That guy Looks like eren yeager season 4😭

yeass vocode the living death out of this.

this is an unfinished track that got scrapped from the album im working on right now, it was cut because it was started before i really knew what i was going for on this album. i had tried my best to work it into something that felt more aligned with the vision but in the end it just felt like i was covering this thing that never belonged here in bandages, trying to convince myself that it works. i've come to the conclusion that i have to start over with this one, take what i like from it and rebuild it from the ground up, this is going well so far. this said new version will show up on the finished album under the same title

Thunderbolt Meadow (scrapped iteration) [2021]

Yo

It's been a while since I've uploaded anything. I could no longer resist the urge to share the things I've made recently that are more representative of my current musical style. I also wanted to use that to help officially mark the transition between my old alias, "Syrge," and my real name, "Sam Guild," under which I'll be releasing music from here on out.

Also don't mind the awkward and rushed transitions lmao - those aren't what this is about

Syrge / Sam Guild - WIP Showcase 2021

@shacull
http://fanlink.to/shacullmusic
www.twitter.com/shacullmusic
www.instagram.com/shacullmusic
https://shacullmusic.bandcamp.com
https://open.spotify.com/artist/4hXJGNsIadcYe0ayKdi8um?si=haQApHfVSD-vFy7FLZS0dw

A distance between, 
permeating root and soil 
'til the very world
is blurred, 
and all you can hear 
is ringing.

The Silence Is Deafening

BUY VIA BANDCAMP

The Silence is Deafening

• https://fanlink.to/nothing-to-fear

I'm proud to finally announce my first proper release; 'Nothing to Fear.' Huge props to @skarjala for the guitars!

Nothing to Fear

Nothing to Fear (feat. Altertone)

https://open.spotify.com/album/6Kj9588aZGNMwgdbDoOhZ1?si=ruquPjxkQNaqyznkfxG0SQ

I'm writing an album of vocal pop songs

Cyclone

https://open.spotify.com/album/6Kj9588aZGNMwgdbDoOhZ1?si=ruquPjxkQNaqyznkfxG0SQ

Bandcamp: https://lesliedoesmusic.bandcamp.com/album/blank-slate

I'm writing an album of vocal pop songs

Parasocial

@oakscreen, prod in 24h for anv7
piano from @ninthparallel,  guitar from julie k + @jaronsteele

loving love, with oakscreen

@e-veryday

e-verynight is a track created through a long game of musical telephone. The intention of the game is to compose a piece of music out of a series of short audio clips from a group of people. We formed a long chain of people, and created musical gestures based on the sound from the previous person in the chain, without having heard any of the other sounds. It is similar to exquisite corpse, but with sound.

Started and completed in one day for the 1 year anniversary of e-veryday, October 2022. 

Participants include:

Alexander Panos
Canopy
Echo Map
False Noise
Frequent
Hudson Lee
Jesse Hamel
Luka Beatovic
Meech
Izzy Kramer
O-Prime Delta
Oakscreen
Otrapic
Plusol
Rissan
Sam Guild
Samuel Marquis
Sebastian Vydra
Thorjn
Voljum
Zach Schwadel

Cover art & video by Zach Schwadel

Get it!

e-veryday - e-verynight

• https://fanlink.to/wismers-comet

'Wismer’s Comet' is a composite of memories spent catching the night sky from a place I deeply cherish. I’ve been sitting on this one for a long time so I’m glad to be finally sharing it with the world, hope you enjoy <3

Wismer's Comet

@samuelmarquis

Refractional anisotropy is a scalar value between zero and one that describes the degree of anisotropy of a diffusion process. A value of zero means that diffusion is isotropic, i.e. it is unrestricted (or equally restricted) in all directions. A value of one means that diffusion occurs only along one axis and is fully restricted along all other directions.

"We have tried to define in the case of Western music (although the other musical traditions confront an analogous problem, under different conditions, to which they find different solutions) a block of becoming at the level of expression, or a block of expression: this block of becoming rests on transversals that continually escape from the coordinates or punctual systems functioning as musical codes at a given moment. It is obvious that there is a block of content corresponding to this block of expression. It is not really a correspondence; there would be no mobile "block" if a content, itself musical (and not a subject or a theme), were not always interfering with the expression. What does music deal with, what is the content indissociable from sound expression? It is hard to say, but it is something: a child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off. We wish to say that these are not accidental themes in music (even if it is possible to multiply examples), much less imitative exercises; they are something essential. Why a child, a woman, a bird? It is because musical expression is inseparable from a becoming-woman, a becoming-child, a becoming-animal that constitute its content. Why does the child die, or the bird fall as though pierced by an arrow? Because of the "danger" inherent in any line that escapes, in any line of flight or creative deterritorialization: the danger of veering toward destruction, toward abolition."

- Deleuze & Guattari, A Thousand Plateaus

Art by Samuel Marquis and Zach Schwadel: www.instagram.com/zschwadel/

Samuel Marquis - Social Suicide Machine

Original description 2019.05.10:

The release of this piece is also an announcement that I am in the process of creating my debut album, which includes and is represented by Cycles. It’s a long road ahead, but I want to thank everyone who has shown their support thus far. I can promise you the end result will be honest, captivating, and sincerely unlike anything you’ve heard before — this is just the beginning.

Cycles

because i can
shane/hazel
discord: abq.kid

The Silence is Deafening

shane mccullough

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