lively and rich track that captures the heart of its namesake. The synthesizer shines with their soulful solos, while the rhythm keeps everything flowing smoothly. The percussion adds a natural, earthy vibe, making the whole piece feel warm and inviting. A beautiful blend of sounds that brings this track to life.

Unique genre fusion, very interesting and creative production, there is almost like a chilled out jazz hop underneath the surface with some cool ambient, psy and hip hop elements layered on top!

Digging the space and mystery in this mix, your basslines are superb in these recent pieces and the mix and production are exquisite as always!

A DAY IN THE HAZY ISLE OF WISDOM

Recorded in Modesto, Ca. Featuring King Chico vocals from The Philippines. Selmer Alto Saxophone solo. Vibraphone solo, Gibson L5 Jazz Guitar Rhythm. Steinway & Sons Acoustic Piano solo. EKO Acoustic Stand-up Bass. Yamaha Acoustic Full drum set kit. Steinway & Sons Acoustic Piano Rhythm.

Make My Move

Dreamland

Première pensée   (Translated after French text )
Vidéo :  https://youtu.be/NYPOfarT2w0
Texte et chant : Muette
Musique : Alain Illos

Dans le vase de mon cœur
L’amour est à ras bord.
Dans le tien, une fleur
T'offre une nouvelle aurore.
Dans le sol de mon cœur
S’est ouverte une crevasse.
Le tien, d’heure en heure,
Se durcit et se tasse.
Dans la salle de bain
Où j'me rends présentable,
Je n'me trouve plus aimable
Et je te cherche en vain.
Mes yeux n’ont pas compris,
Immobiles dans la glace,
Butés comme des impasses,
Et ce corps inutile...
Quand viendra-t-il ce jour
Où ma première pensée
N'aura pas ton langage,
Où ma première pensée
N'aura pas ton visage,
Où ma première pensée
Sera d'boire un café ?
Je voudrais comme toi
Etre hors la loi d’amour,
Mais je suis condamnée
A te faire vivre toujours.
Je voudrais comme toi
Faire juste un demi-tour
Et t’avoir oublié.
Dis-moi comment tu fais.


First thought

In the vase of my heart
Love is overflowing.
In yours, a flower
Offers you a new dawn.
In the soil of my heart
A crack has opened.
Yours, hour by hour,
Hardens and settles.
In the bathroom
Where I make myself presentable,
I no longer find myself lovable
And I search for you in vain.
My eyes have not understood,
Motionless in the mirror,
Stubborn like dead ends,
And this useless body...
When will that day come
When my first thought
Will not be of you,
When my first thought
Will not be your face,
When my first thought
Will be to drink a coffee?
I would like, like you,
To be outside the law of love,
But I am condemned
To keep you alive forever.
I would like, like you,
To just turn around
And forget you.
Tell me how you do it.

Première pensée avec Muette

The Principles

Fearless Wisdom

Descent

Another scammer alert , again from " RCA " Yeah right ! Why don't these lowlife idiots use a bit more imagination , if only hanging was still allowed in this country !
Anyway , back to reality . Dave Cooper sent me some brilliant lyrics to put together a Country song , so here it is , we hope you like it ! We've just finished a great song together , and we have an album coming out mid November .
Much more to come with Gaz and Kim , me and Kim , me and Dave , me and Tony , Charlie and the Fox , oh the list goes on and on !
Thank you as always for the support you give me .
Here's the links to me and Charlotte's album , it's definitely worth a listen !
www.youtube.com/playlist?list=OLA…L7MJ_1UTdMo0MjJLM
open.spotify.com/album/78ewrWZjS4…DSSrOdWlanz6UPMw

You’re my one and only girl and you dominate my world

You’re my life, you’re my love

Through and through

 

The Mona Lisa is nice

But she comes at a price

And she don’t hold a candle to you

 

Chorus

 

You‘re my soul, you’re my heart

In my play you’re the lead part

And without you I don’t know what I’d do

You’re my reason to live

For the love that you give

And I’ll never find another you

 

They said Helen of Troy

Could wow all the boys

But she could not take me away from you

 

Cleopatra, it seems

Could hold all mens’ dreams

But she don’t come a close second to you

 

Chorus

 

Solo

 

Oh Marie Antoinette

Could enchant all she met

But she don’t do a thing for me

 

For you know I love you

And my feelings are true

And without you I don’t know what to do

 

Chorus

 

And I’ll never find another you to end

I'll never find another you

I'll Never Find Another You

The last evening of October
Vampires drink tomato juice
The moon sets on the fishing line
Whomever they wanted to scare, he didn't come

All the colors of death on their faces
And scars – not sparing makeup
The night darkens
The light fades
And darkness dances among us

All evil has crawled to the surface
And celebrates its terrible feast
Here the devil has defeated God!
Let them carry out all the saints...
Let them carry out all the saints

The last evening of October
Vampires drink tomato juice
The moon sets on the fishing line
Whomever they wanted to scare, he didn't come

****
последний вечер октября
вампиры пьют томатный сок
на леске опускается луна
кого хотели напугать - Тот не пришёл

все краски смерти на лице
и шрамы - грима не щадя
чернеет ночь
погашен Свет
и тьма танцует между нас

вся нечесть вылезла наверх
и празднует свой страшный пир
здесь дьявол бога
победил!
пускай выносят всех святых.. 

последний вечер октября
вампиры пьют томатный сок
на леске опускается луна
кого хотели напугать - Тот не пришёл

antihalloween

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

Here is  one I made earlier :-)  Thank you for your kind shares plays , and playlists.

Added  Organ piano strings and percussion   Annette
(C) Vocalatti 2025

In  A Haze

Special thanks to Sergi Yaro for his a cappella....

NIGHT AND DAY.  🎧.  Feat  Sergi Yaro

C'est aujourd'hui !!
Digérer le repas de Famille
M'Z
Conceptuel rock expressioniste 
C'est en écoute ici :
https://music.imusician.pro/a/TPzeVOPs
Régalez vous ^^

Digérer le repas de famille

Cast of Characters:

J.J. Terrell– @j-j-terrell – organ, synth and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – custom five string fretless bass and PRS SE semi-hollwbody electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Sunnybeck-- @sunnybeck — Beck — synth and MIDI composition
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric wah guitar
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering

This song began as a looper beat that Josh created in BandLab. He does that often to start an idea. However, this beat sat on the shelf for almost a year, until he shared it with JJ for one of his Saturday night music sessions. JJ put an arrangement on it with his organ and bass. Josh quickly replaced the bass idea with his own version of it, though.
Now it was Ken's turn to replace the dull looper beat with something alive and organic, which he did in the most creative and solid way possible. We had a skeleton now, and it was time to share it with Beck, with whom this is Eclectic Collecitive's first song. She added her magic via the synth you hear sprinkled throughout. Stephen weighed in next with his funky wah guitar.
It was almost done at this point, but of course, we wanted Carl to add his greatness to it, as well, which he did by writing and singing some compelling vocals. He took the working title, which Josh came up with having just read The Odyssey, and wrote a whole song about it!
Once it was all laid down, we asked Tez to do his expert work with the mix and production, which he did perfectly, as always. We're very lucky to have two very talented producers in the group, and grateful to Tez for ironing this one out for us.
This is, as mentioned, the EC's first go round with Beck, and we couldn't be more thrilled to work with her. Not only is she a skilled, creative musician, but she is a delightful ray of sunlight to work with, too. We have another collab with here we plan to release in the coming weeks, as well. There will be more to follow. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark
Hold on dear crew
Cruel winds fly north
Our tenth foul day
Land found fresh worth
Untameable sea
We survived people
Ashore
Fresh water
Food
Lessen our feeble

Three of company
Greet these inhabitants
Find what land lends their habitance
Trio arrive and find not hurt
Then found local food
Good offering flirty

Three watered mouths by nicest taste
Who needs home
We stay
No haste
Love lotus buds
Don’t mind the captain
Let’s stay and munch this tuck of trapping

Captain bemused All aboard!
No more shall eat this food mind sword
What of home!
What of love!
Weep not dear three
Cold turkey tough

Smite that sea
Hold tight your oars
Now heave to Ithaca
South-westwards
Bye Lotus eaters
Trip like land
Love lesson lives
Myth mystery scanned



Isle of the Lotus Eaters (Eclectic Collective featuring SunnyBeck!)

TRILL – Trap x Drill Infuse Beats Album
Step into the raw fusion of trap intensity and drill grit with TRILL, a hard-hitting beat collection built for freestyle sessions, street storytelling, and high-energy flows. Each track layers booming 808s, razor-sharp hi-hats, and haunting melodies to create a soundscape that’s both underground and futuristic. Perfect for rappers, producers, and fans of drill, trap, and experimental hip-hop, this album captures the pulse of Brooklyn basements and global trap arenas alike.

Broken Streets Rap Beat

Gritty Echo Loop Boom Bap Instrumental Beat

Central Cee 'I Will' Type Beat - I WILL

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Shabboo Harper began producing her works, including writing lyrics to hers and other musicians' songs, in 2016. She is the author of hundreds of texts and poems. In addition to her own productions [singles and EPs], released on prestigious labels, she also recorded and published some successful collaborative tracks, albums and unique remixes. The variety of genres is immense from Ambient, Chillout through Dark Techno, Hardcore, Witch House, Electronica, Progressive House, Psytrance and Downtempo. In all artistic projects she always uses her own vocals. Shabboo's favorite styles are: Ambient, Chillout, Neo Soul, Industrial, Experimental and Techno. Her creation is strongly associated with dark, gloomy soundscapes full of mystery and sensuality. Often enriched by captivating melodies and differently shaped background. Music inspires in its diversity, while lyrics encourage to deeper reflection...

(Don't follow me here, best on my main page ;)

Fearless Wisdom

Shabboo Harper

Recent comments

Spiralizer

Cities and Shapes

Tea R. Sea

HighKarma

Related tracks