Name: It Is Happening Again for computer-generated sound by Sergio Luque
Duration: 11 min 52 s
Description: Stochastic synthesis is a microsound synthesis technique invented by Iannis Xenakis that uses stochastic processes to create and vary waveforms. I composed all the sounds in this piece using my own extensions to Xenakis's stochastic synthesis algorithms that I have been developing for the last 20 years in the programming languages SuperCollider and C. No samples were used.

chengdu

A one-off recording made while preparing the covers for the special edition 
CD "Zombi Traditions (37 Years)", in August of 2021.

Enjoy Your Beverage

Stochastic synthesis is a microsound synthesis technique invented by Iannis Xenakis that uses stochastic processes to create and vary waveforms. I composed all the sounds in this piece using my own extensions to Xenakis's stochastic synthesis algorithms that I have been developing for the last 20 years in the programming languages SuperCollider and C. No samples were used.

It Is Happening Again for computer-generated sound

Free Reign

Sleepwalkers

Akagera

Dobra voda is a small bay on the island of Silba. A remote beach is situated an hours walking distance from the only village on the island.

This mystical and completely secluded place was once a summer commune, gathering creative minds from Yugoslavia but also from all over Europe. A versatile art scene emerged, the one that preceded Ljubljana's alternative theatre scene, Rijeka's new wave and some of the most influential ex-Yu alternative bands; "[...] The music was coming from every single bush: violins, cellos, saxophones, trumpets, and, of course, mostly guitars [...]."

One of my dearest friends, Natasha Kadin, curator and cultural manager of SEA Silba Environment Art organised a wonderful exhibition in 2018 with found archive photos made by Marijan Blažina, one of the artists from the commune. Croatian multi-disciplinary artist and author Boris Greiner wrote more about this exhibition: www.silba-environment-art.hr/en/blog/boris-greiner-slikovne-poruke-s-dobre-vode/

I visited Dobre vode on a few occasions, but this particular time I wanted to record a sonic palimpsest, built from water memories and other environmental simulacra of this magical little bay. I recorded with hydrophones from various angles, listened to the interplay between water and salt and different geological formations. The movement of the pebbles from the sea bed, water sliding down the rocks and crevices, burying my "ears" under the sea bed but also inside the enormous piles of dry Posidonia oceanica, commonly known as Neptune grass or Mediterranean tapeweed, a seagrass species that is endemic to the Mediterranean Sea. It forms large underwater meadows that are an important part of the ecosystem. The Posidonia has a very high carbon absorption capacity, being able to soak up 15 times more carbon dioxide every year than a similar-sized piece of the Amazon rainforest.

Dobra voda bay is positioned to accumulate dry Posidonia once it is washed ashore. It is absolutely impossible to be still in those clouds of dry seaweed and be completely silent. Even so, I tried.

The sound piece is a mix of 16 chosen recordings placed in a dronesque metaphor of passing time. 

released August 25, 2022

All sounds recorded, edited and composed by Manja Ristić
Recorded during SEA Silba Environment Art Residence 2021
www.silba-environment-art.hr
Hydrophone built by Jez riley French
jezrileyfrench.co.uk
Mastering La Plant Studio Belgrade
laplantstudio.com

Dobra voda

August 25th, 2022

Bandcamp

Track taken from Point Source Electronic Arts 3rd Showcase Compilation.

Cienne

From the new album - 'Sound Postcards from the Centre of the Periphery' by Manja Ristić and Mark Vernon.

We made this 13-track journey around the sounds and sonic histories of the island of Korčula. In addition to our own field recordings, we were given access to the audio archives of the local radio station, including recordings of folk customs, traditional songs, dances and music...

This album unites two specific sensibilities that for many years have been embedded in the domain of sound and radio arts. Although they arose from very different environments, their work explores similar issues around preserving personal sonic histories. By stirring up nostalgia and collective memory, both artists often refer to the importance of individual experiences in the poetic "body" of micro-communities. 

The artistic practice of both creators has been deeply immersed in the sonic strata of space and the imaginary narratives that emerge from it. A dedication to the culture of memory, the sounding of lost voices and an unorthodox approach to re-composing the soundscape, conveniently unites these two experimenters in a collaboration that arises from research into one particularly inspiring locality – the island of Korčula. 

In addition to their own field recordings the artists were given access to the audio archives of the local radio station, including sounds of local folk customs, traditional songs, festivities and music. The strong anthropological emphasis in this collection of works is intended to encourage a deeper consideration of the coexistence of people and the environment in a historically dense climate. The appropriation of the hidden narratives of a small town on the fringes of the European Union opens up new fields of reflection on identity that looks back at the "center of the periphery", pointing to the importance of "small" spaces in the creation of European heritage. 

‘Sound postcards from the center of the periphery’ will be stored permanently in the audio archives of Radio Korčula. Who knows, maybe someone will dig them out in 50 years and say: "...there you go! This will make your head ring!" 

Special thanks to Radio Korčula, Gordana Šuperak and Ivan Sardelic Šore. To Pere from the Marasa printing house and to all the fellow citizens of Korčula who found themselves on this album intentionally or accidentally.

Manja Ristić and Mark Vernon - Voli more drš’ se kraja / Love the Sea but Stay on the Shore

thorn

Eventless Plot, Schemata

marble silence

Marble Silence

Composer of vocal, instrumental and electroacoustic music based in Madrid.
Curator of the new music festival VANG. 
Director of the Master in Electroacoustic Composition and New Media programme at the CSKG. 
SuperColliding since 2001.
https://sergioluque.com

It Is Happening Again for computer-generated sound

Sergio Luque

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Salvador Torré - composer

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