagem: Paulo Bira

Redesejo

11. enquanto a canção não vem (ritamaria/ gilberto assis)
parceria sobre cânone de muitas possibilidades

vozes: ritamaria
violões: gilberto assis

gravado, mixado e masterizado por gilberto assis, em 2011, estudio A
BR-B2G-12-00020

11 enquanto a canção não vem

Hello,
I'm Sergio Basbaum. Born in São Paulo, Brazil, in 1964, of Jewish leftist parents, I started to play guitar when I was 11. I guess I just could do something resembling music when I was around 13 or something.  I was then living in Rio de Janeiro with my family, and started to get really involved with music, studying theory, harmony and other things. So, when I was 16 I had decided I'd like to be a professional musician. I came back to São Paulo, where I had many friends who were playing, commited to be a good jazz guitarrist, and had several different teachers, in jazz harmony, improvisation, arranging, composition, whatever there was to study. Around 1985 I was doing interesting gigs and was more or less known in the Sao Paulo scene. However, I couldn't make no money! (ok, there was a lot of crazyness going on those days....). So by the early 1990s I decided to go into college to study Cinema, and got a Bachelor's degree. And then, I got a master degree in Comunications and Semiotics, and eventually became a college teacher -- something I had never planned! This was in the same year when I issued my first album, "Capitao Nemo no Forró de Todos os Santos", a work you will find here, and which I still enjoy -- with more than 20 guest musicians helping me give life to compositions and arrangements. But things went well in the university, I made a doctorate also in C&S, and became an interdisciplinar researcher, dealing with amazing questions of art, technology and perception, really fascinating and contemporary stuff. I even made Post-Doc in Philosophy! As years passed, and a lot of water passed under the briddge, I started to play regularly again, and I have issued a second album in 2012 -- an album of songs, with great friends as very special guests. You can listen to those songs here as also. In the last three years or so, I also began to develop audiovisual performances with diferent teams -- you can find some of them in the links in this page. So, I'm happy with music and art again, and I hope music and art lovers may find pleasure in the sounds I make. Best vibes for you, friend!    

Caleidoscópio (Keren No Forró)

sergiobasbaum

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