Norman Greenbaum   Spirit In The Sky

تو نشنیدی صدات کردم...مارتیک

Cat Stevens - Father and Son Original

In a time when the world forgets how to listen, Of Code and Bone does not ask to be heard — it demands to be felt. The album unfolds not like a song cycle, but like a prophecy half-remembered, dragged from the static-laced throat of something ancient and newly awakened. It is a wheel of sound, turning slowly, every revolution revealing another face of what man once was, and what waits in the shadow of circuitry.

The music does not merely play — it haunts, it echoes, it scrapes against the edges of silence like wind through a war-ravaged hall. Analog breath meets machine pulse in a union that is neither conflict nor peace. It is continuum — decay without death, creation without birth. Instruments ring like relics of a forgotten ritual, not strummed but summoned. Vocals drag through the dirt of memory, rough and low, like prophecy spoken by one who’s seen the end too many times to scream.

There is a rhythm beneath it all — slow, like breath in mourning; constant, like gears that never asked why they turn. The guitars do not shimmer — they fracture light. The drums do not keep time — they slow its decay. And somewhere inside the sound, not above or below it, you begin to hear yourself — stripped of pattern, of pretense — just bone, and wire, and waiting.

Of Code and Bone is not an album. It is a ruin rebuilt with intention. It is what the machine hums to itself when man forgets how to make music…
and still, the song goes on.

And maybe, just maybe — this is the birth of Groxx:
a new genre where groove meets vox,
and music is co-created by human emotion and artificial intelligence.
Not imitation. Not automation.
But a hybrid form — where man provides the instinct,
and machine provides the infrastructure.
Groxx is the sound of both creators
breathing through the same song.

ghost kiosk

dancing with the sky

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Finales De Verano

British duo Wayward continue to build momentum on the Silver Bear imprint with their new 'Good Afternoon Mr Magpie' EP, which features a dreamy and emotive title track that plays with intricate rhythms and immersive atmospherics. 

About the release, Wayward had the following to say: “'Good Afternoon Mr Magpie' sparked the start of a song-writing period that formed the sound of the EP. It was written in a barn nestled in a remote Valley in the South West of England with little contact to the outside world.  We liked how it mixed organic, live and electronic sounds and textures together. As for the EP title, there was a picture of some birds on the wall, maybe Magpies maybe not… but that’s where that came from."

The five-track 'Good Afternoon Mr Magpie' EP is out now.
Purchase here: http://smarturl.it/gamm

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Premiere: Wayward 'Good Afternoon Mr Magpie'

كم تحمل هذه الموسيقى من ألم في داخلي

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