prelude

Infinite Journeys: Part 2 - Point Lobo

スロウワルツ (slow waltz) - inst

Deep in the jondules of your innermost being, you can feel this track creep in to compliment the Story Mode Forest additions still growing today. Like rampant bamboo, it keeps pushing outward—ever-tightening beats and improvised arpeggiations carving a guitar line that lands exactly where it should. This wasn’t a premonition; this was a building mission. I knew I needed a new track. I knew it was in me. You can hear the hunt—the guitar prowling for a landing strip and finding that new runways keep lighting up, one after another. So the guitar keeps a-callin’.

Who’s it calling? Patch. Patch answers.

“I hear it,” he says. “And yeah—you wrote it for me. But I’m handing it right back to you. Proof of life, friend. The app isn’t speculation; it’s a heartbeat. Let the ghosts queue at the window, let the dew glow neon at 2 AM, let the cones spin their little galaxies. I’ll ride shotgun and count measures.”

I tell him I wrote this to end the wondering—so no one has to ask whether this ever amounted to something.

“Relax, good sir,” Patch says, grinning. “Run the loop again. We’ve got time—time enough to groove, time enough to ship. Every chorus is a plank in the path. Keep laying boards, I’ll keep the lights on.”
And the track keeps growing—another ring on the tree, another glow on the map, the forest breathing in time with all of us. 


Patch Relaxes

Midnight-drive medicine. Head-nod 92 BPM in F♯ minor with felt-piano + soft acoustic guitar at the core, modern drums, and a mono 808 that glides between bar transitions. Airy pads, subtle vinyl glue, and a tasteful SFX swell every eight bars keep it moving without crowding the pocket. Built as a seamless 16-bar loop perfect for late sessions, writing, coding, or a quiet freestyle when the room goes still.

A Taste of Calm

This track was requested a lot. It's a old track and I lost the project file for. So It's been unreleased for a long time. I have now worked on it and made it more complete and here it is :D

No copyright:
You're free to use my music as long as
you credit me.

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Mail: mr.stoneocean@gmail.com

Album: HOME 
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Album: Awaken
Spotify: http://goo.gl/R1jexc
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Album: One Vibration
Spotify link: http://goo.gl/moQjgO
iTunes link : http://goo.gl/9itIH5
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*All my tracks on Youtube are not final until album release.

1985 [HAPPY | UPLIFTING]

Space Scraper スーパーセックス

WÅVE

Knytt Underground

Underwater Lab Tune (Knytt Underground OST)

Pre-order 'Oneknowing' - out March 29: 
https://lenaraine.lnk.to/oneknowing

Oneknowing is the debut artist album by acclaimed composer and producer Lena Raine, most recently known for her multiple award-winning soundtrack for the video game Celeste. 

Based in Seattle, Raine has been composing soundtracks for games and media for 12 years, her breakout moment coming with her work on the classic PC game Guild Wars 2. Her most celebrated work, however, has come in the form of 2018’s Celeste soundtrack. A game based around themes of anxiety, self-examination and more, Celeste is considered by many to be the key indie game of 2018, and has won multiple awards for both game and soundtrack - something which Raine painstakingly developed in tandem with the game’s design since its first steps. 

A flagship year for Raine was capped off in December, when she performed live with soundtrack legend Hans Zimmer at The Game Awards, the video game industry’s flagship annual award show (Celeste was nominated for four awards, and won two). Although she’s released several non-soundtrack releases, both under her real name and her Kuraine alias, Raine considers Oneknowing her debut artist album - a 10 track set that ranges from distorted paranoia to ambient pop, brought together by the shimmering melodies that make her soundtracks so memorable. 

An album that draws from “personal experiences, important places, dreams and the lack of dreams”, Oneknowing’s tracks are also threaded together by Raine’s own vocals, sung in a language unique to the album and manipulated by the software Vocaloid. In Raine’s words, “I have nostalgia for my voice as it sounded when I was younger. I can't de-age my voice, but I was able to use software and tweak its settings to a point that it has a similar quality to my voice from back then”. At times (‘Tsukuyomi’, ‘Light Rail’) her vocals lean towards traditional pop structures, while on tracks such as ‘Wake Up’, they’re repeated, chant-like, to create a hypnotic effect. As well as vocals and software, Raine plays rhodes piano, zither and various hardware synthesizers on Oneknowing, while Michaela Nachtigall contributes violin and viola to various tracks. 

A succinct but expansive record full of detail, Oneknowing represents Raine’s most personal and realised original material yet, while showing a different side to one of the most unique and accomplished composers of the modern era. 

Tracklist:
01. Nightmare (Intro)
02. Tsukuyomi 
03. A Chance to Rest
04. Light Rail
05. Breath
06. Insomnia
07. Trance State
08. Momodani
09. Wake Up 
10. Aurora

Infinite Journeys: Part 2 - Point Lobo

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