Sound Business, a trip through Thai & Chinese records with El Michels Affair.

Follow El Michels Affair:
https://open.spotify.com/artist/0cLrgpG3pW4MX4nD8h6qCc 
https://music.apple.com/us/artist/el-michels-affair/79343988
https://www.instagram.com/elmichelsaffair/
https://elmichelsaffair.bandcamp.com/
https://twitter.com/El_Michels?lang=en
https://www.facebook.com/ElMichelsAffair/
https://www.tiktok.com/discover/el-michels-affair

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://music.apple.com/us/curator/big-crown-records/1478153961
https://www.instagram.com/bigcrownrecords
https://www.youtube.com/channel/UC-HOZ9AUAe3tXfMh-HQN1BA
https://bigcrownrecords.bandcamp.com/ 
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://www.tiktok.com/@bigcrownrecords

BCR Radio Episode 043 - El Michels Affair - Sound Business

Coming soon on Jazz Room Records. Funky Jazzy Dubby Version of Electro Funk 80's Classic "Riot In Lagos" originally by Ryuchi Sakamoto. 

Riot_In_Lagos_Slowly_Remix

Putting a fresh spin on two tracks from New Regency Orchestra’s standout debut album, Momoko Gill and Samtheman, step up to the plate on remix duties. Two exciting and innovative names rising out of London’s next generation of artists they’ve reimagined NRO’s Afro-Cuban jazz vibrancy in their own personal and distinctive way. Blurring the lines between remix and new production, Momoko turns ‘Para Los Papines’ into a meditative, transportive, percussive cut laced with her ethereal vocals, as Sam flips ‘Sambaroco’ into an Afro house styled groover with Caique and P Wavey on the mic.

London-based drummer/producer/songwriter and vocalist, Momoko Gill, provides the first of the remixes. With an explorative ear and a rejection for imitation, her unique style has seen her collaborating with artists including Matthew Herbert, Coby Sey, Tirzah and Alabaster DePlume. Nourished by elements of NRO’s take on David Amram’s ‘Para Los Papines’, Momoko’s clever sampling of the bass, percussion and horns melds this track into a new dimension. Drawing from a Buddhist myth, her lyrics and intimate voice provide a celestial, mythological touch to the remix.

Talking on the remix Momoko says: “I wanted to make something that feels more like a recontextualization of the original and a continuation of the conversation. Unlike the original which sounds looser and starts with the more jazzy orchestration, NRO’s version kicks straight into the vamp and has a more linear structure, where the orchestrated bits serve as a release of tension as well as a destination. I enhanced that by making a new line through sampling the double bass which, in retrospect, sounds almost like a line you’d hear in grime and used vocal sampling to drive the groove.”

Next up, Samtheman, co-founder of the label/collective Brighter Days Family, takes on ‘Sambaroco’. Sam’s genre-bending productions are both inspired by, and experimenting with, sounds from around the globe. Reworking the groove into an Afro house rhythm, Sam invites two emerging young artists with ties to Brighter Days Family, Caique and P Wavey, to take to the mic and add a new, vocal-led flavour to the remix. 

Sam mentions, “Together in the studio, we listened to the original version by Tito Puente, Caique came up with a phrase inspired by the name of the tune. “Ela me faz samba roco, Ela me faz samba loco…” Then the rest of the vocal parts started flowing. Continuing to use the name of the original for inspiration, P Wavey begins his verse with, “Sambaroco-ni, now everybody just follow me…” In my mind, the original is a salsa song that is about carnival, or a salsa interpretation of carnival, in particular Brazilian carnival hence the title of the song.”

More than just reworks, these tracks are conversations, between continents, cultures, and genres, through the forward-thinking lens of two of London’s rising stars.


New Regency Orchestra - Sambaroco (Samtheman Dub Mix Ft. Caique & P Wavey)

Mixed Signals

Don't Crash Out Challenge

Happy And Blessed

Having just released his latest solo album Paper Can’t Wrap Fire to critical acclaim, Don Glori treats listeners to a special new version of album track ‘Song for Ants’. A more stripped-back, ethereal take on the original, this alternate version was born out of being on tour and the limitations it brought with it.

Whereas the original is a spiritual journey of energetic intricacy, full and fierce, Don’s new version dials things back into dreamscape territory. The pace slows, the phrases have more space to breathe, as the synergy between keys, bass, drums and horn erupts into a cosmic-fuelled saxophone whirlwind. 

In Don’s own words “This version of ‘Song for Ants’ was born from being on the road and not being able to have two horns in the touring lineup. I love the melody of ‘Song for Ants’ and wanted to include it in my live set, so I wrote this new version around the melody. It has a bit of a rock edge to it, so I leant into that. It was definitely inspired by acts that can sit in that jazz crossover space like The Necks, BADBADNOTGOOD, GODTET, Kamasi, and Nala Sinephro - all artists that I think are terrific at taking you on a journey.

The first time we played it out was last year in Norway, followed by London Jazz Festival and then I took it around Australia on my last tour back home. Seeing the reaction that it was pulling out of the crowd (as well as myself), I knew I had to quickly get in the studio and lay it down. I remember it was the 10th of January, and we had an impromptu show at Kindred Bandroom that evening, plus a festival set at Loch Hart festival the next afternoon (three hours away on the Great Ocean Road), with rehearsal scheduled for the morning of the 10th. So, I decided to can the rehearsal and go for the studio instead. It was the right decision, we got a great take of this track as well as a few new songs for the next record.”


Song For Ants (Alternate Version)

https://kylehall.bandcamp.com/album/about-the-focus

Feather

A cold, metallic stomper that leaves ghosted reflections behind every hit. Chrome halos smear like afterimages while the kick drills forward without mercy.

Chrome Afterimage

"Sword". A deep, trippy journey through sound. Layered with hypnotic textures and unexpected twists, this track is built to pull you in and keep you locked. Heavy atmospheres meet sharp details, creating a sonic blade that cuts through the noise and captivates your ears.

SWORD

REFQOR-Black Tag (Original Mix)

Seven Davis Jr. is a singer, songwriter, producer and DJ. Known for releasing various genres of music fusing Dance, Trip Hop, Funk and Soul. 

Referred to as “Sev” by his fans and followers. He is a rogue creative, working with a diverse range of artists (like John Cale, Honey Dijon most recently) behind the scenes in between his own projects. 

He released “Stranger Than Fiction”, his most successful album to date on his own label Secret Angels. Which won the German Record Critics Award for Best New Releases of 2024. His 2025 alias downtempo album titled Mean Bacharach "Sacrifice", was highly rated by Pitchfork. 

He released “Is This The Apocalypse" (EP) on Valentine’s Day 2025. An interlude to his new album titled the “Don’t Crash Out Challenge” out now on all platforms and vinyl.

💼 : management@secretangelsrecords.com

Don't Crash Out Challenge

Seven Davis Jr.

Related tracks