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Bhar Do Jholi, Amjad Sabri

Singer: Sanam Marvi
Language: Punjabi

Sanam Marvi returns to Coke Studio this Season with the soulfully poignant ‘Yaar Vekho’. Based on the raag Bhopali, the song is a reflection of a moment in time that contains a message that remains as relevant and powerful today as it was in the years it was conceived. The song is an amalgamation of observations by the Sufi poets Sultan Bahu and Sachchal Sarmast – from different times yet with views and themes that have spanned almost 600 years worth of human thought. Thematically, the song focuses on the eternal idea of being within the world but not of it – to aspire for a higher understanding of the concept of Mercy within the various faces and trials of the world. The verses mention that while in the world of custom and ritual, in the search of true freedom and enlightenment, one must look inside and find Mercy. The song’s tone is solemn yet with a tinge of hope that is demonstrated through the instrumentation and arrangement of the String Orchestra and the melancholic beauty of the Piano. With the acoustic guitar feel, the song becomes a listening experience that is almost nostalgic.

The song’s overall flow emphasizes on the simplicity of forlorn thought that accompanies the process of inner realization and hopes for a semblance of peace. Ultimately, the song urges for Resolution to be found within.

Yaar Vekho - Sanam Marvi

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Sajjad Ali and Fariha Pervez return to Coke Studio with Jhoolay Lal. The Coke Studio composition spans the entire breadth and length of our soil, infusing a modern folk flavor to the song. The arrangement offers a diverse palette of flavors, textures and sounds that come together to enrich Jhoolay Lal.

Jhoolay Lal” a prayer which is as old as the river Indus itself, is commonly appropriated across the subcontinent. Traditionally a dhamaal, the song is intended to surrender oneself to the rhythm of universality. The lyrics praises the virtues of the revered Sufi saint Hazrat Lal Shahbaz Qalandar (AS) of Sehwan, celebrating the spiritual link asvaseela from him to his quintessential pir, Hazrat Ali (AS). The Coke Studio version maximizes the harmony of Fariha & Sajjad’s voices; their voices are suffused with joy, strength and fragility in equal measure.

The Coke Studio houseband adds a more modern sense of percussions to the original dholak and tabla beats whilst Tanveer Tafu’s rubab solos and Sajid’s flute provides an eloquent yearning counterpoint to the song.

Jhoolay Lal – Sajjad Ali & Fariha Pervez

Mashallah


سن ١٩٨٥ کی بات ہے جنرل ضیاء الحق نے غیر اعلانیہ طور پہ ٹی وی اور ریڈیو پر فیض احمد فیض اور ان کے کام پر پابندی لگا رکھی تھی . جنرل ضیاء الحق کے پاکستان میں نہ صرف فیض احمد فیض بلکہ ساڑھی پہننے پر بھی پابندی تھی- ایسے میں الحمرا ہال لاہور میں فیض احمد فیض کی سالگرہ پر ایک تقریب کا اہتمام کیا گیا جس میں اقبال بانو نے انتظامیہ کی ہدایت کے برخلاف سلک کی ساڑھی پہن رکھی تھی یہ گیت گیا تھا
" ہم دیکھیں گے، لازم ہے کہ ہم بھی دیکھیں گے" 
ہجوم تھا کہ ہال کے باہر تک جمع تھا . مجبوراً دروازے کھلے رکھنے پڑے . ہجوم کے اسرار پر لاؤوڈ سپیکر باہر بھی رکھنے پڑے جیسے ہی اقبال بانو نے گیت شروع کیا لوگوں نے اس کے ساتھ گانا شروع کر دیا لوگوں کا جوش و خروش دیکھ کر پولیس نے ہال کی بتیا ں بجھا دی لیکن پورے لاہور نے یہ گیت گایا - اس گیت کی کوئی ویڈیو موجود نہیں ہے آڈیوو میں اپ کو لوگوں کا جوش اور ولولہ صاف سنائی دے گا -


Hum Dekhenge- IQBAL BANO (اقبال بانو۔ ہم دیکھیں گے)Faiz.MP3


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Classic

Shah Wali