TIBSLC - Delusive Tongue Shifts - Situation Based Compositions (sferic009)[Preview]

Interior Music 008
Produced by Other Joe 
Naarm, 2021.

Other Joe - Interior Music 008

Recorded in close proximity to the critically acclaimed ‘Delusive Tongue Shifts…’. TIBSLC distills their sferic debut into a crystal clear, hypersensitive semblance, gliding amorphously just above the dappled phosphorescent landscape of its sibling LP. 

Occasionally dipping a translucent limb into temporal realms, eight homonymous tracks slip seamlessly into each other's liminal space with simultaneously anaesthetising and stimulating effect.



Clear vinyl LP housed in embossed, gloss laminate sleeve & digital - OUT NOW

@tibslc

Mastered by Stephan Mathieu at Schwebung.
3D Render by @frktl 
Photography by @perila.
Custom typography by Benoît Ferran. 

© sferic 2022

TIBSLC - Hypertranslucent(sferic009.5)[Preview]

Carmen Villain (Actress Remix)

Sondre Lerche - Turns Out I'm Sentimental After All (Roméo Poirier Rework)

MBE Series founder Giovanni Napolano continues his research of the Mediterranean, offering up his own personal Porta Del Mediterraneo.

Unfolding along two sprawling 15 min sides, Napolano stitches threads of chopped & screwed folksong with a discrete dub strategy, seamlessly leading the mind down labyrinthine ginnels of his imagination in a sort of uchronic regression session where the ghosts of the past inform the present. In the process it humbly speaks to Naples’ position at the frontier of the current migrant crisis, and necessarily takes a standpoint against Italy’s resurgent, nationalist fascism, revealing the beauty and energy of its indigenous mixture of peoples, rather than erecting borders between them. 

Taking his native Naples as a locus of Mediteranean culture, Napolano plunges the port city’s palimpsest of energies embedded by successive waves of Greek, Northern African & Eastern migration to discover an underlying, rhizomic connection and commonality linked by dub and hip hop as a contemporary iteration of folk music. 

Under its titular, mythical metaphor for the fall of Babylon, and usage in Rastafari culture, ‘Le Macerie Di Babilonia’ imaginatively examines a sense of self via a historic lens, drawing on Napolano’s upbringing in the chaotic port city and his autodidactic research into the rich mosaic of Napolitan heritage, to model how a folk class solidarity and shared character, with its own rules and rituals, has emerged from its syncretic milieu. 

Variously a treatise on provenance; an impressionistic tale of the European north meets a global south; a dub-abstracted, allegoric, ethnomusicological collage; ‘Le Macerie Di Babilonia’ is a fascinating and immersive listen that presents its maker’s dilated world view at its most mesmerising.

Limited Edition LP & Digi out 27th October.

© sferic 2022.

@nplgnn

Giovanni Napolano - Le Macerie di Babilonia (SFERIC11) [Preview]

Artist: Eli Keszler, Roméo Poirier
Title: Remix + 1
Cat#: faitiche 28+
Release: Jan 13th 2023
Format: DL

Roméo Poirier adds another track to his last year's album Living Room: "Les encombres" is anything but what the title suggests. A compelling addition to Roméo's mysterious cabinet of curiosities. 
Eli Keszler remixes "Statuario" - the album's opening track - and transforms it into an atmospheric setting that seems to have sprung from a magical vaudeville act.
Written and produced by Roméo Poirier & "Statuario" remixed by Eli Keszler, artwork by Tim Tetzner, mastered by Giuseppe Ielasi.

Roméo Poirier, Eli Keszler: Statuario (Eli Keszler Remix)

From the forthcoming album SG - For Lovers Only / Rain Suite (Faitiche 33)

SG - Western Affect

From Søgen Ad Brugte Ruter - released on Janushoved 3/3/2023

Halkidiki Ft. Sofie Birch (Janushoved)

US composer Basinski is most well known for his work "The Disintegration Tapes", a series of fractured minimalist compositions, the recording of which coincided with the September 11th, 2001 attacks in New York. The tapes' sound – drifting abstraction at once chillingly distant and claustrophobically intimate – are a constant emotional motif of his wider work, which spans musique concrete, ambient, and minimalist tape plundering.

https://www.nts.live/shows/in-focus/episodes/in-focus-william-basinski-28th-july-2023

In Focus - William Basinski

http://blowinguptheworkshop.com/project/gast

INVOCATIONS II
(THE OBELISK OF TJ // AGE OF APATHY TAPE)

RECORDED WEEK 42 OCTOBER 2014

“POOR LIL TOMMY WHO LOST HIS WAY. FALSE SUMMITS EVERYWHERE.”

34 ◆ John T. Gast

Ambient duo Space Afrika offer a bird’s eye view of the city centre at night with Somewhere Decent To Live; their keenly anticipated first LP on sferic. Unshackled from dancefloor needs, but still inspired and feeding off its spirit and romance, the pair respectfully acknowledge the undercurrents of Jungle, dubstep, ambient techno and deep house which feed into their home city’s late night economy, dowsing their tributaries back to dub and rendering the findings in a quiet, modestly lush ambient haze with a flawlessly anaesthetising effect.

Tracklist:

A1. uwëm/creātiōn 
A2. sd/tl
A3. bly

B1. u+00b1
B2. gwabh
B3. oread
B4. curve ft. Echium 
B5. drēd


Limited run pressed up on yellow vinyl available from bandcamp or Boomkat.  

https://sferic.bandcamp.com/album/somewhere-decent-to-live

https://boomkat.com/products/somewhere-decent-to-live

Somewhere Decent To Live

Space Afrika - Somewhere Decent To Live (sferic002) [Preview]

feat. Laurel Halo, Kuljit Bhamra, Jonny Lam, Verity Susman, Untold

Beatrice Dillon - Workaround
Format: LP / DL
Cat.No: PAN 106
Release Date: 07 February 2020
Purchase: bit.ly/33ISoYr

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythmobsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro- Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity.

Recorded over 2017-2019 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo. Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play.

‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy.

Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

The album is mixed by James Rand and mastered by Rashad Becker at Dubplates & Mastering. Artwork by Thomas Ruff, layout by Johannes Schnatmann & Bill Kouligas.

Workaround

Beatrice Dillon - Workaround Two (PAN 106)

Moving away from the American surf pop manipulations of his debut 'Lady's Mantle', Jake journeys through a nocturnal city-scape meandering the dimly lit streets via club back rooms and decadent boudoirs; his ode to the endless night and those who take residence under it's cloak.

A psychedelic map of ASMR rattles, drones and tones melting in-and-out of the night with the heaving intensity of an open window on a busy city street, lubricating familiar rumbles with sensual tones, mirroring the blurry high of a low-light encounter.

A1. on occasions of this kind
A2. fleeting touches
A3. reservoir of memory
A4. melting like the stars

B1. red as the print of a kiss
B2. the dimness of the sealed eye
B3. like sweet thoughts in a dream
B4. silent sailing

Limited edition of 500 copies pressed up on transparent red vinyl.
Mastered by Stephan Mathieu at Schwebung Mastering.
Release date: October 23rd

@jake-muir

Jake Muir - the hum of your veiled voice (sferic007) [Preview]

Let Me Put Myself Together

Impulse

Leipzig based @taucontrib (formally Otilo) debuts on sferic with a suite of paradoxically dense and hyper-intricate zones, smudged to oblivion. Breathing, living, shapeshifting 2021 vacant lounge space.

Edition of 100 copies & digital - OUT FEB 2021.
Artwork : @svyatykh

tau contrib - encode (sferic008) [Preview]

Electronic music label based in Manchester, UK.

Space Afrika - Somewhere Decent To Live (sferic002) [Preview]

sferic

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