Name: Ambrosia by Sevish in This Is Sevish
Duration: 3 min 32 s
Description: Harp-like piano and beats, tuned with 22 tones in an octave

I could listen to that sound all night. nice work. I'll have to look into 22 tet. thnx

People just do not know what they're missing in microtonal music.

This Is Sevish

Gleam

Zero Nothings

From Rhythm and Xen by Sevish [2015]
https://sevish.bandcamp.com/album/rhythm-and-xen

Droplet

Paths We Take (The Maze)

Rumours

Sedentary

Performed on a Midi Fighter 3D & SPD-SX with Ableton Live 9
Watch the VIDEO => https://youtu.be/LjSafmNLH_8

Record Mix & Master - Adi Rotem @ Bavli Studios
Drums - Roy Cheled
Production - Reut Choresh
Bass - Adam Milliner
Camera - Omer Birka
Help - Front Photography

Choke - Mickey

Download Harmony Hacker: https://sevish.bandcamp.com/album/harmony-hacker
Track 1: Orbital

Ok my new album 'Harmony Hacker' is out! Here's a track in the Bohlen-Pierce scale. Bohlen-Pierce is one of the wackiest microtonal tunings discovered.

Harmony Hacker

Orbital

Ask Yourself

Evening : Ear Candy

A couple of tracks I found snooping around on Gaarabis.fr it was for a cancelled game Alias Conrad Coldwood and Mortis Ghost called GODhead.

Wastes

Eyes Closed (GodHead OST)

watched Oliver drunk and this came to mind, don't take it too seriously even though it sounds pretty decent lol

BumbleRap

didn't mean for this to go in this direction but here we are

small world from up there

Harp-like piano and beats, tuned with 22 tones in an octave

Ambrosia

remind

Blujaymix - Yew [bonus track]

As If You're Never Hurt

Visitas Huay

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

Ambrosia

Sevish

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