I can't even imagine how to achieve such a juicy and original sound lol

The mixing is just so amazing and idk how you do it on such an old piece of hardware

@pngsequence
Roland XV-5080

This song was written using the faithful XV-5080 cloud virtual instrument, and played back on real hardware for an authentic sound. This module has one of, if not my favorite library of synthesizer patches. Long live the 5080!

STAFFcirc vol. 9 - MIDI MODULE FANATIX

🎵 whats this 🎵

pngsequence - Phase Shift Grenade

@blitzlunar + @cryptovolans
Yamaha MU100 + PLG100DX

This song's life began as a solo work, however since I ran out of steam with working on it, Cryptovolans volunteered to pick it up, and had free reign to take it in a different direction and put their own spin on it. Cryptovolans didn't have access to the Yamaha MU100 & PLG100DX I was using, instead using the S-YXG50 soft synthesizer as a close approximation, so I remained involved in the sound production & recording for the song. There was back-and-forth with us bouncing ideas off each other, me making mix/instrument/DSP adjustments on our behalf, recording takes and sending them back, and adding a few extra musical parts of my own.

 -- Dave / Blitz Lunar

Match Grip - Pleochroism

@tenbysounds
Roland XV-5080

5080AD - Somewhere out in the badlands a group of nomad travellers traverse the wastes. Scaling daunting cliffs and rocky crevasses. Harvesting succulents for sustenance. The deep purple sky hanging over them like a hood, they move unseen from boulder to boulder searching for pieces of history. There, under a dry rock, a usb stick with a .midi file and a .txt document reading, “I made this on an XV5080. The idea came from playing around with pitch bending the drums, I noticed it sounded a little like a processed breakbeat sample in a drum and bass track and the rest of the song just sort of evolved from that idea :)”.

tenby - Badlands

@chimeratio + @janglerr
Yamaha PSR-225

Our track was written for the Yamaha PSR-225, this is one of the first musical instruments I owned as a kid in the 90s. While there was some appeal in pushing something usually seen as more of a cheap beginner's instrument to make strange sounds, it was actually chosen over other Yamaha MU series stuff with the same sounds for a practical reason. While it's incredibly cut down compared to the MU series it's based off of, it actually recognizes things like rapid changes in volume/panning/etc very tightly compared to these alternatives. This allowed for us to make a very textural MIDI doing types of sound design we wouldn't have been able to approach on something more "advanced" as cleanly.

It was made using jangler's wonderful tracker-style MIDI sequencer called "Faunatone", which is designed around accommodating microtonality in this format. There were actually a number of idiosyncrasies that popped up relating to both the PSR itself, and chaoticness of the stuff we wrote, which required jangler to update it with new features even! Quite a bit of time was spent troubleshooting until it played exactly how we had intended. I'd be a fool to not mention what a profound contribution they did by making the entire piece of software we used to write this in the first place---even updating it just for this track. Thank you jangler!!!!

While this track isn't actually dominantly microtonal, the fact that Faunatone is built around making that easy certainly made it natural for us to use odd tuning in many parts. The non-12edo stuff is mostly either 48edo or just arbitrary detuning.

 -- Chimeratio

Chimeratio & jangler - tunnel7_r35b

https://magicalmop.wixsite.com/kenichi-koyano
Roland SC-88 Pro

曲はDTMマガジン時代に制作した「Cascade」の大幅改編版。Roland SC-88Pro１台で製作し、実機ステレオアウトからの信号をマスタリングしています。今回のリメイクにあたり、全てのトラックに修正を加えています。リズムとベース・トラックはすべて刷新。キーもCからDへと上げています。

The song is "Cascade", which was composed during my "DTM Magazine" era. It was made with one Roland SC-88Pro, and the signal was mastered from the stereo output of the actual machine. For this remake, I made modifications to all the tracks. The rhythm and bass tracks have all been reworked. The keys have also been raised from C to D.

Kenichi Koyano - Cascade rev.2023

@cryptovolans
Roland SC-88 Pro

Written at the end of 2022. It was born from the desire to use an “in your face” Insertion Effect (EFX) that drastically changes the timbre instead of the more subtle EFX I usually go with. I went with a lo-fi insertion effect, and the song evolved as I randomly shopped for new patches underneath the effect. I stumbled into an inspirational timbral space previously explored by Yasuyuki Suzuki.

Cryptovolans - DATA - DREAM - DESIRE

@doctorn0gloff
Roland SC-8850

Inspired by the fusion style of Takayuki Negishi, as heard in Cardcaptor Sakura and Tokyo Mew Mew! A throwback for me in more ways than one, as this piece began taking shape way back in 2021.

doctorn0gloff - Sponsored Sauces for a Daring Future

@robynmod
Yamaha DOM-30

30 Domcaster St was composed with an obscure midi module from around 89-90 called the Yamaha DOM-30, which was kindly gifted to myself by dusthillresident. I wanted to compose something atmospheric and summery, it was lots of fun!

Robyn A1200 - 30 Domcaster St

@cubenoy22
Roland SC-8850

2021年に作ったこの曲がリリースできてとても嬉しく思います。2023年の夏まで期日が伸びたのでSoundCanvas単体で安っぽくないサウンドを実現するためにかなりの時間をかけてミックスしました。挑戦してみたこととしてはアシッドベースを使ったヘンテコなゲーム音楽、SysExだけで十分な音圧の実現、手打ちのWAVESTATIONのようなモーションシーケンス、音圧上げた結果音割れしないよう音楽的サイドチェーン（キックとベースが重ならないようにする）などなど。題名はSHYという漫画を当時読んでいて思いつきました。

I'm so happy to see this song released, which I created in December 2021. I spent a significant amount of time refining the sound without any external equipment. What I tried: a weird VGM + acid bass, getting enough loudness level using only SysEx, motion sequencing like WAVESTATION (manually), manual side-chaining (my special SMF boosts most tracks), and so on. The title came to me while reading the manga "SHY".

cubenoy22 - Don't get him mad!

@tancla
Yamaha PSR-E303

at the time of writing Ruins of the Forest Temple i was obsessed with Cryptovolans' album Passenger and the Panzer Dragoon soundtracks, i think you can really hear the influence hehe. it also was my first time doing a track with a physical module, and despite having a big pool to choose from (kind staffcirc colleagues let us render our tracks in their modules) i still wanted to go with my old Yamaha. it's the keyboard i grew up with and the one i learnt music with as a kid, so i feel this was the least i could do to repay my debt :')

Tancla - Ruins of the Forest Temple

feelings are birds and flowers

send demos and mail to sexytoadsandfrogsfriendcircle@gmail.com

Cryptovolans - DATA - DREAM - DESIRE

STAFFcirc

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