Isto é uma brincadeira já antiga que nunca tinha chegado a gravar. Talvez a letra possa ser considerada menos séria comparando com outras minhas mas como gosto de pensar que alguém que escreve pode ser multifacetado e não se cingir só a um tipo de escrita e porque a criatividade tem várias faces aqui está esta...

LETRA:
cadência frenética potência eléctrica
provoco violência evoco assistência médica
pros inimigos atingidos por este qaqui tá
chamem-me pai natal pq é W.G. quem lhe dá
se nisto és um germe e tu não me dás crédito
limpo-te o sebo q o meu rap é antisséptico(anticéptico)
o rap básico já é passado e no
presente o inteligente é q é clássico
mediocridade tá fora de tempo genialidade é intemporal
tão assim mato tempo pq é tempo de criar um temporal
isto é rápido é 100 á hora
numa hora faço 100 rimas de borla
é talento gratuito pq isto n me custa nada
pois com prazer debito em qlqer batida pesada
deixo wacks fora de vista sem eu ser miupe
e neste beat faço a minha cena como diz o ice cube 



Cadencia frenética potencia eléctrica
coloco inteligência, toco na eloquência métrica
rimo com tds os dentes faço rimas contundentes 
e eu faço com q tu entres na minha mente  qé contra-corrente
eu sou o walgood, tou entre a vertente de aluno excelente
e a de docente com dicas decentes em q toda a gente sente q isto é q rende
pq é diferente do q se faz sempre, tão digo q tou presente
e deixo o meu lugar nisto bem assente, mantenho a chama acesa a tua nem acende
freneticamente cadente, a maioria é decadente
as rimas tão cá dentro as tuas nem existem lamento

Walgood - Cadência Frenética mp3

*Adaptação do arranjo da faixa de mesmo nome do disco "Os Tincoãs" (1972)

Bixiga 70 (2013)

Gravado no Estúdio Traquitana entre 13 e 17 de maio de 2013.
Produzido e arranjado por Bixiga 70.
Gravado por Evaldo Luna, Junior Zorato, Betinho.
Mixado por Victor Rice no estúdio Copan.
Masterizado por Fernando Sanches no estúdio El Rocha.
Arte por MZK.

bixiga70.com | traquitana.org

Deixa A Gira Girá (Domínio Público)*

Grit and Bear It

X On My Picture

Out NOW on LP, Digital, CD and Tape! Purchase from our Bandcamp http://wonderwheelrecordings.bandcamp.com/album/silt

Wonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called “The New Star Of Nubian Pop” by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as “East African Retro Pop” - it’s music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it’s Eastern instrumentation, soaring vocal melodies, and pentatonic arrangements. 

The album has it’s musical roots in the Nubian “Songs of Return” that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that went under water after Egypt built Aswan High Dam to control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade – a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band’s musical curiosities in the concept of migration and Silt is their take on this mixed with the musical fusion happening in 1970s Khartoum, along with Arabic and North African influences appearing in the mix. 

Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named 1 of the Top 5 “Must Hear” international albums by NPR). She has also collaborated with French producer Débruit on the album Aljwal, released this past November via Soundway Records UK. 

The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and the Festival du Mond Arab in Montreal just to name a few. 



Nuba Noutou

All guitars and vocals for this song was recorded at home.
The song is a duet with the amazing Mayteana Morales.

Eye Of The Storm

A song by Edie Brickell and New Bohemians, released in 1988.
This version was recoded and mixed in 2013 by Daniel Searrato.

Circle

Download/Stream: streamlink.to/FilteredAfricanBluesEP
Oscar P & FNX Team Up For Filtered African Blues

For the past 25 years Oscar P has been fusing afro-latino and deep house influences from NYC, Chicago, and Detroit to create a unique sound that defines his style today. 
His discography has grown over a variety of labels including Strictly Rhythm, Tool Room, Yoruba, Kolour Recordings, Open Bar Music, MoBlack, Naughty Boy, and Balance Music. As a producer, he’s done remixes for Mark Farina, KiNK, Soul Minority, Jamiroquai, Adele, Omar, Todd Terry, & Physics.

FNX is one of the pillars of the house music movement in Morocco. After the success of his remix of “Candela” by Southern Groove (a #1 Top 100 seller) his impressive compositions opened up the international doors. Projects soon followed on labels like Offering Recordings, Seres Producoes, SOLE Channel Music, TRIBE, MoBlack Records, Open Bar Music, United Music, and Muzik 4 Tomorrow.

Published: Azu Music BMI and Seres Produções

Circle

Shahar Mintz

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