가요

Download/Stream: http://maddecent.fm/revolutionep
Follow Mad Decent Weekly on Spotify: http://maddecent.fm/weeklyspotify

Revolution is Diplo's follow up to the meme-defining Express Yourself EP. Teaming up with an all new cast of friends including Mike Posner, RiFF RAFF, Travis Porter, Action Bronson and many more , Diplo has produced one of the most cutting edge dance EP's in recent memory. "Biggie Bounce" continues where "Express Yourself" left off, creating a new NOLA bounce anthem with Travis Porter, restating Diplo's claim to the king of twerk. Diplo aims for the clouds with "Revolution," allowing Kai's vocal delivery to soar above the stadium trap instrumental. "Crown" lets loose one of the hardest drops of Diplo's career only to have him pull it back in with Mike Posner's light hearted vocals. The EP is rounded out with "Rock Steady", an homage to old school hip hop featuring verses from Action Bronson, Mr MFN esquire and Mad Decent's own RiFF RAFF. Each track on the Revolution EP highlights a different aspect of Diplo's production style and displays why he's one of the most sought after producers in the world.

Revolution EP Tracklist
1. Biggie Bounce (feat. Angger Dimas & Travis Porter)
2. Revolution (feat. Faustix & Imanos and Kai)
3. Crown (feat. Boaz van de Beatz, Mike Posner & RiFF RAFF)
4. Rock Steady (feat. Action Bronson, RiFF RAFF, Mr MFN eXquire & Nicky Da B)
5. Revolution (feat. Faustix & Imanos and Kai) [Boaz van de Beatz Remix]
6. Biggie Bounce (feat. Angger Dimas & Travis Porter) [TWRK Remix]

Diplo
Soundcloud: http://www.twitter.com/diplo
Facebook: https://www.facebook.com/diplo
Twitter: http://www.twitter.com/diplo

Revolution

Download/Stream

Diplo - Revolution (feat. Faustix & Imanos and Kai)

Say Sue Me - The last Thing Left is released on Damnably/Beach Town Music
stream/buy links 
https://ffm.to/vbepxdd 

"Despite the sweetness of their sound, Say Sue Me are an unstoppable force...“To Dream” is the album’s crown jewel, synthesizing the group’s strengths into an all-out assault." Pitchfork

"These 10 songs have a distinct lived-in quality to them. Even the instrumental opening track, “The Memory of the Time,” has the aura of cracking open a beer after a long, hard day..." Rolling Stone

"Even when Say Sue Me slows down the tempo, these songs have the warmth of a ray of sunshine." The AV Club

“…will surely appeal to anyone who’s been waiting for Alvvays to come back, driving and dreamy in equal measure.” Stereogum

"Three albums deep, and it seems that Say Sue Me are immune from making a bad record. A band that seemingly freezes time." Sun13


"...packed with cascading guitar tones, mixing elements of shoegaze with ’90s indie and surf rock sensibilities." Uproxx

"...with their delightfully earnest, heartfelt rock, they capture the beaches and urban disconnect (and, by turns, delight) of their native city with ease." Beats Per Minute

THE LAST THING LEFT

Say Sue Me - Photo Of You - 'The Last Thing Left' (Damnably/Beach Town Music 2022)

Pre-order ‘Aquarius’ today, available October 7th!
iTunes: http://smarturl.it/TinasheAquarius?IQid=yt
Amazon: http://smarturl.it/TinasheAquariusAm?IQid=yt 			

Pre-order the exclusive 'Aquarius' fan edition today: http://myplay.me/1ay6
 				
Follow Tinashe:						
www.tinashenow.com/						
www.facebook.com/OfficialTinashe						
www.twitter.com/tinashe						
www.instagram.com/tinashenow	

SongFit: Workout Essential (R&B Tunes)

2 On

슬픈 그림같은 사랑

Hi, Glenn from Eneonycity here (aka GL3N, RelaxWithGl3n, Glenn Frances, FeelGoodMusic, Fymila… yes, even her).

This is the very first album I ever released, back in 2006 under the name UH.

The name came from a rehearsal with the legendary Wah Wah Watson. He told me I needed a nickname. I shrugged and said, “Uh… call me UH?”  
From that day on every phone call and every laugh for the next fifteen years came with an “UH!” or an “UH UH BOOM BOOM!” He’s all over this record in spirit.

HEHHEH was titled purely because I liked how the letters looked when I stacked them.

Over the years a few kind souls wrote about it on forgotten synth forums. My favorite review ever was from Adam A. Donaldson at Lucid Forge: he said this was an album “to keep on the nightstand… for those special evenings with someone you love, by the fireplace.”  
I never saved the link and the site vanished long ago, but that line has lived in my head rent-free since 2006.

I had an absolute blast making it: Logic, Reason, Pro Tools TDM, 5-string bass, tenor sax, Rhodes Mark I Stage 88, anything I could get my hands on.  
Standouts for me: the 2005 take on “One More Try” (later on the GL3N Vocal Mixtape), my Brooklyn-to-Bensonhurst love letter cover of “More Than A Woman,” the vocoder ripples and sky-high note in “Keep It There,” and especially “Tastes So Good,” which still makes me tear up when I sing it. (Somehow that one found 35 million plays in the last couple years… wild.)

So here it is again, untouched, exactly where it all began.  
Thank you for riding with me these past twenty years. I’m still just getting started.

Enjoy ♡
Glenn / UH

장미여관 - 나 같네

Seunghyuk Peter Bang

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