I really like Edward Simon's piano playing on this track. Very Glasper-J Dilla-esque!

Does anyone have charts for this arrangement?

"SPEEDBALL EXPERIENCE" - Various Artists
Vinyl, LP, Compilation, Unofficial Release.
Country: unknown; Released: unknown.
http://www.discogs.com/Various-Speedball-Experience-Obscure-Pop-Jazz-From-Early-70s-Italian-Music-Library/release/5552948

editions GIAGUARO made in france
year 1985 (fake), actually released in the mid '90s
deadwax: G001 A / G001 B

Tracklist:
A1	Raskovich -	    Whole		
A2	S. Torossi -      Sweet-Beat		
A3	A. Tommasi  -  Capricorno		
A4	G. Mazza -	   Eccitamento		
A5	Narassa -	   Macero		
A6	Subelli -	           Diatomea		
A7	Coscia - 	   Schizzo		
B1	S. Brugnolini - Polyphony		
B2	G. Mazza -        Sospesi Nel Traffico		
B3	F. Bixio -           Diamonds		
B4	F. Bonfanti -     Ambiente Elegante		
B5	G. Mazza -	   La Gang		
B6	Subelli - 	  Gospel 71

http://www.discogs.com/Various-Speedball-Experience-Obscure-Pop-Jazz-From-Early-70s-Italian-Music-Library/release/2005474

V.A. "SPEEDBALL EXPERIENCE" - Obscure Pop Jazz From Early 70's Italian Music Library [COMPLETE]

Hotthobo and Daniela "XICA-SOUL" Zepeda guesting with Jon Blunck, Renmin, K-Maxx, and PLAzA.  All selections from the aformentioned djs during the last hour of Sweaterfunk, 8/24/14

Sweaterfunk 8/24/14 Two Steppers

Album available now!
http://www.sfjazz.org/shop/cd/collective-2014

Obed Calvaire's funky, percussion-driven arrangement of Joe Henderson's "Fire" (The Elements, Milestone, 1973) is a single off the SFJAZZ Collective's new album "Live: SFJAZZ Center 2014, The Music of Joe Henderson and New Compositions."

This limited edition 2-disc set, recorded during the Collective’s four-night residency in October 2014 at the SFJAZZ Center, documents the SFJAZZ Collective’s fresh arrangements of the work of Joe Henderson—the late saxophone giant and longtime San Francisco resident who had a long association with SFJAZZ—as well as their own stimulating compositions.

SFJAZZ Collective - "Fire" (Joe Henderson)

This track could use a good mix, but until then, please enjoy it in its raw form. 

Interplanetary (Demo)

Buy / Stream: BBEmusic.lnk.to/RiveGaucheWalking
Already touring extensively thoughout their native France, Rive Gauche is a new live and studio project fronted by Alexandre Destrez, pianist of Saint Germain’s
albums (Tourist & Boulevard).
Fans of Saint Germain’s two stunning albums on Blue Note will be pleased to know that the debut single from Rive Gauche is very much in the same vein.
Smooth jazz grooves, seductive trumpet licks and smokey vocals are the order of the day here, laid over subtle electronic touches and solid beats. First up on remix duties, genre-hopping production maestro Simbad supplies an uptempo and fun jazz-house workout guaranteed to move a dancefloor (DJs should probably practise miming the ‘rewind’). Last but no means least, radio presenter and champion of quality music of almost all shades, Gilles Peterson takes the helm for the second remix. His multifaceted interpretation blends latin jazz vibes with Amen Break sampling drum’n’bass beats, somehow remaining delicate and floaty throughout. Creative and brilliantly realised, we can’t wait to hear what’s next from Rive Gauche.

Walking...

Rive Gauche - Walking... (Gilles Peterson Remix)

Myele Manzanza - production, drums, synths 
Mark de Clive-Lowe - piano, rhodes, electronics 
Matt Dal Din - bass

Purchase link here https://myelemanzanza.bandcamp.com/track/freedom-of-movement-red-cross-fundraiser-ft-mark-de-clive-lowe-matt-dal-din

In these turbulent times we're currently living in and an overall fear-of-the-other vibe that seems to be setting in globally, I want to be more proactive about helping make things better for the world around me in whatever capacity I can with the resources and skills I have. One of the issues I feel is of a high importance right now is around refugee resettlement. With many of the worlds governments closing the doors to those in need, it’s more important than ever that individuals who care about human rights do something with their energies that goes a step further than retweeting the latest doomsday articles and clicking ‘like’ on a friend’s post. 

One of the small ways that I realized I could contribute is with music. While I don’t have a huge amount of money, if I can use my music to assist in causes I think are worthwhile then that’s a start. In my home country of New Zealand one of the organizations doing great work in the area of refugee resettlement is the New Zealand Red Cross. Their work on the ground alongside other local organisations in helping refugees to settle into life in New Zealand and help find work is particularly impressive, and their advocacy in pushing for New Zealand to lift it’s refugee quota in light of events across the globe is something I fully support. Their response to the New Zealand Prime Minister’s comments on the US refugee program suspension sums it up nicely… 

“We agree that it is the kiwi way to welcome refugees and believe that New Zealand has been a world leader in this regard,” says Anne Smith, acting Secretary General of New Zealand Red Cross. 

In the current global climate support for refugees, and upholding obligations to protect them, has never been more important. 

Long conflicts around the world have exacted a terrible price on civilians, among them high numbers of women and children and Red Cross is concerned that the current refugee quota in New Zealand does not match the global humanitarian need. 

“The majority of refugees are women and children, an emergency intake could assist some of these families who are most vulnerable,” says Mrs Smith. 

As the primary provider of refugee resettlement support in Aotearoa, Red Cross is confident that New Zealand has the capacity to do more to meet the ongoing humanitarian need. 

“The continual offers of support we have from kiwis demonstrates that people care about what’s happening on the global stage and want to help.” 

New Zealand has a world class refugee resettlement programme which means we are in a position to respond to urgent humanitarian need. An emergency intake now is both possible and urgently required." 

........................... 

Freedom Of Movement is a piece of music I produced in collaboration with Los Angeles based pianist and programmer Mark de Clive-Lowe and Berlin based bassist Matt Dal Din. As a long form and abstract instrumental journey through multiple forms, my hope with this piece is that the modal harmony and off kilter rhythms gives some sense of unpredictability as well as forward motion that is representative of the long and arduous journey a refugee would need to take to find a better life for themselves. 

100% of the artist’s proceeds from the sale of Freedom Of Movement go to the New Zealand Red Cross in their efforts toward refugee resettlement. While I’ve set the minimum buy at $5 on my Bandcamp page, please feel free to donate more if you can. It really makes a difference. 

Thanks for taking the time to read this and helping to support those in a great amount of need right now. 

Myele Manzanza.

Freedom Of Movement (Red Cross Fundraiser) ft. Mark de Clive-Lowe & Matt Dal Din

An hour of seeds and things and flowers for @nts_live. 

Tracklist: https://www.nts.live/shows/guests/episodes/mark-wayward-7th-april-2019 

(Couple of updates to the tracklist: the Teena Marie track is an extended edit I made for the mix rather than just the reprise, and the version of Roberta Flack's "Feel like making love" is the Reflex Revision).

Springtime Special for NTS Radio - 07.04.19

Buy / stream the album 'Topology': https://orcd.co/topology

BBE Music presents the fourth release in their acclaimed J Jazz Masterclass Series: Topology by Makoto Terashita and Harold Land. Originally released in 1983 on the cult Aketa’s Disk label, Topology captures a surprising yet fascinating and engaging collaboration between a young Japanese jazz pianist and an elder American statesman of jazz.

Reissued by BBE Music for the first time since original release 36 years ago, Topology showcases the extraordinary compositional and playing skill of Makoto Terashita, the young pianist responsible for five of the album’s six tracks, alongside the confident and seasoned tones of Harold Land, respected US veteran sax player and former colleague of some of the leading jazz artists of the 50s, 60s and 70s including Max Roach, Clifford Brown, Gerald Wilson and Bobby Hutcherson.

By the time he came to record with Terashita in 1983, Land was in his mid-50s and had numerous album credits under his belt, including some twelve albums as leader. In contrast, Terashita was in his early 30s with just one album to his name, his stunning 1978 debut Great Harvest. Notwithstanding the apparent disparity in experience, the creative relationship they fostered is audibly evident in the wonderful music that was captured during the recording session.

Topology kicks off with ‘Dragon Dance’, an epic spiritual jazz tour de force elegantly ushered in by an extended solo piano introduction from Terashita. This track was chosen to open volume 2 of BBE’s universally praised ‘J Jazz’ compilation. The energy and impact of tracks like ‘Dragon Dance’ and the powerful bop of ‘Crossing’- both Terashitsa-penned numbers – is balanced by more nuanced and reflective tracks like Land’s own composition ‘World Peace’. In total, Topology presents the listener with a complete experience of two musicians from different generations and countries united in musical spirit.

A long out of print rarity known only to a handful of Japanese jazz collectors, Topology is now available once more, reissued for the first time as a 45rpm double 180g LP, featuring exact reproductions of the original artwork, obi strip and insert. It also comes with the original notes fully translated plus a new extended 3700 word essay by Tony Higgins. Topology is also available as a CD and across digital formats.

The J Jazz Masterclass Series is personally curated by Tony Higgins and Mike Peden and is dedicated to presenting the very finest in Japanese jazz. The series features rare and unreleased material presented in the highest quality reproductions of the original releases, fully licensed and authorised.

Makoto Terashita Meets Harold Land - World Peace

Following on from his critically acclaimed 2019 solo album Poison Fruit, Azymuth’s iconic drummer Ivan ‘Mamão’ Conti returns with ‘Katmandu’, a new release from the Poison Fruit project. Though it was recorded and mixed in the same sessions, ‘Katmandu’ was mysteriously omitted by Mamão from the Poison Fruit album, either accidentally or on purpose, he’s not quite sure. What is for sure is that it’s one of the most potent poison grooves of them all.

The original mix, produced by Daniel Maunick, accompanies remixes from three of mainland Europe’s finest DJ/producer combos in the game, iconic German nu-jazz collective Jazzanova, MCDE Recordings & Faces Records’ Pablo Valentino, and Croatian house veteran Eddy Ramich with assistance from Zagreb duo Jan Kinčl & Regis Kattie.

This EP is the second in a series of limited edition dance 12”s celebrating 25 years of Far Out Recordings and is housed in a special sleeve which uses the label’s original semiquaver logo from 1994.

Katmandu (Original Mix)

Buy / Stream: orcd.co/stopover

BBE Music presents the sixth release in its acclaimed J Jazz Masterclass Series: ‘Stop Over’ by Hideto Sasaki – Toshiyuki Sekine Quartet +1. Released at the height of the electric fusion era, ‘Stop Over’ is an all-acoustic hard bop killer, sounding like the Jazz Messengers on speed. When it was originally issued on the private Smile label in 1976, only 100 copies were pressed, making ‘Stop Over’ one of the most sought after and rare LPs in the J Jazz canon.

Trumpeter Hideto Sasaki tears it up as if he’s Kenny Dorham on a classic late 50s Blue Note session. He also provides the breakneck title track to the album, the one stunning original that sits next to solid covers including Bobby Hutcherson’s modal classic ‘Little B’s Poem’ and Denny Zeitlin’s ‘Carole’s Garden’. Pianist Toshiyuki Sekine is also on top form with his deft touch and fluid keyboard runs, playing Horace Silver to Sasaki’s Dorham. If you dig that late 50s/early 60s breathless hard bop sound, you’ll love this.

Licensed and released with the approval of Toshiyuki Sekine himself, ‘Stop Over’ will be available for download and streaming, as a CD and double vinyl LP, the first vinyl reissue of this amazing album since originally slipping out to family and friends in 1976. With a deluxe packaging and translated sleeve notes, there will also be new notes and an interview with Toshiyuki Sekine.

The BBE J Jazz Masterclass Series is personally curated by Tony Higgins and Mike Peden and is dedicated to presenting the very finest in Japanese modern jazz. The series features rare material presented in the highest quality reproductions of the original releases, fully licensed and authorised.

Stop Over

Hideto Sasaki, Toshiyuki Sekine Quartet + 1  - Little B's Poem

April 5, 2013 - Apache Cafe - Atlanta, GA

Darryl Reeves - Alto Saxophone
Kenny Banks - Rhodes/Synths
Joel Powell - Bass
Kenton Bostick - Drums

--------------------------------------------------------------------

New Album Available "Mercury"

darrylreeves.bandcamp.com/album/mercury

Hailing from Atlanta, GA, Darryl Reeves is a saxophonist that effortlessly merges the lines between funk, soul & hip-hop, expressed from a platform rooted in jazz. Growing up in a musical family, Reeves attended the Northwestern Performing & Visual Arts Center in Miami. Moved by hip-hop samples originating from jazz, Reeves was led to being influenced by greats such as Charlie Parker and John Coltrane. Reeves studied music at Jackson State University. He subsequently completed his Masters of Music at the University of New Orleans, where he studied with Terence Blanchard and performed on the scene with Delfeayo Marsalis. In 2004, Reeves released the funky and playful Diary of a Bandstand, to ample acclaim. It featured Robert Glasper, Russell Gunn & Quamon Fowler and cemented Reeves' reputation for presenting a new outlook on the sound, style and production of jazz music. Reeves has kept a steady hand in not being limited to any specific genre. Some know him just as well for his production in hip-hop. Reeves caught Ahmir "?uestlove" Thompson's attention with his ingenious jazz-funk remixes of Jay-Z's Black Album, which was spun upon many of the drummer's dj sets. Recently in Atlanta, he has been the music director of many highly acclaimed live sets with Aishah Rashied Hyman's Spreadlove and DJ Kemit. He has performed and recorded with notable artists including Roy Ayers, The O'Jays, Frank McComb, Angie Stone, Kirk Whalum, Jill Scott, Phonte, Toku, Janelle Monae, Young Jeezy, B.O.B. and T-Pain.

Facebook
facebook.com/darrylreevesmusic

Twitter
twitter.com/darrylreeves

Official Site
www.darrylreeves.com



FREE DOWNLOAD HERE

Darryl Reeves - "Actual Proof"- The Herbie Sessions (Live 4.5.2013)

Founded in 1983, SFJAZZ presents the greatest names in jazz, Latin and global music and nurtures the art of improvisation through its year-round concert, commissioning and education programs. The West Coast’s biggest jazz presenter serves over 200,000 fans and students every year and has several award-winning resident jazz ensembles, the world renowned SFJAZZ Collective and the SFJAZZ High School All-Stars.

After 30 years of using rented halls, SFJAZZ finally has a home in the vibrant performing arts district of San Francisco. The luminous new SFJAZZ Center opened in January of 2013 and is the only stand-alone facility built specifically for jazz in the United States. Designed by San Francisco architect Mark Cavagnero, the LEED Gold certified center offers the superb acoustics of a great concert hall and the relaxed intimacy of a jazz club.

SFJAZZ Collective - "Fire" (Joe Henderson)

SFJAZZ

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