PARALELO 3_part2

The End Of The World

Buy at: luridmusic.bandcamp.com

Alex from Lurid Music:

'Aggelos first approached Lurid Music with the idea for this project a few months ago. We agreed on one condition, that all proceeds be donated to refugee causes, like we did with his Black Sea EP which supported the Syrian refugee crisis. When Russia invaded Ukraine, we decided our focus had to be helping the Ukrainian refugees who were forced to leave their homes in search of safe havens abroad.

We discussed this with most contributors to the project and the consensus was that donations should strictly go to humanitarian groups and not any armament funds. There were also some thoughts about helping conflict-affected peoples in other parts of the world but we decided it was too much to tackle for a relatively small project like this one.

Therefore, donations stemming from the sales of this release will be distributed to the following humanitarian groups currently active in Ukraine or neighboring countries welcoming refugees:

- International Medical Corps: internationalmedicalcorps.org/emergency-…n-ukraine/
- Urgent Action Fund for Women’s Human Rights - Ukraine Urgent Response Fund: urgentactionfund.org
- Polish Humanitarian Action: www.pah.org.pl/en/donate/
- World Central Kitchen: wck.org/relief/activation-chefs-for-ukraine
credits
released April 1, 2022

Original tracks written and produced by Aggelos Baltas.

Remix duties handled by the following, thank you for bringing your "A game" to this project: A Hand, Adhémar, Aditya Permana, Anna vs June, Ayaz, Black Seed, Bunzinelli, BXP, Cantillate, Christian Coiffure, DimDJ, Facets, Frank Butters, GK Machine, Infuso Giallo, Itzel, Jacques Satre, Krokakai, Komodo, Koyil, Misha Sultan, Mr. TC, NVST, Pannotia, Petros Spatharos, Philipp Otterbach, Poperttelli, Sepehr, Skynet 75, A Strange Wedding, Sun Genam, Tadan, Tagliabue, Tassilo Vanhöfen, T.D.O.S., Théo Muller, Vidock, YNV, Zillas On Acid.

We were fortunate to receive pro bono contributions from four highly-esteemed mastering engineers: Taylor Dupree (www.12kmastering.com), Brian Kage (kagemastering.squarespace.com), Dietrich Schoenemann (completemastering.com) and Tim Vitek (timvitekmastering.com). We are thankful for their meticulous work, especially to Dietrich for enlisting his fellow engineers to help with the massive remix load, 44 tracks are definitely too much for one person to listen to in such a short span.

The artwork was provided by Bill Brown, a Maryland native who lives and works in Ukraine. When the war started, he made his way safely to Germany via Poland. This illustration is an homage to Maria Prymachenko’s “May That Nuclear War be Cursed!”, which also inspired the title of this release. You can follow him on Instagram at www.instagram.com/takomabill/.

T-shirt screen printing was kindly provided by Nolan, a grindcore bassist from Washington DC. You can follow him on Instagram at www.instagram.com/malokul202/'

Vol.1

Black Sea (Sepehr Remix)

What are the differences and similarities between human and artificial sound, between oscillations generated by vocal cords and synthesizer voices, voltage amplified by speakers? On Silencio, his latest album for Tresor Records, Moritz von Oswald works with a 16-voice choir to explore this concept. 

Drawing from the ensemble works of long-standing inspirations Edgard Var&egrave;se, Gy&ouml;rgy Ligeti and Iannis Xenakis, von Oswald and Vocalconsort Berlin delve into the space between sounds, creating a deeply textured collection that shifts between light &amp; ethereal and dark &amp; dissonant. 

As masterfully demonstrated in the early work of von Oswald and Mark Ernestus' influential Basic Channel project, repetition and reduction are key elements here, much in the tradition of techno and minimalism. The vast dynamism of the human voice adds to the profound weight of electronics while offering up a rhythmic source and sonic noise palette unexplored in von Oswald's repertoire. In Silencio, von Oswald dredges a dank murk, pulling clouds over a distant pulse. It hangs, ready to take on new forms. 

The compositions were written in von Oswald's Berlin studio on classic synthesizers, such as the EMS VCS3 &amp; AKS, Prophet V, Oberheim 4-Voice and the Moog Model 15. These abstract recordings were transcribed to sheet music for choir by Berlin-based Finnish composer and pianist, Jarkko Riihim&auml;ki and performed by Vocalconsort Berlin in &Ouml;lberg church in the city's Kreuzberg district, only few metres down the road from where Dubplates &amp; Mastering and Hard Wax opened their doors for music enthusiasts for many years so long. 

The recordings of the choral versions were then incorporated into the synthesized parts of the album and brought into anew electronic context; in Silencio, the focus is not on using one means to imitate the other, but to sonically discuss the tensions and harmonies between the two worlds and create a dialogue between them. 

The relationship between von Oswald and Tresor Records goes back thirty years, all the way to Blake Baxter's Dream Sequence in 1991 - which von Oswald engineered alongside Thomas Fehlmann. The collaboration with Fehlmann lived on, seeing the duo team up as 3MB with Eddie Fowlkes or Juan Atkins. More recently, the Detroit-Berlin connection continued as Juan Atkins &amp; Moritz von Oswald present Borderland. 

For von Oswald, Tresor Records and also the participating guest musicians of the choir, this release brings together audiences from other musical areas, cross-pollinating; Silencio is an album that stands for itself beyond the musical genre boundaries.

BANDCAMP

Moritz von Oswald - Silencio

Acid Test 09.1

Test 7

READ > inverted-audio.com/premiere-nicola-cruz-telepathine

Nous'klaer Audio prepare to release the much-anticipated album from French-born and Ecuador-based producer Nicola Cruz...Our pick is ‘Telepathine‘. Complemented by the perfect dose of beta-carboline alkaloids, the track kicks off with deeply distorted murmurs of mangrove movements and neo-idyllic soundscapes, morphing into a delirium of breaks, ecstatic chants and crystalline trance atmospheres, whisking listeners deep into a network of earthen mounds and buried roads in rainforest area of Ecuador.

@nousklaeraudio
@nicolacruz

Kinesia

Telepathine

Nicola Cruz - Telepathine [Nous'klaer Audio]

Repressed for 2018 - Bandcamp http://found.ee/9ltAz


We are very proud to welcome Djrum to the Samurai labels with a single that marks a more musically open minded approach Red Seal will take from 2015 onwards. Already debuted by Mary Anne Hobbs on BBC 6 Music Recommends and featured in Synkro's mixes for Boiler Room and iD Mag, this 12" is garnering serious interest from the wider electronic community. 

Djrum is an artist we have admired for some time and embodies the individual approach we respect in electronic music artists. An incredible DJ as well as producer, Djrum exists in his own unique musical universe with loose ties to many genre's, but giving the majority of his music a classification often proves futile. Such is the case with his Samurai debut. A pair of sprawling, epic musical moodswings, both sides enchant with their multi layered glide. 

DJ Support from Giles Peterson, Mary Anne Hobbs, Om Unit, Mark Pritchard, Fracture, Stray, Lynx, BOP, John B and more.

https://soundcloud.com/djrum
https://www.facebook.com/DjrumMusic

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