Holy microtones. This is incredible use of notes that people just dont use. Instruments dont utilize these scales. So cool

infact this might be my favourite sevish track 

It gives some really weird emotions with that microtonal music and I really love it

Is very chromatic in this part, is very beautiful

Bandcamp

Dinki The Starguide

Ocean Song

🌊 ocᴇan s○ng 🌊

From Rhythm and Xen by Sevish [2015]
https://sevish.bandcamp.com/album/rhythm-and-xen

Droplet

http://bitpuritans.moe/arena/battle.php?id=47

https://swandive.s-ul.eu/r0SgJQz5.it

Hanawayama

www.patreon.com/user?u=3464499 BE A PEACH AND CHECK OUT MY PATREON!

Tracks I sampled tiny blips from:
A guitar from the album "Trout Mask Replica" (forget which exact song)
"Guillotine" - Death Grips
"Ruins" - Einhänder OST
A guitar from a track by my late uncle Dave

All composed, arranged, and produced by me.

y e l l o w

My debut album! I can't really put to words how much of me I put into this over the last two years <3

Also please listen to it on Bandcamp for gapless playback and the intended listening experience! 

Love ya~ <3

Listen on BC!!!

Chemicals

library

having a hard time figuring this song out... but im working on it. heres the main idea that i have so far.

Based Skelemen (Fuck you, vampire princess

Sackfact

Fizzing Up: phrase; swelling out, expanding, potential energy rising, pressurizing, surging— especially before bursting. Part of DESKPOP since 2017, dynastic has grown immensely. Their debut helped coin the signature post-chiptune IDM sound the label is known for, with hits like “eefreef” and “Space Zone (ft. Braz_OS).” In 2018, they experimented under a temporary moniker “cola cap” making pop-punk with a vocal debut. Quite the pivot in that moment but truly ahead of its time, combining VGM sfx with guitars and a sad-boy demeanor. Now, dynastic returns with an even more refined blend of those two styles on the upcoming “</3” EP (you can pronounce it out loud as “heartbreak” if that’s easier). “Fizzing Up” is a cute & catchy song where dynastic fantasizes a lover fantasizing about them, and sets the stage for </3. You’ll hear bubbly sounds reminiscent of the SPACE/SUMMER EP juxtaposed with a sweet guitar riff here and there, plus some well rehearsed vocals. A subtle scream of “I JUST WANNA BE WITH YOU” during the bridge hints at the energy on the rest of </3, which drops 9/17.

dynastic on...
Spotify ~ https://open.spotify.com/artist/1cfVy8MbRPuDJD7g9bR14z
Soundcloud ~ https://soundcloud.com/dynastic
Twitter ~ https://twitter.com/dynastic

Art by gobo
Twitter ~ https://twitter.com/gobo3D

LYRICS:

I was dreaming of candy
I was dreaming of treats
When I woke up I was thinking
Of you eating candy with me

In my dream, you were laughing
I was eating some sweets
And I day I was just smiling
'Cause you were dreaming with me

Take me to the candy shop
Baby, make my bottle pop (Yeah!)

Honey, you're sticky sweet
Gumdrop, sugary (Yeah!)

Ooh, I'm just feeling a little bit
Dizzy, I'm out of it
Fizzy like soda is

But maybe you can help keep my feet
On the ground stably
Baby

I know what it's like
When the moon hits your eye
When the feeling is right
When you feel it inside
And I just want you to feel it too

(Take me to the candy shop)
(Baby, make my bottle pop)
(I just wanna be with you)
(I just wanna dream with you)
I just wanna stop fizzing up
Blowing out
'Cause I want you to dream with me

I just wanna be with you
I just wanna dream with you
I just wanna stop fizzing up
Blowing out
'Cause I want you to dream with me

Take me to the candy shop
Baby, make my bottle pop (Yeah!)

Honey, you're sticky sweet
Gumdrop, sugary (Yeah!)

I was dreaming of candy
I was dreaming of treats
When I woke up, I was thinking
Of you eating candy with me

~ stream/pre-order ~

dynastic - Fizzing Up 🌋

xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

Droplet

Sevish

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