Panoramic & Contemplative deep love album 🖤💙🖤

Put a few fathoms between you and reality with the unrecognisably morphed surf rock samples, various sea field recordings & general womb regressing sonic warmth of chief submariner Jake Muir's wobbly new ambient LP for sferic

TIBSLC - Delusive Tongue Shifts - Situation Based Compositions (sferic009)[Preview]

Recorded in close proximity to the critically acclaimed ‘Delusive Tongue Shifts…’. TIBSLC distills their sferic debut into a crystal clear, hypersensitive semblance, gliding amorphously just above the dappled phosphorescent landscape of its sibling LP. 

Occasionally dipping a translucent limb into temporal realms, eight homonymous tracks slip seamlessly into each other's liminal space with simultaneously anaesthetising and stimulating effect.



Clear vinyl LP housed in embossed, gloss laminate sleeve & digital - OUT NOW

@tibslc

Mastered by Stephan Mathieu at Schwebung.
3D Render by @frktl 
Photography by @perila.
Custom typography by Benoît Ferran. 

© sferic 2022

TIBSLC - Hypertranslucent(sferic009.5)[Preview]

Pre-order now available: https://handstitched.bandcamp.com/album/upward-eyes-kindred

Handstitched* is thrilled to announce the next installment of the split-artist series, Ian Hawgood and Fields We Found feature alongside each other for an outing of outstanding musical composure and tranquility. 

Ian's music needs little introduction, with many releases and collaborations under his belt on numerous well-known labels - to say he's prolific is pretty close to the mark. Ian also curates the wonderful Home Normal label, here in the UK. "upward eyes" is seriene, slow-moving and hauntingly subtle, prolonged space fills the moments we frequently overlook and leaves time for reflection during a quiet time spent in an open space. We are honoured to have his debut EP "upward eyes" featuring on Handstitched*. 

Fields We Found has just released his outstanding album "Distance" on the lovely Seil Records, which has been on constant rotation here at Handstitched* over the past month - and the new EP "kindred" is equally as moving, graceful and bewitching. The equilibrium and expression within "kindred" is harmonious - and at the same time, quietly sonorous.

Fields We Found and Ian Hawgood are both welcomed to Handstitched* with many thanks and admiration for their respective musical works as part of the split-artist series, it's great to have them visiting Handstitched* for this special release.

Limited to 50 copies. Released on mini CD-r and sage green cassette with hand-made packaging, tape O-cards and unique designs for each CD package. [HS45/45T]. 

Released August 12.

Ian Hawgood / Fields We Found - upward eyes/kindred [HS45/T S4mpl3r]

Purchase: bit.ly/3ZkQcnk
Catalog #: GN70
February 17, 2023
CASS+DIGI

Over the past few years, Andrew Osterhoudt has quietly curated a slew of comforting kosmische musik that gazes deep into the stars while peering just as deeply inward. Now, the Brooklyn-based composer sets their sights on more tangible artifacts and nearby nuance with 'Out Together', an earthbound fit of maniacal mindfulness mixed with calm chaos.
 
Constructed on a scaffold of juxtaposed symmetry, the two sides of 'Out Together' foil and compliment each other in delicate harmony. Live collaborations with Ka Baird and John Also Bennett (JAB) colligate with manipulated found sounds from records and digital audio files from old broadcasting sound libraries, recontextualized into moments of ambient turntablism. The search for harmony shines throughout. Take the final tones of A-side closer “Runoff” drifting downstream with bubbly textures and arpeggiated bliss, trying to reach harmony with the initial tones of B-side opener “Frequency.” The latter ultimately spotlights a fortuitous flute duet from Baird and JAB born from Osterhoudt’s own graphic score.
 
The patient pointillism and avant assurance of “Crowds” balances out the opposite side’s “Everyone Arriving, Eventually,” a tone poem of sand-like textures flowing through melodic reeds and other sonic detritus. “Undergrowth” awakens in a steam-drenched run of modulated meditation, focusing on Ka Baird’s singularly enraptured vocal exorcisms which perfectly reflect its B-side counterpart “The Breathing Green,” engaged in a din of rustic psychedelia with waves of buzzing, ember-like tones and unseen fauna.
 
As a whole, 'Out Together' presents a vibrant spectrum of feelings ranging from magnified isolation to zoomed-out, wide-angled euphoria.

Andrew Osterhoudt - "Everyone Arriving, Eventually"

MBE Series founder Giovanni Napolano continues his research of the Mediterranean, offering up his own personal Porta Del Mediterraneo.

Unfolding along two sprawling 15 min sides, Napolano stitches threads of chopped & screwed folksong with a discrete dub strategy, seamlessly leading the mind down labyrinthine ginnels of his imagination in a sort of uchronic regression session where the ghosts of the past inform the present. In the process it humbly speaks to Naples’ position at the frontier of the current migrant crisis, and necessarily takes a standpoint against Italy’s resurgent, nationalist fascism, revealing the beauty and energy of its indigenous mixture of peoples, rather than erecting borders between them. 

Taking his native Naples as a locus of Mediteranean culture, Napolano plunges the port city’s palimpsest of energies embedded by successive waves of Greek, Northern African & Eastern migration to discover an underlying, rhizomic connection and commonality linked by dub and hip hop as a contemporary iteration of folk music. 

Under its titular, mythical metaphor for the fall of Babylon, and usage in Rastafari culture, ‘Le Macerie Di Babilonia’ imaginatively examines a sense of self via a historic lens, drawing on Napolano’s upbringing in the chaotic port city and his autodidactic research into the rich mosaic of Napolitan heritage, to model how a folk class solidarity and shared character, with its own rules and rituals, has emerged from its syncretic milieu. 

Variously a treatise on provenance; an impressionistic tale of the European north meets a global south; a dub-abstracted, allegoric, ethnomusicological collage; ‘Le Macerie Di Babilonia’ is a fascinating and immersive listen that presents its maker’s dilated world view at its most mesmerising.

Limited Edition LP & Digi out 27th October.

© sferic 2022.

@nplgnn

Giovanni Napolano - Le Macerie di Babilonia (SFERIC11) [Preview]

ihoi

Conditional | Colleen

Naomi Asa on the NTS airwaves, delivering soothing soul and spiritual jazz.

https://www.nts.live/shows/naomi-asaturyan/episodes/naomi-asaturyan-14th-may-2023

Naomi Asa 140523

Stereo excerpt from a continuously looping 10-channel (decaphonic) ambient audio installation for the Norwegian Maritime Museum in Oslo.

Outpost (Norwegian Maritime Museum Commission)

A track from the album Body Trip out 05/23/16 on Constellation Tatsu.

H Takahashi - Enter

Faerie Woods

Classic ’60s surf-rock channeled into hazy ambient zones... 

LA's Jake Muir constructs a poignant sound world crafted from samples of a well loved American pop group smudged with aqueous field recordings made everywhere from Iceland to the beaches of California. 

In nine succinct scenes, the results loosely limn a wide sense of space and place with its fading harmonic auroras and glinting, half-heard surf rock melodies rendered in an abstract impressionist manner that suggests a fine tracing of in-between-spaces, perhaps describing metropolitan sprawl giving way to vast mountain ranges and oceanic scales. But for all its implied sense of space, ultimately there’s a paradoxically close intimacy to proceedings which feels like you’re the passenger in Muir’s ride, and he patently knows the scenic route...

A1. High Tide
A2. Lapis Lazuli
A3. Shoal
A4. Yaupon
A5. Peacock's Tail

B1. Green Eyes
B2. Buoy
B3. Drifter
B4. Lanterns Below

Limited edition of 300 copies pressed up on clear vinyl. 
Mastered by Lawrence English at Negative Space, cut at D&M Berlin.

https://boomkat.com/products/lady-s-mantle

https://sferic.bandcamp.com/album/ladys-mantle-5

Jake Muir - Lady's Mantle (sferic003) [Preview]

Sam Mallet could have pursued a career as a French literature professor in Paris, but decided his true calling was to remain in Australia, dedicate himself to his music and find the plateau; a word he used to describe the sensory worlds residing in music. Under the influence of Eno, Jon Hassell, Arvo Pärt, John Coltrane and Robert Fripp, Sam explored a wide variety of musical styles and put them to service soundtracking the time-based works of his peers. He crafted spatial ambience, somber jazz, and drum computer driven rockers for short films and experimental video works, television shows (including the original Australian Wilfred series), feature films and live theatre. The avant garde Anthill Theatre, known for its departure from conventional staging practices and having a keen eye for talent, enlisted Mallet to provide soundtracks for approximately 40 productions throughout the 1980s and early 1990s.

Sadly, Sam passed away in 2014. A crucial piece of his legacy is undoubtedly the body of work he produced during his life, and the archive of recorded works is vast and deep. Sam seemingly saved everything, from fragments to finished pieces; and often repurposed previously released tracks by collaging them into new pieces. He self-released a small number of cassettes and CDs from the mid 1980s onward, the contents of which were culled from soundtrack work and original pieces, but the majority of his music was experienced only within the ephemeral live performances.

Wetlands is the product of countless hours spent with this archive by Rowan Mason (Sanpo Disco/Recurring Dream) and Tony Remple (Musique Plastique), offering a dynamic survey of Sam’s work, and housed in a jacket evoking the minimal design and colour palette of his earliest cassette releases. Two selections of Sam Mallet’s music were featured on the compilation Midday Moon (also produced by Rowan), released last year by Bedroom Suck Records. Along with Left Ear Records’ Antipodean Anomalies, Midday Moon has served to highlight outlier musics and scenes from Australia and New Zealand, and Wetlands plunges deeper into the catalog of this obscure yet groundbreaking artist.

Release by Musique Plastique / Recurring Dream

PRE-ORDER HERE: www.seance-centre.com/other-releases…allet-wetlands

For EU distribution contact: info@rushhour.nl
For NA distribution contact: info@seance-centre.com

Release date October 11th 2019

Wetlands

Sam Mallet - Wetlands (MP006/RD01)

Taken from the album 'The Faintest Hint' released as LP and Digital.

Ai Aso 'Itsumo' (SOMA034)

Moving away from the American surf pop manipulations of his debut 'Lady's Mantle', Jake journeys through a nocturnal city-scape meandering the dimly lit streets via club back rooms and decadent boudoirs; his ode to the endless night and those who take residence under it's cloak.

A psychedelic map of ASMR rattles, drones and tones melting in-and-out of the night with the heaving intensity of an open window on a busy city street, lubricating familiar rumbles with sensual tones, mirroring the blurry high of a low-light encounter.

A1. on occasions of this kind
A2. fleeting touches
A3. reservoir of memory
A4. melting like the stars

B1. red as the print of a kiss
B2. the dimness of the sealed eye
B3. like sweet thoughts in a dream
B4. silent sailing

Limited edition of 500 copies pressed up on transparent red vinyl.
Mastered by Stephan Mathieu at Schwebung Mastering.
Release date: October 23rd

@jake-muir

Jake Muir - the hum of your veiled voice (sferic007) [Preview]

Leipzig based @taucontrib (formally Otilo) debuts on sferic with a suite of paradoxically dense and hyper-intricate zones, smudged to oblivion. Breathing, living, shapeshifting 2021 vacant lounge space.

Edition of 100 copies & digital - OUT FEB 2021.
Artwork : @svyatykh

tau contrib - encode (sferic008) [Preview]

Electronic music label based in Manchester, UK.

Jake Muir - Lady's Mantle (sferic003) [Preview]

sferic

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