Electronic musician and pop ambient pioneer Markus Guentner was listening to Karen Vogt's track "Cloud forty-three" precisely at the same time as the church bells in his hometown of Regensburg, Germany, were ringing at 21h. Guentner commented on how well the two sounds work together, and Vogt agreed that he should do a remix using her original vocal loop track and the bell sound. Guentner recorded the bell ringing the next evening and then proceeded to mix the two together.
Original bell recording by Markus Guentner included as a bonus track over on Bandcamp: https://karenvogt.bandcamp.com/album/cloud-forty-three-markus-guentner-21h-rework

Karen Vogt - cloud forty-three (Markus Guentner 21h rework)

For over two decades, the Osnabrück duo of Stephan Otten and Oliver Klemm has inhabited the sacred intersection of Krautrock's motorik pulse, ambient's expansive consciousness, and contemporary electronica's limitless possibility. Their approach to composition mirrors the architectural precision I've celebrated in my previous coverage on HC, where each element serves both structural and emotional purposes. In the liminal hours between consciousness and dream, Sankt Otten crafts sonic territories that feel both ancient and impossibly futuristic. "Die Gute Fee War Schon Da" (The Good Fairy Was Already There) emerges from their forthcoming album Tote Winkel like a meditation on synthetic breath. Long sighs and deep breathing from a machine that carries an undercurrent of foreboding beauty. This particular piece unfolds with the hypnotic inevitability of oncoming headlights—mesmerizing yet tinged with existential unease. Recorded predominantly live with Martin Schmeing spontaneously contributing DX7 textures, the track embodies Sankt Otten's evolution toward more organic creation methods. The fairy tale reference in the title suggests narrative completion. As their fourteenth album approaches on Denovali, Sankt Otten continues to prove that the most profound electronic music emerges not from technological innovation alone, but from the spaces where human vulnerability meets synthetic precision. Fans of synth-based explorations of future-retro sound will agree.

TRACK PREMIERE : Sankt Otten - Die Gute Fee War Schon Da

Mix for the Shizzle from UFO Hawaii :
Berlin-based composer Achim Treu aka  UFO Hawaii offers listeners an in-depth exploration of his distinctive sound. Achim Treu has been creating music since the 1980s and is widely respected for his stylistic diversity. His approach defies easy categorisation: each UFO Hawaii album presents a fresh sonic landscape and what he has selected for us this evening is a perfect fit for the show.

Treu’s work is characterised by recurring influences from Krautrock, Electronica, Soundtracks, and New Wave, making his productions both eclectic and innovative. For tonights show he has curated a selection of pieces spanning his various works and releases. The result is an engaging and varied journey through his creative world having a hand in every track that he has put down for us tonight (that’s definitely a first for this show). I love it and Im sure you will to.

Take a deeper dive and stay in touch with UFO Hawaii :
https://ufohawaii.bandcamp.com/
https://www.lalavoxbox.com/treuland/
https://www.instagram.com/ufohawaii/
https://soundcloud.com/treu-1

Tracklisting Shizzle :
Black Sabbath - Laguna Sunrise	
Balearic Sabbath - Planet C	
Alighted - Wind Lullaby	
Fjordfunk - Da starga tora	
Karpov Not Kasparov - Fool's Mate (Original Mix)	
pdqb - Abysmopaluetse Alpha	
Bernard Fevre - Interlude

Tracklisting UFO Hawaii :
A Blazer for Kevin Godley  (Unreleased)

Phase 101 - Jive (UFO Hawaii Remix) 
https://ufohawaii.bandcamp.com/track/phase-101-jive-ufo-hawaii-remix

None (Fred und Luna / UFO Hawaii Remix) 
https://ropoporose.bandcamp.com/track/none-fred-und-luna-ufo-hawaii-remix

UFO Hawaii feat. JJ Jones - The Act Of Being Polite (Residents Cover Version) 
https://ufohawaii.bandcamp.com/album/the-residents-resifted

Mit dem falschen Fuß ins Haus gefallen
https://ufohawaii.bandcamp.com/album/von-aalra-uchereien-bis-zylinderstifte

Berlin Cold War
https://ufohawaii.bandcamp.com/album/christo-jeanne-claude-lart-de-cacher-lart-de-d-voiler

WOAH! 
https://ufohawaii.bandcamp.com/album/sssound-bbberries

Der Plan - Die Verschwörung 
https://www.discogs.com/master/45303-Der-Plan-V40-Die-Verschw%C3%B6rung

BeNe GeSSeRiT - Bon Bon (UFO Hawaii Remix) 
https://ufohawaii.bandcamp.com/track/bene-gesserit-bon-bon-ufo-hawaii-remix

Arc de Triomphe
https://ufohawaii.bandcamp.com/album/christo-jeanne-claude-lart-de-cacher-lart-de-d-voiler

Fluffy Target - Enjoy The Show
https://www.amazon.de/alive/dp/B0CWMKMYQ5

Inge, das brennt!
https://ufohawaii.bandcamp.com/track/inge-das-brennt-single

Kühlungsborn
https://ufohawaii.bandcamp.com/album/psychelektrik-dadakraut

New School
https://ufohawaii.bandcamp.com/track/new-school-single

Little Corner Drugstore  (Unreleased)

Armonica - Ayo (Fred und Luna / UFO Hawaii Mix)
https://torturetheartist.net/2018/09/03/exclusive-armonica-feat-mabiisi-ayo-fred-und-luna-ufo-hawaii-remix-depth/

‘79 Fame & Fire (Seelenluft Vocal Mix) 
https://ufohawaii.bandcamp.com/track/79-fame-fire-seelenluft-vocal-mix

Spatula  (Unreleased)

Unnamed Road 
https://ufohawaii.bandcamp.com/album/boje-46

Machine Gun Ibiza - Lok 80   (Unreleased)

Sperlinge 
https://ufohawaii.bandcamp.com/album/punky-whips

Fred und Luna & UFO Hawaii - Sambalito  (Unreleased)

UFO Hawaii & John Jones - Your Pancakes  
https://ufohawaii.bandcamp.com/album/people

Tracklisting Shizzle :
Robohands - Palms	
Fovus Loir - Moments For A Day (Frivolous -2% Pitch Mix)	
Becker & Mukai - Elagabalus' Lament


If you enjoy what you hear please like and re-share it to your networks.

The Shizzle
Bay FM 99.9
Wednesday Nights 8-10pm (AEST)
www.bayfm.org//shows/the-shizzle/

The Shizzle 30 July 2025 : UFO Hawaii

About Last Time


🌌 [CYBERLIFE.EXE] — a journey through neon lights, glitches, and digital melancholy.
Here, Synthwave nostalgia from the 80s collides with the cold pulse of Cyberwave, wrapped in the warm textures of Lo-Fi that soothe the noise of endless cities.

This is music for midnight streets, empty highways, and the glow of windows flickering in sync with your thoughts.
It’s where the past blends with the future, and emotions transform into digital code.

✨ Atmosphere:

neon synths glowing like city lights in the night;

deep bass, echoing like the heartbeat of a machine;

glitch effects dissolving reality into streams of data;

melancholic melodies leaving the aftertaste of nostalgia.

⚡ [CYBERLIFE.EXE] — more than music. It’s the soundtrack to a world where you choose: to be a wanderer in the neon haze or the hero of your own cyber story.

You can buy it

Listen to the void

Pluralist - 02 September 2025

Released in 2023.8.30 
included in 100 limited vinyl  only , FRIDAYZ album「LIFE」

Art work by lorelai gumeni

kilo (The Art of Not Being Governed Remix) - destr∞y a.k.a. dubdub

info: https://radio.syg.ma/episodes/a-ghost-in-the-deckshell-2-drummykutz
https://github.com/pauline-devs/A_Ghost_In_The_Deckshell_2

Ghost in the Deckshell

A Ghost in the Deckshell 2 – drummykutz

A Tokyo-based DJ and producer, mainly working with sounds collected through field recordings, which are then edited and crafted into musical pieces. In addition to personal works, I also compose background music for theaters and films. I focus environmental sounds can evoke fragments of memory in the listener. As a DJ, I play emotional dance tracks as base and mix sounds of festivals and traditional performing arts.

Kento Morishige @ Kiosk Radio 12.09.2025

Among The Sef (Righteaous II)

Nighthawks

Setsuya KUROTAKI (iiP, Nicolie Binara, Sebastian Kline)
[Multidisciplinary Artist / Producer / Selector / Sound Designer, TOKYO, Japan]

Setsuya KUROTAKI continues to implement a wide range of creative works centred on “Sound” across society, including sound production for domestic and international fashion shows, sound branding for commercial facilities, and sound design for visual works, public spaces and mobility.

As a musician, he participates in numerous live performances and recordings, performs as a guest artist, and uses various stage names to give performances around the world.
Setsuya’s sphere of activity is broad and varied - music direction for domestic and international fashion shows,
sound branding for commercial facilities, sound design for websites, as well as composing for film and various sound installations.
So far his work has taken him to all the key locations around the world -
Paris, London, New York, Milano as well as Taiwan, Shanghai, Hong Kong and of course his hometown Tokyo.
Setsuya often features as a performing musician in studio recording and live stage situations and tours nationwide as a DJ / Music Selector.

About Last Time

Setsuya KUROTAKI

Related tracks