Aphantasia

Flute: Ali Choupani
Composer: Mahbod Shirvani
Cover: Hanie Darvishian

Woeful - For Flute and Live Electronics

OdetoDawn.mp3

Stromae - Sante (Slowed & Reverb)

OVIS - Baba taher

ترک “مناره” از آلبوم جدیدم و با صدای مجید سالاری منتشر شد و میتونید از تمام پلتفرم های شنیداری گوشش کنید. آلبوم کامل پروژه ی جدیدم که شامل همکاری من با هنرمندان مختلف، و سبک های مختلف با دید الکترونیک ترکیب شده، به زودی منتشر میشه. امیدوارم که کلی خاطره ی خوب با این ترک بسازید

“Menara” featuring Majid Salari, one of my favorite singers ever, is OUT NOW! Go check it out

Percussion: Amir Tayari
Mastering: Stuart Hawkes 
Artwork: Terme Ziaei
Motion: Babak Esmaeli

Menara (ft. Majid Salari)

owrsi

Zana, andok

Audiovisual performance by Maryam Katan and Shaahin Peymani

White note is a live audiovisual experiment that uses footage from a documentary aiming to introduce Nudem Durak. A Kurdish female singer who was arrested sentenced to 15 years in prison by Turkish government in 2015 for promoting the Kurdish culture. This documentary was made right before her imprisonment and the subtitles are an explanation for international viewers. Despite expectations, all the human right campaigns failed to get Nudem out of prison and so voice was omitted. In 2018, a young Iranian female singer covered the same song. Her activities are unofficial and underground since basically singing as a solo female voice is forbidden in Iran. Through this direct, independent and personal empathic work she retold Nudem’s narrative after all the fuss of freedom campaigns were over. A singing which is imprisoned itself in a larger space has become the voice of another imprisoned tone.

White Note

Two Iranian artists, Maryam Katan & Shaahin Peymani discuss sound in their practices and their latest show at poşe "Some Absolute Responsible Methods for Cleansers."

Et cetera #2  16.10.19 Maryam Katan & Shaahin Peymani

From the new LP, Excision After Love Collapses: frktl.bandcamp.com/album/excision-after-love-collapses

Excision After Love Collapses

FRKTL — دَفْق (Crash Blossoms)

Prelude Chopin Opus 28 No 20 Remix

Shaahin Peymani (1990) is a sound artist and composer based in Tehran and Berlin. He often uses found sounds, field recordings, and archival sounds in his works. By recomposing concrete sounds and processed speech voices into collages, he explores the realm of human perception and the deconstruction of language in audio culture, and seeks to redefine modes of listening by transforming sound as an indication of its source into an abstract structural sound object. Shaahin studied Textile engineering and Composition in Tehran, and Sound Studies and Sonic arts in Berlin. In addition to sound installations and Audiovisual performances, his artistic practice includes music composition and sound design for film, animation, theatre and dance.Shaahin often uses found sounds, field recordings, and archival sounds in his works. By recomposing concrete sounds and processed speech voices into collages, he explores into the realm of human perception and the deconstruction of language in audio culture, and seeks to redefine modes of listening by transforming sound as an indication of its source into an abstract structural sound object.

White Note

Shaahin Peymani

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